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There is no good reason to watch this biopic about an average rapper who brought absolutely nothing new to the game. What is reflected by the movie's lack of substance, of insights, of imagination, is Biggie's own lack of substance, insights, and imagination. Christopher Wallace's rise to fame was no different than a man winning the lottery—it was pure luck. The film, however, makes the opposite case: Not luck but intelligence got Wallace, played by Jamal Woolard, to the top. In one scene set in a high-school classroom, Biggie is shown to be so smart that he is smarter than his math teacher—he points out that the teacher earns $4,000 less than a garbage man. The students laugh at the humiliated teacher, and Biggie pimp-struts out of the class to sell crack on the street. Let's repeat the end of that scene: Biggie walks out of a free education to sell crack on the streets! Worse still, a person with even half a brain would not compare the work of a teacher to that of a garbage man. It's not all about the money—or the Benjamins—you silly rabbit!
Then there's another scene where Biggie is talking to Tupac in some pool hall. (This is supposed to be the time when the two were tight like that—middle finger wrapped around the forefinger.) Tupac tells Biggie that he, as a rapper, is not an important figure to the youth. Malcolm X—he important; MLK—he important; Tupac—nigga, please. In response to this honest self-assessment, Biggie can only think: Man, Tupac is one crazy cat. But Tupac was not crazy; he knew he was nothing more than an entertainer and, like Biggie, not a very good one at that. Both were wik-wik-wack commercial rappers. Both brought death and dishonor to essential truths of hiphop culture (and such truths DO exist). Both sold their souls because they could not sell anything else—they had no imagination or talent.
Stranger Personals
Biggie came out of nowhere, sold some crack, released a couple of
records, fucked some hos, got caught up in some West Coast/East Coast
bullshit, and the bullshit got him shot at the age of 24. And that's
all there is to it. ![]()
Your recent literary work entitled Notorious: Big Fat Nothing can be interpreted as being on the verge of blasphemous to most Hip-Hop fans.
I agree with you that the portrayal of a uneducated, immature, teenager humiliating and lack of respect for a teacher is not only idiotic, but a mockery of an attempt at "Hollywood" making a scene that seems to "Laugh" at what is right and "Glamorize" what is wrong (or in this case, illegal).
In your continuous bashing of the artist (and not the movie), you then include Tupac Shakur (another influential Hip-Hop artist) into, what seems to be, your dreadful discomfort, and obvious unsavory taste for Hip-Hop music. I must say, I am quite surprised that a man with your education, could not see the influential message behind the artist's hard work and perseverance to accomplish a better life worth living for not only for himself but for his mother as well. A boy, who was willing to do "Anything" (even if it meant selling drugs on the corner) to get out from where he was and accomplish something more memorable.
Your message of: "Biggie came out of nowhere, sold some crack, released a couple of records, fucked some hos, got caught up in some West Coast/East Coast bullshit, and the bullshit got him shot at the age of 24. And that's all there is to it."
shows your ignorance of talent and lack of respect to the deceased.
Reading your article definitely help me to realize the bitterness in people, and the envy you have for a young African-American who accomplished more by the age of 24 then you probably will ever do in your lifetime.
Sad, not once did you ever name a lyric, song, or even an album, which makes me further realize that you nothing of the man or his work (only the "Hollywood" version and portrayal). I have news for you - This movie was NOT made for YOU!!
I hope to read more from you - hopefully about something you DO KNOW!!
I will not and cannot respect anyone that rather sell drugs/steal/rob etc.. than further his or hers education.
And to say ANYONE that dies due to his own actions/life style (in this case hanging with gangsters and hoods) should be seen as a hero or leader of the people or a musical niche is to say that the film "Idiocracy" (2006) is the destination of the human race.
Wow Charles,
Your recent literary work entitled Notorious: Big Fat Nothing can be interpreted as being on the verge of blasphemous to most Hip-Hop fans.
I agree with you that the portrayal of a uneducated, immature, teenager humiliating and lack of respect for a teacher is not only idiotic, but a mockery of an attempt at "Hollywood" making a scene that seems to "Laugh" at what is right and "Glamorize" what is wrong (or in this case, illegal).
In your continuous bashing of the artist (and not the movie), you then include Tupac Shakur (another influential Hip-Hop artist) into, what seems to be, your dreadful discomfort, and obvious unsavory taste for Hip-Hop music. I must say, I am quite surprised that a man with your education, could not see the influential message behind the artist's hard work and perseverance to accomplish a better life worth living for not only for himself but for his mother as well. A boy, who was willing to do "Anything" (even if it meant selling drugs on the corner) to get out from where he was and accomplish something more memorable.
Your message of: "Biggie came out of nowhere, sold some crack, released a couple of records, fucked some hos, got caught up in some West Coast/East Coast bullshit, and the bullshit got him shot at the age of 24. And that's all there is to it."
shows your ignorance of talent and lack of respect to the deceased.
Reading your article definitely help me to realize the bitterness in people, and the envy you have for a young African-American who accomplished more by the age of 24 then you probably will ever do in your lifetime.
Sad, not once did you ever name a lyric, song, or even an album, which makes me further realize that you nothing of the man or his work (only the "Hollywood" version and portrayal). I have news for you - This movie was NOT made for YOU!!
I hope to read more from you - hopefully about something you DO KNOW!!
This seems more like a review of the person and not the movie.
Furthermore, most of your idiotic reviews are an attempt at "making funnies." Not impressed.
