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      <title>The Stranger, Seattle&#39;s Only Newspaper: Slog: Film</title>
      
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      <pubDate>Wed, 19 Jun 2013 00:00:01 -0700</pubDate>
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        <item>
    <title>Spoiled Rotten: Man of Steel</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/18/spoiled-rotten-man-of-steel</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Here&#39;s something non-spoiler-y: &lt;a href=&quot;http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-man-of-steel-christian-link-20130617,0,927296.story?track=rss&quot;&gt;According to the &lt;em&gt;LA Times&lt;/em&gt;&lt;/a&gt;, Warner Bros. is distributing religious &lt;em&gt;Man of Steel&lt;/em&gt; resource packs to &lt;strong&gt;pastors who want to include lessons from &lt;em&gt;Man of Steel&lt;/em&gt; in their sermons&lt;/strong&gt;. You can see what those lessons entail at the&lt;a href=&quot;http://manofsteelresources.com/&quot;&gt; &lt;em&gt;Man of Steel&lt;/em&gt; Ministry Resource site&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Now. If you&#39;re looking for a spoiler-free review of &lt;em&gt;Man of Steel&lt;/em&gt;, you can &lt;a href=&quot;http://www.thestranger.com/seattle/man-of-steel-superman-gets-in-a-very-long-fight/Content?oid=17004836&quot;&gt;find my review right here&lt;/a&gt;. After the trailer, I&#39;m going to be talking about the climax of &lt;em&gt;Man of Steel&lt;/em&gt;. Let me repeat: You should assume that &lt;strong&gt;everything after the trailer is made out of spoilers&lt;/strong&gt;. (I&#39;ll get back to that ministry thing after the jump, too.)&lt;/p&gt;
&lt;p&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/T6DJcgm3wNY&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;
              &lt;p&gt;I&#39;m going to have to arrange this as a spray of random thoughts:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8226;&lt;/strong&gt; &lt;strong&gt;Superman doesn&#39;t kill&lt;/strong&gt;. Say what you will about &lt;em&gt;Superman II&lt;/em&gt;&amp;#8212;that was an oversimplified editing choice that is corrected in the Donner Cut of the film&amp;#8212;and &lt;a href=&quot;http://scans-daily.dreamwidth.org/2725231.html&quot;&gt;John Byrne&#39;s 1986 Superman reboot&lt;/a&gt;&amp;#8212;that was shitty storytelling&amp;#8212;but I think one of the most important things about Superman is that he doesn&#39;t kill. So when Superman intentionally snaps the neck of General Zod at the end of &lt;em&gt;Man of Steel&lt;/em&gt;, it retroactively soured me on the rest of the film. Comics writers &lt;a href=&quot;http://thrillbent.com/blog/man-of-steel-since-you-asked/&quot;&gt;Mark Waid&lt;/a&gt; and &lt;a href=&quot;http://brianmichaelbendis.tumblr.com/post/52972785066/what-were-you-feelings-opinions-about-man-of-steel&quot;&gt;Brian Michael Bendis&lt;/a&gt; both published thoughtful reviews about the killing and the collateral damage and why &lt;em&gt;Man of Steel &lt;/em&gt;might be a decent sci-fi movie, but is a shitty Superman movie. I agree with much of what they said. (Waid, by the way, is the writer who decided that Superman should be vegetarian. I absolutely agree with that decision. More than even Batman, Superman is all about saving lives, not taking them.) I wanted more scenes of Superman saving individual people. I hoped until the very last second that Superman would find another way out of the climactic situation, because that&#39;s what Superman does. I would have been so impressed with the film if the filmmakers had managed to find another way out of killing Zod. But they didn&#39;t, and the climactic moment of the movie&amp;#8212;the act that the whole movie was building toward&amp;#8212;was Superman breaking somebody&#39;s neck. I wasn&#39;t impressed. I was mostly just sad.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8226; &lt;/strong&gt;And this is why that religious stuff I mentioned above the jump especially gets my panties in a twist. &lt;em&gt;Man of Steel&lt;/em&gt; is definitely not a Christian movie. The amount of death that happens off-screen&amp;#8212;cleanly, without mention&amp;#8212;is astronomical. You can&#39;t make those sorts of visual cues to 9/11 and also suggest that everyone got out of those collapsing buildings alive. We know what happens when buildings fall down. The only individual human lives that Superman explicitly tries to save at the end of the film is the family that Zod is about to incinerate, right in front of him. So the message to me is that collateral damage is fine, but when you&#39;re faced with violence directly, you should employ any means necessary to stop the violence. That&#39;s not a message that a Superman movie should be sending, and it&#39;s definitely not a strong Christian message. It does very much remind me of the American response to the War on Terror, where we applaud surgical air strikes that are made far away from the personal level, but we get squeamish when we see photos of torture. &lt;strong&gt;Death and destruction is fine as long as we don&#39;t directly have to look at it&lt;/strong&gt;. This is a sermon that a pastor would want to make? &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8226;&lt;/strong&gt; The &lt;em&gt;Daily Planet &lt;/em&gt;stuff was pretty dumb. &lt;a href=&quot;http://mightygodking.com/2013/06/17/man-of-steel-movie-of-tedium/&quot;&gt;Jim Smith at MightyGodKing&lt;/a&gt; described the Perry White and Steve Lombard scenes best: &quot;the only reason we have to care about them is that they&amp;#8217;re &lt;strong&gt;going to be Superman&amp;#8217;s coworkers in the future&lt;/strong&gt;.&quot; That said, I am totally in favor of Lois Lane figuring out who Clark Kent is in the very beginning of the movie. It made her into a smart reporter. &lt;em&gt;That&lt;/em&gt; said, I have a hard time imagining how Clark Kent is going to pass off as not-Superman in the next movie.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8226;&lt;/strong&gt; And so let&#39;s talk sequel. There&#39;s a possibility that the film&#39;s creators can make &lt;em&gt;Man of Steel2  &lt;/em&gt;fix a lot of my complaints: The collateral damage and the death of Zod could become the Waynes-in-Crime-Alley traumatic moment that makes Superman into Superman. But that&#39;s a very tall order. If it does happen in a convincing way, though, I reserve the right to go back and adjust my opinion about &lt;em&gt;Man of Steel&lt;/em&gt; for the positive. I&#39;m not convinced it will happen, especially if the sequel really is &lt;a href=&quot;http://www.cinemablend.com/new/Can-Man-Steel-2-Really-Open-2014-38104.html&quot;&gt;fast-tracked for next year&lt;/a&gt;. The acting was mostly great, and Zack Snyder, when he&#39;s not directing his own writing and kept on a short leash, is a great director of beautiful blockbusters, so there&#39;s a possibility that the next movie could be something special. I have higher hopes for &lt;em&gt;Man of Steel 2&lt;/em&gt; than I do for, say, &lt;em&gt;Amazing Spider-Man 2&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8226;&lt;/strong&gt; A lot of critics are being accused of wanting the movie to be a Donner-like Superman. That&#39;s not true in my case. I&#39;m not crazy about the Donner Superman movies. I think that take on Luthor was awful, I think there were quite a few moments that demonstrated terrible storytelling, I think a lot of the movie hasn&#39;t aged well. I hated &lt;em&gt;Superman Returns&lt;/em&gt; precisely because it hewed too closely to Donner&#39;s movie. But I do think that for the vast majority of his fictional &quot;life,&quot; Superman has been portrayed as a man who does the right thing because it&#39;s the right thing, a hero who never kills, and someone who can rescue people when there&#39;s absolutely no hope. I think he&#39;s the one superhero who should always be okay for kids, who doesn&#39;t need a dark-and-gritty take.  Ultimately, I guess this movie just wasn&#39;t for me, and that&#39;s fine&amp;#8212;not every movie can be for me!&amp;#8212;but I love the Superman character and I&#39;m disappointed that they decided to go this way with him.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;(Thanks to Slog tipper &lt;strong&gt;Renee &lt;/strong&gt;for the link to Man of Steel Resources.)&lt;/em&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/18/spoiled-rotten-man-of-steel#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Film</category>
        
          <category>Nerd</category>
        
      
    
    

    
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    <pubDate>Tue, 18 Jun 2013 12:29:02 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Why Yes, Orson Welles DID Do the Narration for the Revenge of the Nerds Trailer</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/17/why-yes-orson-welles-did-do-the-narration-for-the-revenge-of-the-nerds-trailer</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/Hw6zrInbtQE&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Thank you, &lt;a href=&quot;https://twitter.com/Criterion&quot;&gt;Criterion Collection Twitter feed&lt;/a&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/17/why-yes-orson-welles-did-do-the-narration-for-the-revenge-of-the-nerds-trailer#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>History</category>
        
