i was just thinking about how much i missed dfw being in the world the other day. i'm glad this is coming out, and sad it won't be finished the way he would have if he could have. reading "infinite jest" at 17, too young to understand it, but old enough for it to help me ace the SAT vocab sections are part of what made me who i am today.
I miss the feeling: knowing that DFW was out there somehere. It was like knowing that superman was out there to save us all.
I am also keenly aware that this very feeling (multiplied by thousands of individuals around the world) contributed to the depression that ultimately took DFW from the world.
Franzen was right. He chose you over his family. Strangers over intimates; abstraction over reality. The adulation of morons and analysis of pedants. He was too honest with the faceless and nameless. And after reading this, I can sense the anger in those who actually knew him and are hurt. Good review, I guess.
Your opening reminded me of the book that 'Rolling Stone' writer wrote about touring the country w/ DFW. At one bookstore stop some handler says, "We're going to record the Q&A digitally, if that's okay.." and DFW says, "You mean only yes or no answers?" Or something like that.
My first question after getting started on this book was:
"Do IRS agents really get a new SSN that starts with a 9?!"
So I called up someone who works for the IRS and was told that this is not currently true, but may have been in the mid-80s. More specifically, people who are unable to get a legit SSN but still want to pay taxes (or, more likely, claim a child for a tax break on taxes they are paying under a stolen SSN), can be issued a special type of SSN that does start with a 9. It's called an ITIN.
Now, without spoiling anything, think about what he is telling you in the chapter where he drops this information. He is giving you a very important message about the book, and then starts by lying to you (assuming it wasn't true during the 80s as well).
Paul
this is a lushious reply to dave's wondrous text, yet get beyond the horses, section 1 (previously titled "Peoria (4)," is an essentializing of the text in one of the most finely crafted prose poems this experienced poet has seen, let alone from the lad who used to scoff at the poets in fiction workshops who wanted to "talk about the language."
the craft of the piece's catalog of weeds turned by the winds alone is a rhythmic dream sequence; as w.c. williams always said, "No ideas but in things." Then the section's ultimate command, "Read these." coming directly after the depiction of the dried tracks of the horsepatties turned up by the crows in search of nourishment, now that's a map of what follows, is it not?
such quibbles aside, the piece of yours overall is quite a bit better than droll, and spot on in the notion that one of the key aspects of incompletion is the obvious need for each reader to offer one's own diagram, if not full text, to connect the shreds left flailing like tin in the breeze following behind a big wind.
moral monsters of the id, no, super ego, oh.
nevermind
I am also keenly aware that this very feeling (multiplied by thousands of individuals around the world) contributed to the depression that ultimately took DFW from the world.
Anyway, also one of my favorite pieces of yours...
"Do IRS agents really get a new SSN that starts with a 9?!"
So I called up someone who works for the IRS and was told that this is not currently true, but may have been in the mid-80s. More specifically, people who are unable to get a legit SSN but still want to pay taxes (or, more likely, claim a child for a tax break on taxes they are paying under a stolen SSN), can be issued a special type of SSN that does start with a 9. It's called an ITIN.
Now, without spoiling anything, think about what he is telling you in the chapter where he drops this information. He is giving you a very important message about the book, and then starts by lying to you (assuming it wasn't true during the 80s as well).
Lovin' it.
this is a lushious reply to dave's wondrous text, yet get beyond the horses, section 1 (previously titled "Peoria (4)," is an essentializing of the text in one of the most finely crafted prose poems this experienced poet has seen, let alone from the lad who used to scoff at the poets in fiction workshops who wanted to "talk about the language."
the craft of the piece's catalog of weeds turned by the winds alone is a rhythmic dream sequence; as w.c. williams always said, "No ideas but in things." Then the section's ultimate command, "Read these." coming directly after the depiction of the dried tracks of the horsepatties turned up by the crows in search of nourishment, now that's a map of what follows, is it not?
such quibbles aside, the piece of yours overall is quite a bit better than droll, and spot on in the notion that one of the key aspects of incompletion is the obvious need for each reader to offer one's own diagram, if not full text, to connect the shreds left flailing like tin in the breeze following behind a big wind.
moral monsters of the id, no, super ego, oh.
nevermind