Logan Lucky is a caper movie that combines the style and sensibility of Soderbergh's biggest crowd pleasers (Ocean's Eleven, Out of Sight) with the dusty Southern outlaw vibe of 1970s films like White Lightning or Moonrunners. The result is an odd hybrid of masterful filmmaking and a kind of culture-jamming impulse that walks a tightrope between savviness and condescension. The red state drag show that Soderbergh has convened here feels not merely unconvincing, but a tiny bit uncomfortable, too. That is to say: a bunch of fantastically talented and beautiful movie stars (Channing Tatum, Adam Driver, Riley Keough, Daniel Craig) working really hard to seem at home in NASCAR America, where the American flag battles camo for fashion primacy, where people play toilet seat horseshoes, and an interminably melismatic rendition of "America the Beautiful" by LeAnn Rimes as Blue Angels roar overhead brings grown men to tears. by Sean Nelson