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    <pubDate>Mon, 17 Jun 2013 13:43:25 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>What Do You Think of the Wolf of Wall Street Trailer?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/17/what-do-you-think-of-the-wolf-of-wall-street-trailer</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;The newest Leonardo DiCaprio/Martin Scorsese pairing has a trailer, and it looks like it&#39;s all about wretched excess:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/iszwuX1AK6A&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Something weird to think about: Robert De Niro and Scorsese made eight films together. DiCaprio and Scorsese have now made five. I think Leo&#39;s going for the record.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/17/what-do-you-think-of-the-wolf-of-wall-street-trailer#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 17 Jun 2013 13:29:58 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Seattle Central Community College Confirms That the Egyptian Is Closing at the End of the Month</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/17/seattle-central-community-college-confirms-that-the-egyptian-is-closing-at-the-end-of-the-month</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Last night, &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/16/egyptian-theatre-to-close-at-the-end-of-this-month&quot;&gt;I published a rumor &lt;/a&gt;that the Landmark Theatres chain would be &lt;strong&gt;closing the Egyptian Theatre at the end of this month&lt;/strong&gt;. As far as I can see, Landmark hasn&#39;t released any statement on the theater&#39;s closing, and they haven&#39;t gotten back to my requests for comment. &lt;/p&gt;
&lt;p&gt;I just got off the phone with Janet Grimley, the interim director of communications for Seattle Central Community College, which bought the Egyptian building in 1992. Grimley confirms: &quot;Landmark informed our person that handles those leases on &lt;strong&gt;May 1st&lt;/strong&gt; that they were going to be out by the end of June.&quot; Grimley says she doesn&#39;t know why Landmark made that decision. &lt;/p&gt;
&lt;p&gt;So what&#39;s going to happen to the building? &quot;We own it, and we intend to keep it,&quot; Grimley says. She can&#39;t confirm that SCCC will definitely keep the space as a movie theater, saying that &quot;we&amp;#8217;re &lt;strong&gt;open to suggestions or ideas&lt;/strong&gt;&quot; for what to do with the space. So has anybody made overtures on the space? &quot;Nothing has gotten serious,&quot; Grimley says, and then she clarifies, &quot;nothing that I&amp;#8217;m aware of.&quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;UPDATE 12:39 PM&lt;/strong&gt;: Just got an e-mail from Lauren Kleiman at Landmark Theatres. She confirms: &quot;The theatre will be closing, with the last day of film set for &lt;strong&gt;Thursday,  June 27.&lt;/strong&gt;&quot;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/17/seattle-central-community-college-confirms-that-the-egyptian-is-closing-at-the-end-of-the-month#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 17 Jun 2013 11:26:16 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Egyptian Theatre to Close at the End of This Month</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/16/egyptian-theatre-to-close-at-the-end-of-this-month</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.capitolhillseattle.com/2013/06/capitol-hills-the-egyptian-movie-theater-slated-to-close/&quot;&gt;Capitol Hill Seattle Blog says &lt;/a&gt;the Egyptian Theatre is closing at the end of this month. Film lover &lt;a href=&quot;http://theendofcinema.blogspot.com/&quot;&gt;Sean Gilman&lt;/a&gt; (who appropriately enough tweets as &lt;a href=&quot;https://twitter.com/TheEndofCinema&quot;&gt;@TheEndofCinema&lt;/a&gt;) sets the closing date as June 27th.&lt;/p&gt;
&lt;p&gt;&lt;blockquote class=&quot;twitter-tweet&quot;&gt;Another &lt;a href=&quot;https://twitter.com/LTSeattle&quot;&gt;@LTSeattle&lt;/a&gt; theatre gone. As of June 27th the Egyptian Theatre is closed. That&#39;s three in just over two years.&lt;br /&gt;&amp;#8212; Sean Gilman (@TheEndofCinema) &lt;a href=&quot;https://twitter.com/TheEndofCinema/statuses/346307198965665792&quot;&gt;June 16, 2013&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;script async src=&quot;//platform.twitter.com/widgets.js&quot; charset=&quot;utf-8&quot;&gt;&lt;/script&gt;&lt;br /&gt;&lt;blockquote class=&quot;twitter-tweet&quot;&gt;&lt;a href=&quot;https://twitter.com/pobrecito&quot;&gt;@pobrecito&lt;/a&gt; Don&#39;t know. Apparently SCCC was unhappy with their lease proposal. Maybe they got a better offer (like w/Neptune &amp;amp; Metro).&lt;br /&gt;&amp;#8212; Sean Gilman (@TheEndofCinema) &lt;a href=&quot;https://twitter.com/TheEndofCinema/statuses/346308071112466432&quot;&gt;June 16, 2013&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;script async src=&quot;//platform.twitter.com/widgets.js&quot; charset=&quot;utf-8&quot;&gt;&lt;/script&gt;&lt;/p&gt;
&lt;p&gt;Landmark Theatres, which runs the Egyptian (as well as the Harvard Exit, the Guild 45th, The Seven Gables, the Varsity, and the Crest), has not yet issued a statement. We don&#39;t yet know if the Egyptian is staying open under new ownership, or if it&#39;s simply closing for good, so you might want to wait to make your &quot;Capitol Hill/Cinema is dead&quot; arguments until we know the whole story.&lt;/p&gt;
&lt;p&gt;My heart goes out to the employees at the Egyptian, who have always been absolutely wonderful movie nerds.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/16/egyptian-theatre-to-close-at-the-end-of-this-month#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Death</category>
        
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    <pubDate>Sun, 16 Jun 2013 18:27:46 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>What Do You Think of Mega Tickets?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/14/what-do-you-think-of-mega-tickets</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Paramount &lt;a href=&quot;http://www.joblo.com/movie-news/paramount-testing-the-waters-with-a-mega-ticket-for-brad-pitts-world-war-z&quot;&gt;announced a test program&lt;/a&gt; for select theaters in Pennsylvania, California, Texas, and Georgia: For $50, you can buy a &quot;mega ticket&quot; to &lt;em&gt;World War Z.&lt;/em&gt; &lt;a href=&quot;http://www.joblo.com/movie-news/paramount-testing-the-waters-with-a-mega-ticket-for-brad-pitts-world-war-z&quot;&gt;According to JoBlo&lt;/a&gt;, a mega ticket involves: &lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;-One (1) adult admission ticket to the 6/19 advance 3D show of &lt;em&gt;World War Z&lt;/em&gt;&lt;br /&gt;-One (1)&lt;strong&gt; HD digital copy &lt;/strong&gt;of movie when available* &lt;br /&gt;-One (1) pair of &lt;em&gt;World War Z&lt;/em&gt; collector&#39;s custom 3D glasses** &lt;br /&gt;-One (1) official limited-edition movie poster &lt;br /&gt;-One (1) small popcorn &lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;I like the idea of bundling a downloadable digital copy of the movie with the price of a ticket, but the rest of this&amp;#8212;the advance screening, the poster, the custom 3D glasses&amp;#8212;doesn&#39;t really interest me. And I can&#39;t believe they&#39;re &lt;strong&gt;not throwing a soda in &lt;/strong&gt;with the small popcorn. But how about you?&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/14/what-do-you-think-of-mega-tickets#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 14 Jun 2013 15:19:22 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Pandora&#39;s Promise: Pro-Nuclear Environmentalists?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/14/pandoras-promise-pro-nuclear-environmentalists</link>
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      <dc:creator>Gillian Anderson</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:462px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/6cd4/1371242598-pandora22.jpg&quot; alt=&quot;pandora22.jpg&quot; title=&quot;&quot; width=&quot;450&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;While people are quick to dismiss&lt;strong&gt; nuclear energy&lt;/strong&gt; as bad, &lt;em&gt;Pandora&amp;#8217;s Promise&lt;/em&gt; looks at how some leading environmentalists have converted to support its use. Many activists have become disillusioned with the traditional environmental approaches to climate change. They claim that &lt;strong&gt;the concerns are so dire&lt;/strong&gt;, that non-carbon-producing nuclear is the best current solution to mitigate the effects of our years of fossil-fuel guzzling.&lt;/p&gt;
&lt;p&gt;The film makes a surprisingly persuasive argument. Experts on the scientific side explain the&lt;strong&gt; ways that nuclear energy technology has advanced&lt;/strong&gt; (new reactors recycle waste back into fuel) and examine what they say is misinformation (inflated radiation fears, that conservation and alternative energies could be enough). The reality is we will need more and more power, and we cannot continue to &lt;strong&gt;extract every last bit of oil, coal, and natural gas&lt;/strong&gt;, then burn it and send it into the atmosphere. The film lays out the benefits of nuclear energy: It is clean, it doesn&amp;#8217;t pollute the air, it doesn&amp;#8217;t damage the ozone, and it produces large amounts of energy, which is inexpensive for consumers. One environmentalist says: &amp;#8220;To be anti-nuclear is basically to be in favor of burning fossil fuels. I finally had to change my mind.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/pandoras-promise-a-documentary-that-may-change-your-opinion-of-nuclear-power/Content?oid=17010200&quot;&gt;Continue Reading&gt;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Pandora&#39;s Promise&lt;/em&gt; opens today at the Harvard Exit.&lt;/p&gt;
        
