I'm not very interested in watching some black dude slaughter a bunch of white people, so much as I am interested in why that never actually happened, and what that says. I like art that begins in the disturbing truth of things and then proceeds to ask the questions which history can't.
Among those truths, for me, is the relative lack of appetite for revenge among slaves and freedmen. The great slaughter which white supremacists were always claiming to be around the corner, was never actually in the minds of slaves and freedman. [...]
I am certain that my earliest attractions to the USCT had everything to do with the presence of guns, and the possibility of vengeful badassery. I found very little of that. I did find a lot of courage, a lot of humor, and a lot of pain over family divided by auction blocks. [...]
It was the same with my studies of the Underground Railroad. If you read William Still's compendium of escapes, you find very few revanchists. Instead you see an incredible number of people who escaped, not because of the labor or torture of slavery, but because a relative was sold or because they, themselves, were about to be sold to family. Slave revenge has the luxury of making slavery primarily about white people.