BARELY speaking to the point, but... does purchasing art at this level really have anything to do with this piece of art, or art itself? Museums are banks for these people, we could just as well be talking about some volatile money market product. Maybe this better explains why a fucking pastel version of the thing went so high. The only aspect the buyer likely cares about its the value.
I understand that, to people like Saltz, this is their entire world, so of course they'll have plenty to say on it, but it's almost a conversation better left to bankers and auction house proprietors (and anthropologists?) than anyone interested in art.
"The prices of "priceless" things are predicated on nothing but the ability of the extremely rich to pay them." Um, NO. The prices of "priceless" things are predicated on the consensus of perceived value over extended periods of time.
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