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        <media:title type="html">&lt;i&gt;Pandora&#39;s Promise&lt;/i&gt;: Pro-Nuclear Environmentalists?</media:title>
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    <pubDate>Fri, 14 Jun 2013 14:00:22 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Lynn Shelton&#39;s Next Film Features NO HOT LEZZIE ACTION</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/14/lynn-sheltons-next-film-features-no-hot-lezzie-action</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;From today&#39;s &lt;a href=&quot;http://www.nypost.com/p/pagesix/no_sex_on_knightley_set_jVbzbkT2fJRAfGeErkaZxJ&quot;&gt;New York Post&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&lt;strong&gt;No sex scene for Keira Knightley, Chloe Grace Mortez despite rumors&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Fans who got excited over reports of a steamy love scene between Keira Knightley and Chlo&amp;#235; Grace Moretz in their upcoming movie, &amp;#8220;Laggies,&amp;#8221; may be in for a disappointment. Web reports surfaced this week trumpeting, &amp;#8220;No one is talking about the physical scenes yet, but Keira and Chlo&amp;#235; will be seen together and &lt;strong&gt;there will be some lesbian love action.&lt;/strong&gt; It&amp;#8217;s set to be very saucy.&amp;#8221; But a source on the film&amp;#8217;s Seattle set tells Page Six: &amp;#8220;There is a completely false rumor going around that Keira, 28, and Chlo&amp;#235;, 16, have an intense lesbian hookup scene &amp;#8212; &lt;strong&gt;this is completely untrue.&lt;/strong&gt;&amp;#8221; The source joked, &amp;#8220;Chloe and Keira will have to find another vehicle if they want to hook up on-screen,&amp;#8221; adding that the movie is actually about a woman &amp;#8220;stuck in a state of extended adolescence and unsure of how to respond to a marriage proposal,&amp;#8221; who &amp;#8220;ends up hiding out for a week with her new, 16-year-old BFF.&amp;#8221; The rumors might have started because director Lynn Shelton&amp;#8217;s previous pictures, &amp;#8220;Humpday&amp;#8221; and &amp;#8220;Your Sister&amp;#8217;s Sister,&amp;#8221; revolved around sexual plot twists.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Four years after &lt;em&gt;Humpday&lt;/em&gt;, Shelton&#39;s still denying America the explicit same-sex love scenes it thinks it wants. Good work!&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/14/lynn-sheltons-next-film-features-no-hot-lezzie-action#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 14 Jun 2013 10:43:30 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Short Film Friday: Put a Comedy on It</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/14/short-film-friday-put-a-comedy-on-it</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;This week&amp;#8217;s short film is &amp;#8220;Put A Rainbow On It,&amp;#8221; a fine piece of comedy by two local directors, Sid Jordan &amp;amp; Selma Al-Aswad, who are members of the group &lt;a href=&quot;http://www.reteachinggenderandsexuality.org/&quot;&gt;Reteaching Gender and Sexuality&lt;/a&gt;. We all know that the rainbow flag stands for gay pride. But is the flag enough? Or, more worrying yet, is it in danger of becoming meaningless&amp;#8212;what you get is just the flag as the beginning and end of gayness? Inspired by &lt;em&gt;Portlandia&lt;/em&gt;&#39;s &lt;a href=&quot;http://www.youtube.com/watch?v=0XM3vWJmpfo&quot;&gt;&quot;Put a Bird on It&quot;&lt;/a&gt; skit, the short provides answers to these questions with intelligent and expertly timed wit.  &lt;br /&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;460&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/_zrpxMI5gJg&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/14/short-film-friday-put-a-comedy-on-it#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 14 Jun 2013 08:39:59 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Man of Steel: Superman Gets in a Very Long Fight</title>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/9ae0/1371185314-film-superman-570.jpg&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/9ae0/1371185314-film-superman-570.jpg&quot; alt=&quot;Superman: All right, who stole my underpants? Anyone seen a pair of red underpants? Anyone?&quot; title=&quot;Superman: All right, who stole my underpants? Anyone seen a pair of red underpants? Anyone?&quot; width=&quot;500&quot; height=&quot;351&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;b&gt;Superman&lt;/b&gt;: All right, who stole my underpants? Anyone seen a pair of red underpants? Anyone?&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;small&gt;(In the film section this week, you can find &lt;a href=&quot;http://www.thestranger.com/seattle/man-of-steel-superman-gets-in-a-very-long-fight/Content?oid=17004836&quot;&gt;my review of &lt;em&gt;Man of Steel&lt;/em&gt;&lt;/a&gt;, which I had to shear down to 300 words to fit the constraints of print. But since the internet doesn&#39;t have a word count, I thought I&#39;d share my full &lt;em&gt;Man of Steel&lt;/em&gt; review here. This review, as in the one in the film section, is &lt;strong&gt;spoiler-free&lt;/strong&gt;. I really want to talk about spoilers, but I&#39;ll save that for a clearly marked post early next week.)&lt;/small&gt;&lt;/p&gt;
&lt;p&gt;Even though he&amp;#8217;s the original superhero&amp;#8212;let&amp;#8217;s for a moment pretend Doc Savage doesn&amp;#8217;t exist, for simplicity&amp;#8217;s sake&amp;#8212;Superman might be the single hardest superhero to get right. We&amp;#8217;ve heard all the complaints a million times before: He&amp;#8217;s too powerful. He&amp;#8217;s too pure. He&amp;#8217;s too earnest. He belongs to an America that doesn&amp;#8217;t exist anymore. First, the complainers probably haven&amp;#8217;t read Grant Morrison&amp;#8217;s excellent 2005-2008 comic series &lt;em&gt;All-Star Superman&lt;/em&gt;, which gave us a positively positive, folksy-but-godlike Kansas farmboy who could create whole universes and fend off intergalactic threats without breaking a sweat and still managed to tell a terrific story. Second, let it be said that Henry Cavill, in &lt;em&gt;The Man of Steel&lt;/em&gt;, proves those doubters wrong by &lt;strong&gt;giving great Superman&lt;/strong&gt;: He grins a lot, flashing a great big wide welcoming smile that would leave Batman rolling his eyes. And he moves like he&amp;#8217;s indestructible. This is a man who doesn&amp;#8217;t fear stubbing a toe or, say, getting hit by a mack truck, but he is always slightly worried about accidentally crushing these delicate fleshy humans all around him.&lt;/p&gt;
&lt;p&gt;And as you probably already suspected, Amy Adams is a wonderful Lois Lane, a gutsy, smart reporter guided by a strong sense of justice. And Michael Shannon, who is the &lt;strong&gt;closest thing to a Christopher Walken &lt;/strong&gt;our generation is going to get, is a great, creepy General Zod, the nightmare side of the Superman coin: Godlike power honed with military discipline and a pragmatic worldview that puts Kryptonian lives above all else. (And since the score is such a vital part of this film, let&#39;s take a second to mention here with the major players that &lt;em&gt;Man of Steel&lt;/em&gt;&#39;s score, by Hans Zimmer, is absolutely incredible. Superman&#39;s main theme is rousing and catchy and completely original. Most modern film composers could learn a lot by locking themselves in a room with Zimmer&#39;s work for a month or two.) &lt;/p&gt;
&lt;p&gt;The goal with the film is obviously to pull a &lt;em&gt;Batman Begins&lt;/em&gt; for DC Comics&amp;#8217; most recognizable intellectual property. They&amp;#8217;ve even got most of the &lt;em&gt;Begins&lt;/em&gt; team together behind the scenes: David S. Goyer wrote the script, and Christopher Nolan produces. But while &lt;em&gt;Begins &lt;/em&gt;delivered a few surprises and felt like a layered reimagining of the Batman story, &lt;em&gt;Man of Steel &lt;/em&gt;glosses over the same story beats we all know by heart. &lt;/p&gt;
&lt;p&gt;We open on Krypton, which seems to be intentionally the opposite of the cinematic Krypton we&amp;#8217;ve already seen: While Marlon Brando&amp;#8217;s Jor-El walked around a pristine crystal palace, Russell Crowe&amp;#8217;s Jor-El frets over a dusty, brown-and-grey desert land, replete with dinosaur-like creatures and &lt;strong&gt;incredibly phallic machinery&lt;/strong&gt;. (Some of the Kryptonian design feels like floor-model H.R. Giger leavings.) We get to see some of Kal-El&#39;s childhood in Kansas and his God-bless-America upbringing by the Kents (a could-be-better Kevin Costner and Diane Lane). We very briefly meet Perry White (Laurence Fishburne) and the rest of the &lt;em&gt;Daily Planet&lt;/em&gt; masthead before Zod is introduced into the plot and the movie becomes a straight-on conflict. There&amp;#8217;s none of the nimble self-awareness or ingenious reinvention of Christopher Nolan&amp;#8217;s first Batman movie, only good-guy-versus-bad-guy schematics that play out just about the way you figure they will.&lt;/p&gt;
              &lt;p&gt;Credit where it&amp;#8217;s due, though: Zack Snyder&amp;#8217;s direction is beautiful. The decision to go handheld with almost every shot should have been maddening, but it only serves to make the special effects look more realistic: the camera sometimes scrambles to keep up with Superman&amp;#8217;s super-speed, and the flight scenes give off an air of respectful awe. (I saw a non-3D press preview of &lt;em&gt;Man of Steel&lt;/em&gt;, but I&#39;m guessing that the 3D version isn&#39;t worth it, since handheld 3D rarely, if ever, succeeds. Skip the 3D if you can.) Perhaps most impressive of all, with Nolan&amp;#8217;s help, Snyder seems to have finally beaten his addiction to slow-motion shots. But the last forty-five minutes of the film are basically one long fist-fight. While the super-powered antics are impressive at first, and a few clever visual easter eggs are thrown in for the observant, there are about &lt;strong&gt;twenty 9/11s&lt;/strong&gt; thrown into the climax of this movie and it gets to be quite numbing. The effects become more and more abstract, until a bunch of gray pixels smash into a bunch of orange pixels for what feels like a solid half hour. &lt;/p&gt;
&lt;p&gt;So why isn&amp;#8217;t &lt;em&gt;Man of Steel&lt;/em&gt; a better Superman movie? Don&amp;#8217;t get me wrong: It&amp;#8217;s way better than 2006&amp;#8217;s awful &lt;em&gt;Superman Returns&lt;/em&gt;. I wouldn&amp;#8217;t even mind seeing a sequel with this same cast and crew. But it ultimately just can&amp;#8217;t get the character right. I&amp;#8217;m not quibbling over some minor changes from the Superman canon but instead talking about a larger philosophical problem that the movie skates over. (In fact, most of the updates &lt;em&gt;Man of Steel&lt;/em&gt; undertakes are fine or at least not terrible: certain fates of certain background characters have been changed, and mostly for the better; Superman&amp;#8217;s red underpants have disappeared, leaving the Man of Steel with a prominent crotch-bulge; a few motivations have been adjusted.) To put it simply, and to delicately step around spoilers, &lt;strong&gt;this isn&amp;#8217;t a Superman movie I&amp;#8217;d be comfortable bringing a child to&lt;/strong&gt;. Speaking as someone who learned how to read on &lt;em&gt;Superman &lt;/em&gt;comics, that&amp;#8217;s a huge bummer.&lt;/p&gt;
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    <pubDate>Fri, 14 Jun 2013 07:16:11 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Must-See Documentary of the Fall Is About J.D. Salinger</title>
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      <dc:creator>Paul Constant</dc:creator>
    

