From afar, Stranger Genius Award nominee Amanda Manitach's block prints look like inner thoughts (or perturbing greeting cards) punched into colorful stains. Get closer, and you'll realize that these stains are elaborate patterns that may evoke Victorian wallpaper. Manitach's artistic process is demonstratively physical: She rubs patterns into splashes of color, getting herself "dirty" in the process. She says: "I see my work as a task of both consciously and subliminally sorting out the experience of a female trying to make expressive marks—a task that has found uncanny resonance for me with the history of female hysteria." Like her sexualized, meme-y T Shirt Girls series or Nothing Left to Say, which took material from Frances Farmer's autobiography, Dirty interrogates popular and private verbal expressions of femininity.