The Brooklyn artist on How to Stay Alive in the Woods, her fourth solo show at the gallery. Free.
Co-curators Phen Huang and Greg Kucera offer a walking tour of this soon-to-close exhibition. Free.
Robert Hardgrave: Drawings and other paper-based, wild-pattern-happy work for this Seattle artist’s first solo exhibition at Cullom. Free.
Check out the open rehearsals for Stranger Genius Award winner Susie Lee's fusion of dance, technology, and music before the ensemble leaves for the Beijing International Fringe Festival. Free.
Ben Waterman: returns from six-months as a visiting artist to Northern Arizona University with new ceramics that look like they've beaten/fired to within inches of their lives. And then fired again.
Free.
It’s Growing on Me: NEPO House/5K Don't Run organizer Klara Glosova shows the ceramic sculptures and digital photographs that are the product of her efforts to live in the moment.
Free.
Andrea Joyce Heimer: Paintings of dark and funny suburban scenes. Free.
Latent Utility: Present But Not Active Worth: Drawings of natural materials used in a “post-industrial context” from Allyce Wood.
Free.
Metaphors of a Landscape: research-based paintings inspired by study in Phnom Penh by Adrianne Smits.
Free.
Nothing Is as Eloquent as Nothing: Mark Calderon's own statement about the show refers generally to "personal losses," in addition to other specific and universal sorrows, some readily recognizable.
Free.
Octahedron: Eight artists, each making up one side of this show, which includes Jenny Heishman and Sean Gallagher.
Free.
Sherry Markovitz: This artist has been living in Seattle and making art for decades, and at this very moment she’s up for a Stranger Genius Award.
Free.
Alden Mason is a retrospective of the recently departed local legend's work, curated by his former student Greg Kucera of Greg Kucera Gallery and Phen Huang of Foster/White. Free.
The Topography of Cracks: Work by Libby Gerber: Accordion books that lovingly render cracks in what appears to be 1:1 scale. Free.
2nd Amendment: A Visual Dialogue: Gun collectors, gun rejectors, and those who fall in the middle plead their cases in art. Free.
The Obsessive Unknown Origins of Grotesque Irregularity: A group of artists held together by their narrative acumen, penchant for ornament, and “obsessive processes.” Also, the “boundaries of clutter” will be pushed. Includes Casey Curran and Bette Burgoyne. Free.
The Full Nathan: Nathan Vass takes his blog about driving a bus in Seattle into the gallery. Photos, writing, illustration, and film.
Free.
Out [o] Fashion Photography: Embracing Beauty extends New York scholar Deborah Willis’s journey to the heart of photography. This new exhibition, created in residence at the Henry and especially for the Seattle museum, looks at artistic and ethnographic photography—comparing the images collected by the Henry Art Gallery and the University of Washington Libraries, Special Collections. The result is a surprise bulldozing of the distinctions between high and low, ideal beauty and medical health, sex and sales.
$10 suggested.
Meadow Starts with ‘P’: I love you, but you’re too loud!: Meadow Starts With ‘P’ is a family and an art collaborative and a band of mad tinkerers that has constructed a machine that uses marbles to make a lot of semi-pleasing sounds. Free.
The Landscape Evoked: Six artists consider the trickier aspects of depicting space in non-objective landscapes. Free.
How to Stay Alive in the Woods: Naturalist painting, dioramas, and science projects collide and erupt in sculptures and paintings by Patte Loper.
Free.
Otherworld: Group invitational featuring 18 artists and counting. Free.
Glen LaMar/Robert Jones: Sculptures that look like alien musical instruments and paintings that look like things you’d see from a plane, respectively.
Free.
Both Are: a compound love story: Seven artists present new pieces responding to J.D. Salinger's Franny and Zooey. Includes work from Sierra Stinson and Amelia Hooning.
Free.