    
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        &lt;p&gt;And here&#39;s the trailer: &lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;300&quot; scrolling=&quot;no&quot; frameborder=&quot;0&quot; src=&quot;http://movies.yahoo.com/video/salinger-trailer-1-192014811.html?format=embed&amp;player_autoplay=false&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
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    <pubDate>Thu, 13 Jun 2013 16:20:59 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Let&#39;s Take a Trip to the Island of Misfit Movies</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/13/lets-take-a-trip-to-the-island-of-misfit-movies</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;So they&#39;ve finally made a sequel to &lt;em&gt;300&lt;/em&gt;, and here&#39;s the trailer:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/L1-f36Lcljo&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Meanwhile, Arnold Schwartzenegger &lt;a href=&quot;http://www.thearnoldfans.com/news/2013/6/13/arnold-talks-terminator-triplets-conan-predator-with-tafs.html&quot;&gt;has announced &lt;/a&gt;that filming on &lt;em&gt;Terminator 5 &lt;/em&gt;starts in January, and that he&#39;ll be starring as the Terminator.&lt;/p&gt;
&lt;p&gt;And! If &lt;em&gt;Man of Steel&lt;/em&gt; does as well as expected&amp;#8212;&lt;a href=&quot;http://www.thestranger.com/seattle/man-of-steel-superman-gets-in-a-very-long-fight/Content?oid=17004836&quot;&gt;read my review here&lt;/a&gt;&amp;#8212;Warner Bros. wants to immediately follow with another &lt;em&gt;Man of Steel&lt;/em&gt;, then a Justice League movie, and then &lt;a href=&quot;http://www.bleedingcool.com/2013/06/13/report-aquaman-and-wonder-woman-movie-being-considered-for-after-justice-league/&quot;&gt;Aquaman and Wonder Woman movies&lt;/a&gt;. I just don&#39;t think an Aquaman movie can be good. &lt;/p&gt;
&lt;p&gt;And while I&#39;m interested in the idea of a Wonder Woman movie, Warner Bros. hired Joss Whedon to make a Wonder Woman movie, and then&lt;strong&gt; they dumped him&lt;/strong&gt;. Because who&#39;d want to see a superhero movie directed and written by Joss Whedon? When they eventually make a Wonder Woman movie, I&#39;ll have a hard time not comparing it in my head to the Whedon Wonder Woman that never was.&lt;/p&gt;
&lt;p&gt;So my question is:&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/13/lets-take-a-trip-to-the-island-of-misfit-movies#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Film</category>
        
      
    
    

    
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    <pubDate>Thu, 13 Jun 2013 14:19:09 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Now Playing: The World&#39;s Last, Best Buddy Comedy</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/13/now-playing-the-worlds-last-best-buddy-comedy</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/43f7/1371139147-screen_shot_2013-06-13_at_8.55.28_am.png&quot; alt=&quot;Screen_shot_2013-06-13_at_8.55.28_AM.png&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;135&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Cienna Madrid on &lt;em&gt;&lt;strong&gt;This Is the End&lt;/strong&gt;&lt;/em&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Settle your fears, Seth Rogen&amp;#8211;loving stoners: &lt;strong&gt;&lt;em&gt;This Is the End&lt;/em&gt; is hilarious&lt;/strong&gt;&amp;#8212;more hilarious than &lt;em&gt;Superbad&lt;/em&gt;, more outrageous than &lt;em&gt;Pineapple Express&lt;/em&gt;, so shockingly hilarious that you&#39;ll marvel it doesn&#39;t have a NC-17 rating.&lt;/p&gt;
&lt;p&gt;The setup isn&#39;t terribly original, but it is &lt;strong&gt;every Christian&#39;s wet dream&lt;/strong&gt;: James Franco is having a house party when the apocalypse hits. Brimstone blossoms in the Hollywood Hills, fire rains from the sky, and the earth opens up and swallows celebrities whole. Meanwhile, heaven sucks up the worthy, and everyone else&amp;#8212;including Rogen, Jay Baruchel, Franco, Jonah Hill, Craig Robinson, and Danny McBride, all playing warped versions of themselves&amp;#8212;is left to fight over the last scraps of food and licks of water...&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Whole review &lt;a href=&quot;http://www.thestranger.com/seattle/this-is-the-end-the-worlds-last-best-buddy-film/Content?oid=17004833&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;
        
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    <pubDate>Thu, 13 Jun 2013 09:56:46 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Like Snakes on a Plane, Except the Plane Is a Train and the Snakes Are Rich People</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/12/like-snakes-on-a-plane-except-the-plane-is-a-train-and-the-snakes-are-rich-people</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;We&#39;ve already done one poll in the last hour, so I&#39;m not going to clog up Slog&#39;s bandwidth with a poll for your reaction to the &lt;em&gt;Snowpiercer&lt;/em&gt; trailer. And, honestly, the &lt;em&gt;Snowpiercer&lt;/em&gt; trailer needs no poll, because this is &lt;strong&gt;pure, uncut awesome&lt;/strong&gt;. Chris Evans vs. Tilda Swinton on a world-circling train that for some reason carries all the survivors of a wintry apocalypse? Directed by Joon-ho Bong? Um, yes! Yes, please! &lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/r6UmqNuMdY4&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;I cannot wait for this thing to sweep the Oscars next year.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/12/like-snakes-on-a-plane-except-the-plane-is-a-train-and-the-snakes-are-rich-people#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 12 Jun 2013 15:20:08 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>What Do You Think of the Magic Magic Trailer?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/11/what-do-you-think-of-the-magic-magic-trailer</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;I really dug &lt;a href=&quot;http://www.thestranger.com/suggests/16867319/andlsquocrystal-fairyandrsquo&quot;&gt;the uncomfortable Chilean comedy &lt;em&gt;Crystal Fairy&lt;/em&gt;&lt;/a&gt;, and it turns out that it was the first part of a two-pack of movies made by director Sebasti&amp;#225;n Silva and star Michael Cera. The second movie in the twofer is titled &lt;em&gt;Magic Magic&lt;/em&gt;. It also stars Cera as a creepy American traveling in Chile, but this one &lt;strong&gt;looks like a horror movie&lt;/strong&gt;. Cera seems to be playing a dim-witted sadist this time around:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/CjKTTYOlkGg&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt; &lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Magic Magic&lt;/em&gt; will be released on video on August 6th. What do you think?&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/11/what-do-you-think-of-the-magic-magic-trailer#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 11 Jun 2013 12:27:24 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Tonight: Fashion and Fitness from Collide-O-Scope!</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/10/tonight-fashion-and-fitness-from-collide-o-scope</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Tonight at Re-bar, the mighty &lt;a href=&quot;http://www.thestranger.com/seattle/visual-parades-for-a-post-i-502-city/Content?oid=16162043&quot;&gt;Collide-O-Scope&lt;/a&gt; offers a night of gawk-worthy fashion and fitness videos. &lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;420&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/B010cqQnhNQ&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;7 pm-11 pm, $6 (plus free popcorn and Red Vines), 21+.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/10/tonight-fashion-and-fitness-from-collide-o-scope#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>City</category>
        
