Print Edition for the week of
Feb. 20 - 26, 2003

Vol. 12, No. 23

Savage Love

Sluts and Isholes

New Column!

I, Anonymous

Film

Fake Beards

Or, My Big Fat Civil War Debacle

Home/Movies

Vakvagany Peers into the Context of Film

On Screen

This Week's New Releases

Film Shorts

Movie Times

Movie Times

This Week on TV

Music

Higher Ground

Kinski's Great Space Coaster

All Ages Action

Front and Center

Verona Steps to the Spotlight

Poster of the Week

Political Thugs

Dead Prez Murder Vapid Hiphop

Club Directory

Heavy Humor

Harkonen Keep the Testosterone Low

Queen of the Scene

The Peels Strut the Right Attitude

Concerts

DJ Listings

CD Review Revue

NW Top Twenty

Live Music Listings

More Up & Coming

Parties Listings

Classical & Jazz

Seattle Festival of Freely Improvised Music

The Electronic Beat

YESIAM

Up & Coming

Underage

At The EMP Skychurch

Theater

On Stage

Annex Scores, Anansi Charms, and Adrian Changes the Subject

Final ACT

A Contemporary Theatre to Fold--Or So We Hope.

Strictly Uncensored

Good Intentions, Mixed Results at Olympia's Sex Workers' Art Show

Theater Listings

Visual Art

Dot Dot Dot

The Secret Life of Circles

In Arts News

Visual Arts Listings

Books

Poets Against the War

Great for Sam Hamill's Career, but Good for Poetry?

Readings Listings

Food & Drink

The Metropolitan Grill

Dry-Aged, Time-Honored

News

Just Shut Up

Nobody gives a shit what anti-war or pro-war writers think. Really. So shut up. That goes double for poets. Shut the hell up, poets. Everybody just shut up.

Sherman's March

I Went to the Antiwar Protest Looking for the Dumbest Protester. I Found Him: the Keynote Speaker.

Mick Flynn's Radical T-Shirt

I Went to Tacoma's McChord Air Force Base, and All I Got Was This Pro-War T-Shirt

Frank Talk

Post-Intelligencer Big Guns Strike Back at Frank Blethen and the Seattle Times

In Other News...

Five to Four

Police Beat

Letters to the Editor

Last Days

The Week in Review

I Love Television

It's My Party

Celebrity I Saw U

Control Tower

Public Editor

The Stranger: A Critical Overview