Hey, everybodyâitâs time for the Battle: Los Angeles installment of Count the ClichĂ©s! Here we go: (1) A shot of one guy in the middle of combat while everything around him goes silent and in slow motion? Check. (2) Guy runs out of rifle ammo and then gruffly pulls out his pistol to fight off the enemy? Check. (3) Shot of guy cowering with his hands clasped over his ears and crying as the gunfire rages? Check. (4) Reluctant veteran, gun-shy sergeant who commanded a botched mission is forced back into leadership, but the troops donât trust him? Check. (5) Michelle Rodriguez as a tough Latina soldier? Check!!!
Battle: Los Angeles is basically an action-adventure in the guise of a sci-fi thriller, and the battle scenes are its only worthwhile minutes. Unfortunately, those minutes are few and far between. The great special effects youâve likely seen in the previews? Multiply the length of that commercial by, say, 15 times, and thatâs all of Battle thatâs worth watching. In between are filler scenes and a clichĂ©d plot seemingly hodgepodged from every action/adventure/war film ever made. This wouldnât matter so much if it werenât for the absolutely excruciating claptrap dialogue, most of which plummets out the mouth of Aaron Eckhart (just when you were starting to like him!).
Examples: âI would go to hell and back for youâ (Eckhartâs character to the inept squad leader shortly before heâs killed). âGood luck, rookieâ (a combat vet to an FNG the night before the shit hits the fan). âYouâre the bravest marine Iâve ever metâ (Eckhartâs character to a kid when his civilian dad dies). The phrase âOne thing is clear, the world is at warâ is used what seems like half a dozen times via voice-over news broadcasts. The few minutesâ worth of enthralling CGI and action are not worth suffering through this schmaltzy, cloying, and ham-fisted piece of shit. Hereâs the question: Why is it so hard to combine quality story, acting, and dialogue with quality special effects? District 9 comes to mind, and it should be a role model, but most of the time what we get is another Avatar, Skyline, or 2012. Whatâs the deal? Do too many assholes get involved when thereâs that much money on the line? Directors: Please do better.