          <category>??!!</category>
        
          <category>Film</category>
        
      
    
    

    
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    <pubDate>Mon, 10 Jun 2013 11:50:44 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>What Do You Think of the Blue Jasmine Trailer?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/07/what-do-you-think-of-the-blue-jasmine-trailer</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Here&#39;s the trailer for Woody Allen&#39;s next movie,&lt;em&gt; Blue Jasmine&lt;/em&gt;, which features a cast including Cate Blanchett, Alec Baldwin, Louis C.K., and Andrew Dice Clay:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/FER3C394aI8&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/07/what-do-you-think-of-the-blue-jasmine-trailer#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 07 Jun 2013 15:18:05 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
  </item>
      
        <item>
    <title>Short Film Fridays</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/07/short-film-fridays</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;This week&amp;#8217;s short film is &amp;#8220;A Life Well Lived: Jim Whittaker &amp;amp; 50 Years of Everest,&amp;#8221; a documentary directed by local filmmaker/cinematographer Eric Becker. The subject of the doc is Jim Whittaker, a Seattleite and handsome octogenarian who in 1963 became the first American to reach the summit of Mt. Everest. Those who are familiar with Becker&amp;#8217;s work will not be surprised the doc&amp;#8217;s impressive editing and photography.&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe src=&quot;http://player.vimeo.com/video/66667105&quot; width=&quot;500&quot; height=&quot;281&quot; frameborder=&quot;0&quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen&gt;&lt;/iframe&gt; &lt;a href=&quot;http://vimeo.com/66667105&quot;&gt;A Life Well Lived &amp;#124; Jim Whittaker &amp;amp; 50 Years of Everest&lt;/a&gt; from &lt;a href=&quot;http://vimeo.com/ericbecker&quot;&gt;eric becker&lt;/a&gt; on &lt;a href=&quot;http://vimeo.com&quot;&gt;Vimeo&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/07/short-film-fridays#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 07 Jun 2013 09:08:01 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
  </item>
      
        <item>
    <title>Cinerama Announces 2D Tuesdays</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/07/cinerama-announces-2d-tuesdays</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Seattle is a city full of great cinema experiences, but the Cinerama will always be my favorite place to watch gigantic summer popcorn movies. The problem is, since the Cinerama&#39;s (beautiful!) renovation, the theater now has 3D capability, and lots of summer popcorn movies show in 3D. But &lt;strong&gt;most 3D is utter shit&lt;/strong&gt;. So I&#39;d go to the Cinerama and I&#39;d like the experience a little less because I had to watch the stupid 3D with a distracting pair of cheap sunglasses over my real glasses. That&#39;s why this news is so exciting:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;blockquote class=&quot;twitter-tweet&quot;&gt;&lt;p&gt;We&#39;re offering 2D screenings of all our 3D films starting with The Great Gatsby this week!Tuesdays will be 2D from now on.&lt;/p&gt;&amp;#8212; Seattle Cinerama (@SeattleCinerama) &lt;a href=&quot;https://twitter.com/SeattleCinerama/status/342418048327749634&quot;&gt;June 5, 2013&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;script async src=&quot;//platform.twitter.com/widgets.js&quot; charset=&quot;utf-8&quot;&gt;&lt;/script&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;2D Tuesdays are a great compromise to this problem. People who love and want to support the Cinerama but who hate 3D should make sure they support this idea.&lt;/p&gt;
&lt;p&gt;&lt;small&gt;(Thanks to Slog tipper &lt;strong&gt;Clinton&lt;/strong&gt;.)&lt;/small&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/07/cinerama-announces-2d-tuesdays#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 07 Jun 2013 07:56:46 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Joss Whedon Says He Doesn&#39;t Plan on Making Avengers 2 Without Robert Downey Jr.</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/06/joss-whedon-says-he-doesnt-plan-on-making-avengers-2-without-robert-downey-jr</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/08/will-money-tear-the-avengers-apart&quot;&gt;I&#39;ve Slogged &lt;/a&gt;about the upcoming salary dispute between Robert Downey Jr. and Marvel&#39;s movie-making division. It looks like Marvel wants to treat the talent in their films the same way they do the talent in their comics: Interchangeable, in service of the intellectual property. But that&#39;s going to be a harder sell with movies than it is with comic books, especially since &lt;a href=&quot;http://www.thedailybeast.com/newsweek/2013/06/05/joss-whedon-on-shakespeare-female-superheroes-and-feminism.html&quot;&gt;it looks like&lt;/a&gt; &lt;em&gt;Avengers &lt;/em&gt;director (and upcoming Marvel TV show &lt;em&gt;Agents of SHIELD&lt;/em&gt; developer) Joss Whedon is in Downey&#39;s corner:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;He is Iron Man. He is Iron Man in the way that Sean Connery was James Bond. &lt;strong&gt;I have no intention of making &lt;em&gt;Avengers 2&lt;/em&gt; without him&lt;/strong&gt;, nor do I think I&amp;#8217;ll be called upon to do that. I don&amp;#8217;t think it&amp;#8217;s in my interest, Marvel&amp;#8217;s interest, or his interest, and I think everything will be fine. But I know that this is Hollywood and you roll with things. You have to be ready for the unexpected. But I loved working with Robert, and everybody knows he embodied that role in a way no one else can. The day he was cast, I went up to [Marvel Studios president] Kevin Feige and said, &amp;#8220;You brilliant son of a bitch.&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thedailybeast.com/newsweek/2013/06/05/joss-whedon-on-shakespeare-female-superheroes-and-feminism.html&quot;&gt;It&#39;s a pretty great interview, and you should read it all&lt;/a&gt;. Whedon also talks about how he hates that there are no female-led superhero movies on the horizon:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;It&amp;#8217;s frustrating to me that I don&amp;#8217;t see anybody developing one of these movies. It actually pisses me off. My daughter watched &lt;em&gt;The Avengers&lt;/em&gt; and was like, &amp;#8220;My favorite characters were the Black Widow and Maria Hill,&amp;#8221; and I thought, Yeah, of course they were. I read a beautiful thing Junot Diaz wrote: &amp;#8220;If you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves.&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Yes.&lt;/p&gt;
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    <pubDate>Thu, 06 Jun 2013 13:04:55 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>&quot;If I Had a Slime Like You in the White House, I&#39;d Puke on You!&quot;</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/04/if-i-had-a-slime-like-you-in-the-white-house-id-puke-on-you</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/04/10/someone-went-and-made-a-documentary-about-morton-downey-jr&quot;&gt;Back in April, I told you about&lt;/a&gt; &lt;em&gt;Evocateur&lt;/em&gt;, the Morton Downey, Jr. documentary that will be appearing at the Grand Illusion from June 28th through July 3rd. The movie now has a shorter, more abrasive, &lt;strong&gt;NSFW-ier&lt;/strong&gt; trailer that makes this thing look even more irresistible. Do not click this link if you&#39;re at work, even if you&#39;re wearing headphones:&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/Uupet3aeIhQ&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Anybody who says society is going to hell in a handbasket needs to watch this trailer to understand that it&#39;s always been this way.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/06/04/if-i-had-a-slime-like-you-in-the-white-house-id-puke-on-you#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 04 Jun 2013 15:07:14 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Rep. Mike Hope has an IMDb Page</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/03/rep-mike-hope-has-an-imdb-page</link>
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      <dc:creator>Cienna Madrid</dc:creator>
    

