Shadows Cast: Joel Brock composes rough images from bullet casings, cigarette butts and other discarded pieces of Americana. Free.
Wes McClain and Kristin Tollefson: Wes McClain has been contributing work to BAC since 2006 when he was just a wee ninth grader. Kristin Tollefson makes smaller-scale sculptures (compared to her big public art pieces) in wood, metal, and fabric.
Free.
Pastels and Felted Bowls: If you've been dismissive about felted woolen vessels in the past, Nieburgs's work may make you reconsider.
Free.
Elizabeth McElveen: A Tragic Love and All: black-and-white photography from McElveen's recent trip to Italy. Free.
Nichole Rathburn's hand drawn animations in 1000 Ports and Ron Lambert's overlapping urban grids in City Order and his fragmented landscapes in Land Slices.
Free.
(Un/Re) Attached: John Osgood and Miguel Edwards reveal their months-long collaborative investigation of the forces that separate and connect. By exchanging pieces back and forth between each other, they employ a variety of media and a cyclical concept and process.
Free.
Artistides Atelier Thesis Exhibition: Graduates Bobby di Trani and Stephanie K. Johnson present work completed in their final year at Gage. Free.
Students of the Artistides Atelier: Classical drawing and painting. Free.
CO-MIX: A Retrospective of Comics, Graphics and Scraps made by Art Spiegelman, the legendary comic artist whose graphic novel, Maus, won a Pulitzer Prize in 1992. Free.
Beyond Technique: gallery artists Jacqui Beck, Mark Ditzler, Karen Graber, and Shari Kaufman.
Free.
Brandon Vosika's portraits of sailors with large mustaches and accordions. Vosika "employ(s) drunken sentiments mostly with watercolors," which doesn't make much sense, but still somehow fits.
Free.
little x little: Miniature Print Exhibition is a show of five-by-sevens by the talented Seattle Print Arts artists. Free.
Rough Draft Exploration: Four Northwest artists reveal the preparation that goes into their finished work.
Free.
The Seattle Project is R. Edward Jack's intimate portrait series of gay men.
Free.
The Birds and the Beasts: Todd Horton's motion-blurred paintings and charmingly lumpy Bill Evans's sculptures make up this exhibition/menagerie.
Free.
Broken Mirror/Evening Sky: New York-based Bing Wright (yes, of the Seattle Wrights) takes pretty pictures of sunsets, then busts them up. His lovingly fractured large-scale color photographs are not digitally manipulated. Instead, each sunset is shot, projected on a broken mirror, and that's shot and blown up to make the final print. Their broken surfaces are strangely pristine and glossy, restored to smooth.
Free.
Everything Right and Anywhere Now: dense and tangled landscape paintings from Peter Scherrer.
Free.
Weird Sisters: Kate Lebo, Kat Larson, and Kate Ryan are looking to disrupt systems of meaning involving the feminine, stabbing things with hat pins and poisoning the soup (figuratively). Cooking shows, alchemy, milk, and blood are employed in the melee.
Free.
Set in 18th-century Germany, Itamar Moses (Outrage, Celebrity Row, The Four of Us) composes a fictional story—structured like a fugue—about J.S. Bach vying against German organists who play dirty as they all reach for the position as prime organist and musical director. $20-$40.
Stephen Rock and Michael King: "complex digital works on paper" and "action-painting," respectively.
Free.
The Stranger’s reviews of Cafe Nordo’s experimental dinner-theater-that-isn't-dinner-theater have been mixed. Thadius Van Landingham III thought the dishes uneven and the ambitions unmet in the company’s first show; Bethany Jean Clement found one of last year’s shows long but fairly rewarding, while Paul Constant delighted in the full-body pleasure of another. This spring, a modern spaghetti western. Will it be good, bad, and/or ugly—who can say? $130-$160 for season's membership, $600 for Chef's Table.
Fred Birchman/Julianna Heyne: A variety of new work from Birchman, including a wood and found-object installation and dozens of mixed media works on paper. Dry, hot oil paintings of the John Day fossil beds from Heyne.
Free.
Scissors for a Brush: Remember the paper snowflakes you made in kindergarten? Karen Bit Vejle’s large-scale pieces are what you dreamed you could make before you confronted the limitations of your attention span and hand-eye coordination, not to mention those dumb safety scissors. The exhibition also features some never-before-seen-in-the-US paper cuts by Hans Christian Andersen.
$6.