Drawing Line into Form is an exhibition of 2-D objects by artists who usually make 3-D objects. The pieces, from the Bank of New York Mellon collection, are by Sol LeWitt, Maya Lin, Jim Dine, William Kentridge, Anish Kapoor, Huma Bhabha, Louise Bourgeois—the list goes on. There is also a sketch by Swiss artist Pipilotti Rist, whose psychadelic video installation, A la belle étoile, is currently disorienting audiences at the Henry Art Gallery.
$10.
Love Me Tender: Punny! James Charles, Maximo Gonzales, Barton Lidicé Benes and Mark Wagner, and others use money as both a medium and a symbol to ask questions about value, commodity, and identity. $10.
Mosaic Arts International 2013: Nearly 50 artists working with materials ranging from glass and ceramic to dinosaur bones display their work in this juried exhibition. $12.
Plastics Unwrapped expands upon the prescient sentiment of Mr. McGuire in The Graduate: plastics. Unwrapped acknowledges that this prevalent and troublingly useful substance is thoroughly integrated into every aspect of our lives, and asks us—through works presented in a variety of mediums—to make thoughtful choices. $10.
Punctum/Poetry: Seattle high-school students working with Arts Corps share poems inspired by photos from MOHAI’s archive.
$14.
Sean Scully: Passages/Impressions/Surfaces: A portfolio of a dozen photographs from the Outer Hebrides of Scotland will be paired with a large-scale oil painting by the artist—who's far better known for his paintings. This time, we'll get to see what he brings to photography.
$10 suggested.
CO-MIX: A Retrospective of Comics, Graphics and Scraps made by Art Spiegelman, the legendary comic artist whose graphic novel, Maus, won a Pulitzer Prize in 1992. Free.
Scissors for a Brush: Remember the paper snowflakes you made in kindergarten? Karen Bit Vejle’s large-scale pieces are what you dreamed you could make before you confronted the limitations of your attention span and hand-eye coordination, not to mention those dumb safety scissors. The exhibition also features some never-before-seen-in-the-US paper cuts by Hans Christian Andersen.
$6.
Small Change: A new project in the Test Site from MFA student Rebecca Chernow that experiments with "reciprocity, barter, debt, and the emergence of markets and related value systems through the creation and distribution of an invented currency." And cigarette butts too, it seems.
$10 suggested.
University of Washington MFA and M.Des Thesis Exhibition: Y'all know what it is already. Student work from artists surviving in the warrens of a giant research university.
$10 suggested.
Out [o] Fashion Photography: Embracing Beauty extends New York scholar Deborah Willis’s journey to the heart of photography. This new exhibition, created in residence at the Henry and especially for the Seattle museum, looks at artistic and ethnographic photography—comparing the images collected by the Henry Art Gallery and the University of Washington Libraries, Special Collections. The result is a surprise bulldozing of the distinctions between high and low, ideal beauty and medical health, sex and sales.
$10 suggested.
Beyond Books: The Independent Art of Eric Carle: The Very Hungry Caterpillar guy is also a painter, glass sculptor, costume designer, street photographer, and poster artist.
$10.
Paper Unbound: Horiuchi and Beyond: Work by the acclaimed Japanese collage artist Paul Horiuchi and the contemporary artists he’s inspired.
$12.95.
Legends, Tales, Poetry: Visual Narrative in Japanese Art: An exhibition at the intersection of visual art and Japanese literary traditions that are thousands (!) of years old.
$7 suggested.
book of the bound is Carletta Carrington Wilson’s latest series of collages, which meld text and image to create narratives that touch on silence and language, on freedom and oppression.
$6.
Maneki Neko: Japan’s Beckoning Cats—From Talisman to Pop Icon: So. Many. Little. Waving. Kitty. Paws. One hundred and fifty five of them, to be precise, in mediums ranging from stone to papier-mâché. This exhibition traces the Maneki Neko’s evolution from source of luck and protection to something more readily recognized as the door greeter to Japanese restaurants. $10.
Uprooted and Invisible looks at the phenomenon of “hidden homelessness” from an Asian American perspective. $12.95.
Mood Paintings of the North: Norway’s most “distinguished” landscape painter, Ørnulf Opdahl, shows new work influenced by Norway’s western coastline. Actually pretty dope for distinguished landscapes.
$6.
Celluloid Seattle: A City at the Movies: MOHAI cracks open its archive to show us our old theaters, including photographs of the chaps in caps and oversize coats who used to watch movies in them.
$14.
The Hudson Flows West: Multiple generations of the Hudson River School are represented in this exploration of the Hudson River as a natural symbol of manifest destiny. Paintings from the museum and loans from private Seattle collections. Free.
Bearing Witness from Another Place marks the 25th anniversary of James Baldwin's death with an exhibit of Sedat Pakay's photographs of the social critic's self-imposed exile in Turkey.
$6.
Premonitions of the Bauharoque: Paul Laffoley makes layered, mandala-like paintings but also throws out big ideas. He attended Brown and Harvard and worked with Andy Warhol and on the World Trade Center. His best-known piece, THE KALI-YUGA: THE END OF THE UNIVERSE AT 424826 A.D. (The Cosmos Falls in the Chaos as the Shakti Orohoros Leads to the Elimination of all Value Systems by Spectrum Analysis), looks like the love child of the board game Sorry and a Pokémon card. This exhibition samples his output from 1965 to today.
$10 suggested.