    
      <description>
        
        &lt;p&gt;It seems that Mike Hope, the retired-cop-turned-personal-trainer-slash-state-representative (R, Everett), has added another notch to his employment belt: &lt;em&gt;aktor&lt;/em&gt;. &lt;/p&gt;
&lt;p&gt;A few weeks ago, Hope scored his own IMDb page (and YOW, &lt;a href=&quot;http://www.imdb.com/name/nm5035477/&quot;&gt;what a page!&lt;/a&gt;) for being cast as &quot;Officer O&#39;Connor&quot; in the film &lt;em&gt;Vampire Soul: Hidden in Plain Sight&lt;/em&gt;. The film&#39;s still in pre-production but Hope&#39;s abs are ready for their release. Here&#39;s one of the photos on his page:&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:412px;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/name/nm5035477/bio#trivia&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/5e5c/1370287341-screen_shot_2013-06-03_at_11.45.35_am.png&quot; alt=&quot;Mike Hope, in the flesh.&quot; title=&quot;Mike Hope, in the flesh.&quot; width=&quot;400&quot; height=&quot;420&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Meneldor Photography&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Mike Hope, in the flesh.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;What&#39;s striking about this portrait&amp;#8212;other than Hope&#39;s dazzling absence of body hair and the way his taut abs seem to sweat salted butter&amp;#8212;is how comfortable this Republican lawmaker feels in publicly sexualizing himself, and how apparently confident he is that appearing greased up and topless won&#39;t damage his political career. (Or maybe he&#39;s counting on &lt;em&gt;Vampire Soul&lt;/em&gt; to catapult him out of politics and into the Hollywood hills?)&lt;/p&gt;
&lt;p&gt;To be clear, I&#39;m not censuring Hope, here. Do what you love, Mike! &lt;/p&gt;
&lt;p&gt;But imagine what would happen a female politician released photographs of herself lubed up and posing in front of &lt;a href=&quot;http://www.imdb.com/media/rm2378738944/nm5035477&quot;&gt;&quot;No Trespassing&quot; signs&lt;/a&gt;. I mean, we get frothed up enough about &lt;a href=&quot;http://www.slate.com/blogs/xx_factor/2013/04/09/maureen_dowd_on_hillary_clinton_s_hair_stop_overanalyzing_the_clothing_and.html&quot;&gt;political women&#39;s hair and shoe choice&lt;/a&gt; (when we all know what&#39;s really important is &lt;a href=&quot;http://www.nytimes.com/2013/06/02/fashion/purse-politics-tote-and-vote.html?pagewanted=all&amp;_r=1&amp;&quot;&gt;their purses&lt;/a&gt;). Just imagine how the public&amp;#8212;and especially that woman&#39;s Republican peers&amp;#8212;would use the photographs as an excuse to belittle and dismiss her.&lt;/p&gt;
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      <media:content
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        <media:title type="html">Rep. Mike Hope has an IMDb Page</media:title>
        <media:description>Mike Hope, in the flesh.</media:description>
        <media:credit>Meneldor Photography</media:credit>
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          url="http://www.thestranger.com/imager//b/square/16941476/5e5c/1370287341-screen_shot_2013-06-03_at_11.45.35_am.png"
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    <pubDate>Mon, 03 Jun 2013 13:58:07 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Fall of Will Smith</title>
    <link>http://slog.thestranger.com/slog/archives/2013/06/03/the-fall-of-will-smith</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;It was a good run, a run that generated billions for Hollywood, a run that sent a second-rate black rapper to a very white region of stardom, the A-list. All of that is over. Smith is now a subject for historians: How did he rise? How long did he last? Why did he fall? What mood defined the twilight of his glory? How does he compare to other historical subjects like Cruise and Gibson? Can we agree that &lt;em&gt;After Earth&lt;/em&gt; was his &lt;em&gt;Water World&lt;/em&gt;? &lt;a href=&quot;http://www.boxofficeguru.com/&quot;&gt;Box Office Guru&lt;/a&gt;:&lt;br /&gt;&lt;blockquote&gt;Will Smith suffered the worst summer opening of his career with the big-budget flop After Earth which settled in at number three with an estimated $27M, about half of what the former bulletproof box office star would normally attract for this kind of movie. Panned by critics, and likely setting itself up for multiple Razzies next year, the Sony release averaged $7,939 from 3,401 theaters.&lt;/p&gt;
&lt;p&gt;The father-son project starred his son Jaden Smith (who got top billing) and was directed by M. Night Shyamalan. Since hitting it big with The Sixth Sense, the filmmaker has only had one movie open worse - 2006&#39;s the Lady in the Water with $18M. With horrible reviews and awful buzz, audiences stayed away from the futuristic action pic. After Earth even fared worse that Smith&#39;s Wild Wild West from 1999 which bowed to $27.7M over the three-day portion of a long holiday weekend on its way to $113.8M.&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;The lesson in all of this?&lt;br /&gt;&lt;blockquote class=&quot;twitter-tweet&quot;&gt;&lt;p&gt;Is Will Smith&#39;s star on the wane? After Earth&#39;s weak box office isn&#39;t the only indicator&amp;#8230; &lt;a href=&quot;http://t.co/moKinxrTO1&quot; title=&quot;http://gu.com/p/3ga35/tw&quot;&gt;gu.com/p/3ga35/tw&lt;/a&gt;&lt;/p&gt;&amp;#8212; Guardian Film (@guardianfilm) &lt;a href=&quot;https://twitter.com/guardianfilm/status/341556171452342273&quot;&gt;June 3, 2013&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;script async src=&quot;//platform.twitter.com/widgets.js&quot; charset=&quot;utf-8&quot;&gt;&lt;/script&gt;&lt;br /&gt;Do not make your work your family.&lt;/p&gt;
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    <pubDate>Mon, 03 Jun 2013 07:15:01 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Uncanny Valley for Idiot Movies</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/31/the-uncanny-valley-for-idiot-movies</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Lots of reviewers are hating the living fuck out of M. Night Shyamalan&#39;s movie &lt;em&gt;After Earth&lt;/em&gt;. &lt;a href=&quot;http://online.wsj.com/article/SB10001424127887324412604578515000854294308.html&quot;&gt;&lt;em&gt;The Wall Street Journal&lt;/em&gt;&lt;/a&gt; asks if it&#39;s &quot;the worst movie ever made,&quot; and the reviewer warns, &quot;I&#39;ve never seen a movie that moves so slowly.&quot; (That reviewer apparently doesn&#39;t watch foreign films, I guess.) As for me?&lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/31/after-earth-possibly-the-best-mediocre-sci-fi-movie-to-come-out-this-year-so-far&quot;&gt; I didn&#39;t totally hate it, but I wouldn&#39;t recommend it either&lt;/a&gt;. At least, I liked it better than the somewhat similar Tom Cruise sci-fi movie &lt;em&gt;Oblivion&lt;/em&gt; that came out earlier this year.&lt;/p&gt;
&lt;p&gt;But here&#39;s an interesting little bit of M. Night Shyamalan trivia: &lt;a href=&quot;http://www.businessweek.com/articles/2013-05-31/m-dot-night-shyamalans-latest-twist-ending-box-office-profit&quot;&gt;&lt;em&gt;Business Week&lt;/em&gt; has created a chart &lt;/a&gt;showing critical responses to Shyamalan movies transposed over profitability of those Shyamalan movies. The chart seems to make sense at first: As the critical responses (as measured in Rotten Tomato scores) get worse and worse, the profitability of the films goes down. The two lines are practically parallel. But then a funny thing happens. As the critical response on his last two films, &lt;em&gt;The Happening &lt;/em&gt;and &lt;em&gt;The Last Airbender&lt;/em&gt;, continues on a steady path downward, the &lt;strong&gt;profitability begins to rise again&lt;/strong&gt;. &lt;/p&gt;
&lt;p&gt;This doesn&#39;t seem to make much sense at first, but here&#39;s what I think is happening: As his popularity waned, all of Shyamalan&#39;s faux-intellectualism was slowly drained from his movies. Even &lt;em&gt;Lady in the Water&lt;/em&gt;, which is one of the worst movies I&#39;ve ever seen, had a patina of smug self-satisfaction to it. It was a movie that clearly thought highly of its own intelligence. But Shyamalan finally became enough of a failure that he decided to go lowest-common-denominator, and that&#39;s when his movies became profitable again. This chart is proof of that &lt;a href=&quot;http://www.brainyquote.com/quotes/quotes/h/hlmencke137243.html&quot;&gt;great old Mencken quote&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;So where will &lt;em&gt;After Earth&lt;/em&gt; fall on this chart? I don&#39;t think it&#39;s quite as dumb as &lt;em&gt;The Happening&lt;/em&gt;, and I&#39;m sure it&#39;ll be more profitable. Even if it bombs, which is a possibility, a Will Smith bomb will be more successful than a late-Shyamalan success. And the critical response has been dreadful. Frankly, though, I&#39;m wondering how many of the reviews are built on the director&#39;s name and reputation. Don&#39;t get me wrong: &lt;strong&gt;Don&#39;t bother seeing &lt;em&gt;After Earth&lt;/em&gt;&lt;/strong&gt;. Maybe half-watch it when you&#39;re stoned one night after you flip across it on cable. But it&#39;s definitely not the worst movie of all time. It&#39;s barely a blip, with a few very pretty moments, and not worth any sort of fuss at all.&lt;/p&gt;
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    <pubDate>Fri, 31 May 2013 15:48:55 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>After Earth: Possibly the Best Mediocre Sci-Fi Movie to Come Out This Year (So Far)</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/31/after-earth-possibly-the-best-mediocre-sci-fi-movie-to-come-out-this-year-so-far</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/30ac/1369895527-screen_shot_2013-05-29_at_10.39.49_pm.png&quot; alt=&quot;Yes, His Name Is Supposed To Be Cypher Raige: How can a man in a white jumpsuit look so completely fucking dour?&quot; title=&quot;Yes, His Name Is Supposed To Be Cypher Raige: How can a man in a white jumpsuit look so completely fucking dour?&quot; width=&quot;500&quot; height=&quot;400&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;b&gt;Yes, His Name Is Supposed To Be &quot;Cypher Raige&quot;&lt;/b&gt;: How can a man in a white jumpsuit look so completely fucking &lt;em&gt;dour&lt;/em&gt;?&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;After Earth&lt;/em&gt; opens with a jarring starship crash. A son, who we will soon learn is named, yes, &quot;Kitai Raige&quot; (Jaden Smith) is terrified and strapped into a seat as all around him people in futuristic jumpsuits panic and scream. &lt;strong&gt;Something serious is going on&lt;/strong&gt;. Then his father, Cypher Raige (Will Smith, who also came up with the story and, one fears, the character&#39;s names) tries to console Kitai, but is blown away in a burst of explosive decompression. These few shots are tense and panicky and they make you feel like the movie started too soon. For a split second while watching these scenes, I thought to myself, &quot;FINALLY, a popcorn sci-fi movie that drops you into the action and lets you learn about the world through context, rather than dull exposition!&quot;&lt;/p&gt;
