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MON
FEB 12, 2007

What can I say? I like their music. I've listened to 2004's Underachievers Please Try Harder probably 1,000 times. Especially the song "Teenager." ("He was uncomplaining as a tree/Not a thing like me.") They are the size and approximate sound of Belle & Sebastian. And they are also from Glasgow, which Daniel Dafoe once called "the paradise of Scotland." You should go to this show with someone you want to do sweet things to. (Neumo's, 925 E Pike St, 709-9467. 9 pm, $12 adv, all ages.) by Christopher Frizzelle

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So, the concept behind the monthly event Bring Your Own Projector is that you lug your own, um, projector (Super 8, video, whatever) into the basement of the Alibi Room. Then everyone points his or her cinematic treasures at the wall at the same time to produce a wild visual cacophony. The concept of this BYOP theme night is that you bring only fitness videos—homemade or commercial, DVD or VHS—and "excessercise!" Workout gear encouraged. (Alibi Room, 85 Pike St, #410, 632-3180. 8 pm—midnight, free, 21+.) by Annie Wagner

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Also Suggested Today: Camera Obscura Bring Your Own Projector

TUE
FEB 13, 2007

Ladies (and gays), if you find yourselves without a valentine this year, get your lonely asses to a theater right quick and fill your hearts with gorgeous joy by ogling the tasty Mr. Columbus Short in Stomp the Yard. The star of this Karate Kid—meets—8 Mile—meets—West Side Story flick has got moves hotter than Michael Jackson circa Thriller, and Short is drop-dead-dreamy sex-bomb cute. Swoon! (See Movie Times for more info.) by Megan Seling

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WED
FEB 14, 2007

The Stranger's annual feel-good smash returns for the 10th and final time. Bring mementos of love gone wrong—wedding rings, ancient mix tapes, painful mash notes—and Dan Savage, our very own love and vengeance expert (mostly vengeance), will destroy them live onstage before a packed house. Maybe he'll use a sledgehammer. Maybe he'll use a blender. Maybe he'll even fire up the blowtorch. Regardless, it will be hilarious and healing. (Neumo's, 925 E Pike St, 709-9442. 8 pm, free, 21+.) by Bradley Steinbacher

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THU
FEB 15, 2007

Our Land Is Our Land is a screening of video work by New York—based artist/musician Ronnie Bass and his friends. It is organized around the idea of popular songs and popular aspirations. In the case of Bass's video, Our Land, the popular aspiration is utopia, which in his magical vision involves cloning, community, labor, and microchips. The thoughts of Marx are always near such social fantasies. (Henry Art Gallery, 15th Ave NE and NE 41st St, 543-2280, 11—5 Tues, Wed, Fri, Sat, and Sun, 11—8 Thurs, $10 general, $6 senior/student.) by Charles Mudede

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FRI
FEB 16, 2007

Portland artists Stephanie Robison and Paula Rebsom lay traps. Robison's three sculptures—one, Mattressland, was at the CoCA annual this year—are soft and messy but based in the hard mechanics of, say, Jessica Stockholder. They're not too cute, either. The sweetness of the hand-stitched fabric trees spilling their stuffing in their cage of loose scaffolding atop a cove makes the title, Cave-In, a reference to catastrophe and to hippie utopia. Rebsom's two nighttime photographs, of wood-cutout coyotes in a backyard and badlands in a front yard, are as amusing as eerie, even though both responses shouldn't be possible at the same time. (Form/Space Atelier, 1907 Second Ave, 448-2302. Noon—5 pm, free.) by Jen Graves

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As one half of the legendary Hollertronix, DJ Low B (along with partner Diplo) set the standard for hip, genre-busting dance parties of the young thousands. Post Hollertronix, Low B has made himself an emissary for Bmore Gutter Music and continued to rock clubs from coast to coast with his blends of hiphop, new wave, crunk, indie, electro, and everything else. Four Color Zack and Pretty Titty hold down the same kitchen-sink style of DJing locally, and dirty dance squad the Deep Vs kill that old Seattle stiffness—Chop Suey is about to get real, real low. (Chop Suey, 1325 E Madison St, 324-8000. 9 pm, $5, 21+.) by Eric Grandy

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Also Suggested Today: 'Designated Landmarks'Sing Sing

SAT
FEB 17, 2007

The official line on the exhibition Life After Death: New Leipzig Paintings from the Rubell Family Collection is that it presents "the 21st century's first bona-fide artistic phenomenon." Serious critics have not accepted this hyperbole as truth, but they often consider it, which is a testament to the massive appeal of the crew of figurative painters, including Neo Rauch and Tilo Baumgärtel, who were "protected... against the influence of Joseph Beuys" and postwar abstractionism by being shut behind the Berlin Wall, in Leipzig. Now, they're out, and this is their only stop on the West Coast. (Frye Art Museum, 704 Terry Ave, 622-9250. 10 am—5 pm, free.) by Jen Graves

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SUN
FEB 18, 2007

The Shins at the Paramount will be a spectacular show, and here's why: The band has all the spine-tingling musical grandeur it takes to fill up the massive, elegant theater, and the humble good humor to make such a space still seem somehow intimate. It's a feat I've only ever really seen Belle & Sebastian pull off, but there's no doubt the Shins will do every bit as good a job. Their new single is phenomenal (really, Frizzelle), their back catalog is even better, and hearing these songs blown up to life-size will be a treat. (Paramount, 911 Pine St, 467-5510. 8pm, $25, all ages.) by Eric Grandy

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