SUN
OCT 4, 2009
'A Confederacy of Dunces'

An adaptation of a favorite book is almost always a colossal letdown. How can it compete with the version in your heart? Book-It's production of A Confederacy of Dunces is exceptional: It is absolutely, unbelievably anti-disappointing. Brandon Whitehead deserves a Nobel Prize for his embodiment of flatulent, grandiose grump Ignatius J. Reilly. The rest of the cast is just fantastic. Mary Machala, the director and scriptwriter, should be the patron saint of adapters. This is funny, funny stuff! You must go. (Center House Theatre, Seattle Center, 684-7200. 2 and 7:30 pm, $35. Through Oct 11.)

MON
OCT 5, 2009
Local Sightings

This thoughtfully curated collection of locally produced shorts, features, and archival films is unafraid of experimentation and steps outside of the standard no-budget tropes of so many amateur productions (seriously, people, enough with the horror comedies). Today's feature is American Collectors, which David Schmader called "fascinating" if "a bit of a rough cut," but worthwhile films are playing all week. (Friday's opening-night selection, The Mountain, the River, and the Road, is a sweet mumblecore love story.) (Northwest Film Forum, 1515 12th Ave, www.nwfilmforum.org. 7 pm, $9.)

TUE
OCT 6, 2009
Sherman Alexie BOOKS / READING
Sherman Alexie

Last year's Stranger Genius for literature is perhaps the greatest reader of his own work in the writing business. He makes his listeners literally slap their knees with laughter one moment and moves them to tears the next. (I've seen it happen.) He's debuting his new collection of stories, War Dances, tonight. Alexie is always at his best when he reads new material. Many of these stories are about bad decisions (hate crimes, affairs), and there's nothing funnier—or sadder—than stories about bad decisions. This reading should be amazing. (Town Hall, 1119 Eighth Ave, 652-4255. 7:30 pm, $5.)

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WED
OCT 7, 2009
Margaret Atwood BOOKS / READING
Margaret Atwood

Though Margaret Atwood has written great novels about perfectly normal subjects (The Edible Woman is a pre-Steinem feminist milestone), The Handmaid's Tale is one of those few books that transcends the irrational science-fiction ghetto to become a book everyone agrees is a full-on classic. Like Tale, Atwood's The Year of the Flood details the small successes and venal failures of a community in a postapocalyptic world. Atwood rarely takes to the touring circuit—this reading could be the last time you get to see her for a very long while. (Town Hall, 1119 Eighth Ave, 652-4255. 7:30 pm, $5.)

Nick Lowe MUSIC
Nick Lowe

Nick Lowe has written some of our era's most poignant ("[What's So Funny 'Bout] Peace, Love, and Understanding"), ebullient ("Skin Deep," "Cruel to Be Kind"), and raunchy gems. Per the latter category, see the immortal 1979 LP Labour of Lust, which contains such beauties as "American Squirm." A sleekly contoured amalgam of country, rockabilly, pub rock, and power pop, Lowe's catalog abounds with instantly catchy tunes and slyly humorous lyrics, which he sings, paradoxically, like a London-bred cowboy. Recognize a master craftsman. (Moore Theatre, 1932 Second Ave, 467-5510. 8 pm, $30.50–$40.50, all ages.)

Also Suggested Today: Margaret AtwoodNick Lowe
THU
OCT 8, 2009
Richard Dawkins FIREBRAND
Richard Dawkins

Christians are right about one thing when it comes to atheists: We can be obnoxious when we confront believers. Usually, being a good atheist means quietly affirming your disbelief and demonstrating atheism's worth by example. But not tonight. Leading atheist rabble-rouser Richard Dawkins reads from his newest book, The Greatest Show on Earth: The Evidence for Evolution. It soundly refutes the dumb Christian argument that evolution is "just a theory." Tonight, let your unbeliever freak flag fly and celebrate your godlessness. (Hec Edmundson Pavilion, 3870 Montlake Blvd NE, 634-3400. 7:30 pm, free.)

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FRI
OCT 9, 2009
'Snaps' PHOTOGRAPHY
'Snaps'

Seattle has a crazy amount of young, new hiphop—think Mad Rad, They Live!, Champagne Champagne, Fresh Espresso, Macklemore. Seattle also has a tireless talent of a photographer named Tyler Soverns who's been documenting it all. Probably best known for his live shots under the moniker Rabid Child, Soverns switched it up for Snaps, pulling the musicians off the stage and into his studio. Opening night will feature Soverns's portraits and a live performance by Murder Dice, and, well, it'll be the place to be seen. (Greenwood Collective, 8537 Greenwood Ave N, Suite 1, 420-1497. 6–9 pm, free.)

'Back to the Soft Rock' THEATER / CABARET
'Back to the Soft Rock'

Joyously inhabiting a self-made universe of placid pop, power ballads, and jazz hands, Mark Siano's Soft Rock Explosion is the well-loved cabaret act devoted to thrilling performances of boring songs. Not-so-secret weapon: the emotion-in-motion that is the Freedom Dancers, who fuel this "music, comedy, and dance spectacular!" that earns its exclamation point. If we're lucky, the show will involve roller skates and spangled body stockings. (Triple Door, 216 Union St, 838-4333. 7:30 pm [all ages], 10:30 pm [21+], $18 adv/$22 DOS.)

Also Suggested Today: 'Snaps''Back to the Soft Rock'
SAT
OCT 10, 2009
HUMP! 5 HUMP!
HUMP! 5

What's HUMP! 5 got? Sluts on the SLUT, gay boys in Dumpsters, straight boys getting pegged. It's got anal hooks, E.T., and Larry King! The Stranger's annual amateur and locally produced porn festival is in its fifth year, and it just keeps getting bigger and better. This year's HUMP! has more films, more shocks, more laughs, and more screenings—most of which are sold out, but rush tickets are usually available five minutes before each show. The audience votes for its favorite films in two categories—funniest and sexiest—and cash prizes are awarded to deserving filmmakers. Once the festival is over, all copies of the films are destroyed. The only place to see HUMP! is at HUMP! (On the Boards, 100 W Roy St, thestranger.com/hump. $20, 18+.)

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