The 20 minute noise assault at the end of the set is pretty much just pink noise (http://en.wikipedia.org/wiki/Pink_noise). I imagine that there is some tie in with the A/V from the show and cover art for Loveless.
Debbie Googe definitely deserves credit for being a physical moving presence on stage too. Colm definitely was energetic no doubt, but as a drummer, he has to sit in one place. Deb was the only one who maneuvered around in a relatively lunging motion. The juxtaposition of Deb & Colm vs. Bilinda & Kevin is one major reason for making this band odd and interesting as a live act
Posted by
mackro mackro on April 28, 2009 at 12:26 PM
Agreed - seeing MBV live is where you see how essential the drumming is to the music - it's the Isn't Anything vibe more than the Loveless drum machine vibe that makes the live show so pounding and is the perfect juxtaposition to the ethereal guitars. Not to leave out the bass playing, either, it takes on a much bigger presence live than on the records.
The albums exist in immortality on their own merits but so do the live shows - in 1992 and again now I had the same overblown feeling of seeing something I would never see anywhere else. There's really just nothing else like it.
Was MBV still using pre-recorded tracks for last night's show? I seem to remember on last year's tour some of the guitar parts were on tape, and the drummer had to play along to a click track on some songs.
Posted by
Mr_Friendly on April 28, 2009 at 3:38 PM
Comments (7) RSS