&lt;p&gt;And then the exposition started, in the form of a flashback. And &lt;strong&gt;holy hell, is it some awful exposition&lt;/strong&gt;, maybe the worst opening exposition in a sci-fi movie since &lt;em&gt;Green Lantern&lt;/em&gt;. We are given the full story of &lt;em&gt;After Earth&lt;/em&gt; in a couple minutes of stultifying voiceover. The Earth was polluted beyond repair, so humanity took to the stars. On a new world, we fought some aliens and won, but the aliens sent down these super-scary monsters (they&#39;re pale and have many legs and interesting jaws, which is to say that they look like just about every other CGI space monster created in the last few years) who are only able to see us when we&#39;re afraid of them. When a human isn&#39;t afraid of these creatures, they&#39;re&lt;strong&gt; totally invisible&lt;/strong&gt; to the creature, which is called &quot;ghosting.&quot; And the biggest, baddest monster-hunter is Cypher Raige, who never shows any fear. Cypher&#39;s son, though, is full of fear. Kitai&#39;s sister was killed by one of the monsters and he wants to follow in his father&#39;s footsteps, but he&#39;s crippled by doubt.&lt;/p&gt;
&lt;p&gt;Finally, when we get back to the thrilling space-crash scenes, which aren&#39;t nearly as thrilling the second time around, Kitai wakes up crash-landed on Earth. His dad&#39;s legs are broken, and he needs to travel 100 kilometers to get the space-beacon that was in the tail of the starship, which broke off during the landing. What follows is your standard Hollywood hero&#39;s journey paint-by-numbers plot, or &lt;strong&gt;a really basic video game&lt;/strong&gt;: Kitai encounters a series of creatures (a leech, a bunch of baboons, a giant vulture) and is challenged but eventually overcomes the creatures one at a time, building, eventually, to a fight with the big boss monster. Did I mention that one of those fear-seeing creatures was on the starship? That&#39;s probably going to be important later on. It all moves along quickly enough, and though there aren&#39;t any surprises, Jaden Smith is a competent actor, and Will Smith is forced to sit still and emote, which feels like a nice change for him. The script is relatively humorless, and it&#39;s not helped by the future-Earthling accents, which sound like a cross between the Kennedy family accent, a fake southern drawl, and a bad British butler.&lt;/p&gt;
&lt;p&gt;But the visuals in &lt;em&gt;After Earth &lt;/em&gt;are the real star. Somehow, just when everybody finally wrote M. Night Shyamalan off as a director, he manages to do something right. While a lot of &lt;em&gt;After Earth&lt;/em&gt;&#39;s suspense comes from standard slasher-movie jump cuts, Shyamalan often manages to sneak &lt;strong&gt;a gorgeous shot &lt;/strong&gt;into the mix to make it all ten times more interesting: A membranous wall of the broken starship catches and opens and closes, as if &quot;breathing,&quot; on the corpse of a passenger who didn&#39;t survive the crash. A pile of dead forest animals is arranged in a particularly alarming way. A toxin causes some disturbing physical side effects. At those few moments, which are scattered throughout the film at seemingly random intervals, you can almost remember a time when people straight-facedly called Shyamalan the next Spielberg. But then something hackneyed happens, and you remember all the shit that&#39;s gone down since those days. As it is, he&#39;s a gifted hack, and that works just fine for the material he&#39;s working with here.&lt;/p&gt;
&lt;p&gt;There&#39;s not a whole lot of science in this science fiction, but I&#39;d still call it a better sci-fi film than this spring&#39;s aggressively mediocre Tom Cruise vehicle &lt;em&gt;Oblivion&lt;/em&gt;. While &lt;em&gt;Oblivion&lt;/em&gt; was a pastiche of a slew of other, better sci-fi movies all wrapped up in an aesthetic cribbed straight from the Apple Store, &lt;em&gt;After Earth&lt;/em&gt; &lt;strong&gt;doesn&#39;t have any pretensions&lt;/strong&gt; about its cinematic sourcing. It&#39;s your standard father-son movie smooshed together with a child-in-the-wild adventure yarn, tossed around with some interesting-looking tech. Unlike &lt;em&gt;Oblivion&lt;/em&gt;, &lt;em&gt;After Earth&lt;/em&gt; at least feels honest about its pedestrian nature, and a little honesty goes a long way with a movie like this.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/31/after-earth-possibly-the-best-mediocre-sci-fi-movie-to-come-out-this-year-so-far#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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        <media:title type="html">&lt;em&gt;After Earth&lt;/em&gt;: Possibly the Best Mediocre Sci-Fi Movie to Come Out This Year (So Far)</media:title>
        <media:description>&lt;b&gt;Yes, His Name Is Supposed To Be &quot;Cypher Raige&quot;&lt;/b&gt;: I&#39;ve never seen a man in a white jumpsuit look so dour.</media:description>
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    <pubDate>Fri, 31 May 2013 07:06:01 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>What Do You Think About the Decision to Limit Trailers to Two Minutes?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/30/what-do-you-think-about-the-decision-to-limit-trailers-to-two-minutes</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.huffingtonpost.com/2013/05/30/movie-trailers-time_n_3359245.html?ncid=edlinkusaolp00000003&quot;&gt;This news has been circling the internet&lt;/a&gt; for the last few days:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;For those ticket buyers who feel that the trailers are the best part of their filmgoing experience, here&#39;s some bad news. According to THR, the National Association of Theater Owners (a.k.a. NATO, but not that NATO) have come up with new guidelines that will&lt;strong&gt; limit the length of movie trailers to two minutes&lt;/strong&gt;. The current industry norm is for trailers to clock in at two minutes and 30 seconds.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;I am one of those people who enjoys trailers as an integral part of the whole moviegoing experience. But I&#39;m kind of ambivalent about this news. I think movie trailers could be treated as an art form independent of the movie. But as it is right now, 99% of the trailers I see feel slapped together by an automatic trailer-making program, so 20 percent less of each shitty trailer might wind up being a good thing. And you?&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/30/what-do-you-think-about-the-decision-to-limit-trailers-to-two-minutes#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 30 May 2013 13:28:35 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Starting Tomorrow at Central Cinema: The Greatest Movie of All Time</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/30/starting-tomorrow-at-central-cinema-the-greatest-movie-of-all-time</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageRight&quot; style=&quot;width:262px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/9c20/1369944970-scaled.screen_shot_2013-05-30_at_1.15.22_pm.png&quot; alt=&quot;scaled.Screen_shot_2013-05-30_at_1.15.22_PM.png&quot; title=&quot;&quot; width=&quot;250&quot; height=&quot;225&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Take it away, &lt;a href=&quot;http://www.thestranger.com/seattle/formative-freakdom/Content?oid=16895110&quot;&gt;Adrian Ryan&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;The genre-busting 1985 film &lt;em&gt;&lt;strong&gt;Pee-wee&#39;s Big Adventure&lt;/strong&gt;&lt;/em&gt; is my first, second, 136th, 27th, and ninth favorite thing in the history of all things. This has been widely and publicly acknowledged. (Please refer to my extensive published works, available in fine dumpsters everywhere.) It not only introduced the world to the triumvirate of Tim Burton, Danny Elfman, and Paul Reubens, it introduced this strange and alienated little weirdo to himself.&lt;/p&gt;
&lt;p&gt;PICTURE IT! Me: a mere child, tortured and prepubescent, in the wastes of Butte, Montana&amp;#8212;pale, hyperactive, and skinny as a nail, weird inside and out. I was dressed, as always, in a relentlessly starched, mercilessly white button-up cotton shirt with gray (or dark gray, occasionally) JC Penney slacks, and (drumroll, please, Danny Elfman!) &lt;strong&gt;a slim red clip-on bow tie&lt;/strong&gt;&amp;#8212;my precious, indispensable tie. It was an accessory I cherished more than oxygen or food. I had a wonderful collection of plastic dinosaur models, too, and T-Rex and Bronto would often accompany me to lunch. Sitting at that lunch counter, my aesthetic and personal resemblance to Pee-wee Herman was so obvious that it bordered on the grotesque. The problem was, he didn&#39;t really exist quite yet. Not that I knew of.&lt;/p&gt;
&lt;p&gt;I was all of 9 years old (roughly the same age as that little girl from Poltergeist who stopped pooping and exploded) when I began wearing my little red bow tie&amp;#8212;booty inherited from my late and allegedly gay uncle Russell, a grade-school art teacher. He was allegedly the gayest dude ever. (I inherited the dinosaur set from him, too, by the way.) Even at that tender age, I was a loner, a rebel, and I entertained neither heroes nor idols. I barely understood what those words meant. That is, &lt;strong&gt;until he came along...&lt;/strong&gt;&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Read the whole thing in &lt;a href=&quot;http://www.thestranger.com/seattle/formative-freakdom/Content?oid=16895110&quot;&gt;this week&#39;s film lead&lt;/a&gt;.&lt;/p&gt;
        
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    <pubDate>Thu, 30 May 2013 13:19:37 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Who Is John Galt?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/29/who-is-john-galt</link>
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      <dc:creator>Paul Constant</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.galtsgulchonline.com/posts/5b79fc/asp3-this-is-john-galt&quot;&gt;The big thinkers over at the &lt;em&gt;Atlas Shrugged&lt;/em&gt; movie site&lt;/a&gt; are taking another poll. (&lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/17/what-would-you-consider-the-number-one-priority-in-the-making-of-atlas-shrugged-part-iii&quot;&gt;Here&#39;s the last one.&lt;/a&gt;) They provide their commenters with two choices:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;If you had to choose, which would you consider the number one priority in casting John Galt? &lt;/p&gt;
&lt;p&gt;A. As long as the actor looks and acts like John Galt, I don&#39;t care what his personal beliefs are. &lt;br /&gt;B. The actor needs to possess a deep understanding of, and passion for, Ayn Rand&#39;s ideas first and foremost. &lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Surprisingly, a majority of the Ayn Rand-heads don&#39;t seem to care as much about the actor&#39;s personal views as long as that actor can act. Maybe the awfulness of the last two &lt;em&gt;Atlas Shrugged&lt;/em&gt; movies have finally convinced them that skill is more important than sincerity.&lt;/p&gt;
&lt;p&gt;And who do the Objectivists see as the ideal John Galt? Benedict Cumberbatch seems to be a popular choice, although there are recommendations for conservative actors Gary Sinise, Kelsey Grammer, Jim Caviezel, and Tom Selleck, too. Daniel Craig, Clive Owen, Nathan Fillion, and even George Clooney are mentioned a few times. Shockingly, only one person mentions &lt;strong&gt;Tom Cruise&lt;/strong&gt;, who for some reason I think would play a great self-satisfied prick.&lt;/p&gt;
&lt;p&gt;But if the actor is a liberal, some of the Objectivists demand some sort of a fealty pledge, including the suggestion that the actor &quot;must do a reading in front of &lt;strong&gt;an oral board of Ayn Rand readers&lt;/strong&gt;.&quot; Others refuse the idea of &quot;a known liberal&quot; taking the role. &quot;No pinkos should be considered,&quot; one reader huffs, while another demands that anyone who is a &quot;major radicle&quot; should be accepted, either.&lt;/p&gt;
&lt;p&gt;Basically, though, none of this speculation matters. As someone who has seen both of the &lt;em&gt;Atlas Shrugged&lt;/em&gt; movies, I assure you that John Galt will be played in the third and final movie by some &lt;strong&gt;soap opera bit player.&lt;/strong&gt; Nobody will ever know that actor&#39;s name. End of discussion.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/29/who-is-john-galt#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 29 May 2013 14:57:11 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>SIFF Picks of the Day!</title>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Recommended films for this wet Wednesday:&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:484px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/012b/1369852043-screen_shot_2013-05-29_at_11.22.56_am.png&quot; alt=&quot;Screen_shot_2013-05-29_at_11.22.56_AM.png&quot; title=&quot;&quot; width=&quot;472&quot; height=&quot;289&quot; /&gt;&lt;/div&gt; (&lt;em&gt;7 Boxes&lt;/em&gt; screens at 6 pm today at SIFF Uptown.)&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:488px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/d587/1369852013-screen_shot_2013-05-29_at_11.22.43_am.png&quot; alt=&quot;Screen_shot_2013-05-29_at_11.22.43_AM.png&quot; title=&quot;&quot; width=&quot;476&quot; height=&quot;330&quot; /&gt;&lt;/div&gt; (&lt;em&gt;The Human Scale&lt;/em&gt; screens at 4:30 pm today at the Egyptian.)&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:486px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/19b8/1369852069-screen_shot_2013-05-29_at_11.23.18_am.png&quot; alt=&quot;Screen_shot_2013-05-29_at_11.23.18_AM.png&quot; title=&quot;&quot; width=&quot;474&quot; height=&quot;284&quot; /&gt;&lt;/div&gt; (&lt;em&gt;The Almost Man&lt;/em&gt; screens at 9:30 pm tonight at SIFF Uptown.)&lt;/p&gt;
&lt;p&gt;Beyond the Paul Constant purview there&#39;s the burgeoning-Rwanda-film-industry documentary &lt;em&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/MovieTimes?narrowByDate=2013-05-29&amp;oid=16644362&quot;&gt;Finding Hillywood&lt;/a&gt;&lt;/em&gt;, the Sundance-approved drama (starring Seattle&#39;s own Paul Eenhoorn) &lt;em&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/MovieTimes?narrowByDate=2013-05-29&amp;oid=16646303&quot;&gt;This Is Martin Bonner&lt;/a&gt;&lt;/em&gt;, and the documentary &lt;em&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/MovieTimes?narrowByDate=2013-05-29&amp;oid=16660704&quot;&gt;Pussy Riot: A Punk Prayer&lt;/a&gt;&lt;/em&gt;. Full SIFF guide &lt;a href=&quot;http://www.thestranger.com/seattle/Siff&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/29/siff-picks-of-the-day#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 29 May 2013 11:35:42 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Come to My Nicolas Cage Film Festival on July 6th</title>
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      <dc:creator>Paul Constant</dc:creator>
    

    
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        &lt;p&gt;If you attended a SIFF movie over the long weekend, chances are you saw this beautiful card splashed across the pre-show presentation:&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/2953/1369768980-cagematch_0520-anim.gif&quot; alt=&quot;CAGEMATCH_0520-Anim.gif&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;281&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Jonathan Depriest/SIFF&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;And I&#39;m here to announce that it&#39;s true! I&#39;m hosting &lt;strong&gt;Nicolas Cage Match&lt;/strong&gt;, a Nicolas Cage film festival, at SIFF Cinema at the Uptown on Saturday, July 6th. And you should come! From 11 in the morning until late at night, we&#39;re showing six Nicolas Cage movies&amp;#8212;&lt;em&gt;Raising Arizona&lt;/em&gt;, &lt;em&gt;Bad Lieutenant: Port of Call New Orleans&lt;/em&gt;, &lt;em&gt;Vampire&#39;s Kiss&lt;/em&gt;, &lt;em&gt;Adaptation&lt;/em&gt;, &lt;em&gt;Con Air&lt;/em&gt;, and &lt;em&gt;The Wicker Man&lt;/em&gt;, in that order&amp;#8212;in a Nic-til-you&#39;re-sick spectacular. Plus: Short Cage-themed videos before the movies, a food truck featuring Cage-themed sandwiches, and other special treats along the way.&lt;/p&gt;
&lt;p&gt;Tickets for the full day of movies are &lt;strong&gt;$35&lt;/strong&gt; (only &lt;strong&gt;$25&lt;/strong&gt; if you&#39;re a SIFF member) and they&#39;re&lt;a href=&quot;http://www.siff.net/cinema/nicolas-cage-match&quot;&gt; on sale right now&lt;/a&gt;. Join me on Fourth of July weekend to celebrate the most intense American film actor of our time in some of his most iconic roles. I promise that this will be &lt;strong&gt;an insane amount of fun&lt;/strong&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/28/come-to-my-nicolas-cage-film-festival-on-july-6th#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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        <media:title type="html">Come to My Nicolas Cage Film Festival on July 6th</media:title>
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    <pubDate>Tue, 28 May 2013 13:04:18 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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