Since i don't know the answers to those questions since your review failed to address them i thought i would give the answers that your review provided:
Based on this review - are you terrible at your job? Yes! (how about some insight into why the movie didn't work)
Are you a rap/hiphop snob that doesn't see value or substance in anything that achieves commercial success? Most likely - yes.
Are you a profession snob? Yes. Why can't an intelligent person compare the work of teachers to garbage men? They are both public servents. They are both necessary in a civilized society. Both do work that the bulk of the public don't have the stomach for. Don't you remember how disgusting parts of the city were a couple weeks ago when trash service stopped for a couple of weeks?
Mr. Mudede please try to improve your work to at least a satisfactory level, or failing that, become a garbage man.
The truth is most of rap/hip-hop stopped being "hard work" as one comment put it once Eminem got famous. Anyone can rhyme the word "you" with itself ten times and call it a song. The awesome thing is these guys don't even bother to learn music and meter. They steal both of those from the music they sample.
I think almost everyone can admit the only reason rap has any listeners at all is the identity some angst ridden teenagers gain from being involved in something they feel is larger than themselves.
Which brings me back to Biggie. When he WAS famous and all over the radio and television I never could figure out why. His tunes were boring. His voice was boring. His rhymes were barely existent. What was it? Eventually I figured it out. People really liked the idea of a big fat loser getting hot chicks. I mean if that loser could have sex with lots of hot women then so could they... and then they woke up.
Biggie was a commercial rapper who was only as talented as the people who were working for him and the climate of the game at the time.
I don't understand why everyone feels the need to hype Biggie (and Pac) to Savior status.
They're no more or less influential or important than Jay-Z, Weezy, 50 or Kanye.
Commercial music is the same no matter what genre is being represented. Y'alls got played.
Making a movie about either is just an attempt at producing a cash cow.
There are many more people that could have their story told but won't because their names aren't big enough.
Since i don't know the answers to those questions since your "review" failed to mention them i thought i would review what i do know based on your review:
based on this "review" - are you terrible at your job? Yes! You managed to give your thoughts on Biggie, Tupac and Puffy but failed to actually review the movie, which is what you were supposed to be doing.
Are you a rap/hip hop snob that cannot see any value or substance in anything that has commercial success? Probably
Why can't a person with more than "half a brain" compare garbage men with teachers? They are both underappreciated public servants that do work that the bulk of society doesn't have the stomach for. Don't you remember how disgusting parts of the city were after a couple weeks without garbage service? We need garbage men as much or more than we need teachers and if you can't see that it is only because your snobbery is more powerful than your intellect
Mr. Mudede as i reader of this publication i would appreciate it if you could elevate the quality of your work to at least a satisfactory level.
Since i don't know the answers to those questions since your "review" failed to mention them i thought i would review what i do know based on your review:
based on this "review" - are you terrible at your job? Yes! You managed to give your thoughts on Biggie, Tupac and Puffy but failed to actually review the movie, which is what you were supposed to be doing.
Are you a rap/hip hop snob that cannot see any value or substance in anything that has commercial success? Probably
Why can't a person with more than "half a brain" compare garbage men with teachers? They are both underappreciated public servants that do work that the bulk of society doesn't have the stomach for. Don't you remember how disgusting parts of the city were after a couple weeks without garbage service? We need garbage men as much or more than we need teachers and if you can't see that it is only because your snobbery is more powerful than your intellect
Mr. Mudede as i reader of this publication i would appreciate it if you could elevate the quality of your work to at least a satisfactory level.
He was very young when he died, and I don't think it is fair to dismiss someone's work as being meaningless, if in the very least it put taters on the table. Given more time, BIG might have gone on to do some things that even Charles would have liked.
Same goes for Tupac.
I don't deny their talent in rhyming, but they weren't like "God" of hip hop.
Partly, they were happen to be at the right place at the right time.
Tupac was a hypocrite.
I didn't like him for that.
Biggie was tight but that was about it.
He was one of those artist that kept on getting worse as time progressed.
Probably due to his lack of interest in production or something.
He just couldn't get any dope beats on his albums.
Kept on getting weak ass commercial producers with weak ass beats.
Same with Tupac.
Always flip flopping on his words.
He acts like civil rights activist, then turns around promoting violence.
So, I don't get where these people come from where they treat them like hip hop martyr.
And I'm sure this film itself suck too.
It's probably one those film where people wanted to cash in on Biggies fame before it completely fades away.
Not worth my time.
Pac and Biggie was good rappers, and that's it.
They aren't like Jimmie Hendrix of hip hop world.
Just a thought. I know Mudede likes Sir Mix-A-Lot, as do I. I hope he wouldn't try to argue that we should be making movies about him.
Why Brooklyn would one of your "boys" pop a cap in his ass? This review was dead on. The part about teacher SCREAMS about one of the many reasons hip hop values are so fucked up.
Do you do this for more attention?
Go back to england or wherever your from and please stop trying to comment on hiphop local or national.
But, a few points about your "review" nontheless: Tupac/Biggie/Gangsta Rap Culture does consciously "influence" (in the sense of adolescent idolatry, emulation) most black youth. To imply that gangsta culture is just a mainstream-corporate invention that has no relevance or bearance on African American youth is to approach it with the same kind of nonchalance a white kid from the suburbs might utilize the music for a few short years of rebellion, and then throw off that disposable identity, transition into something else(hippie, fratboy, whatever), assume some lucrative position within a company yet later on, and never give it a second thought. That dismissiveness reeks of falsehood, of distorting the evidence to fit your claims.
Second: while we're on the subject, what's up with your lack of evidence? Biggie's rise to fame was "pure luck." How was it pure luck? And how did Biggie bring "nothing new to the game" when he is widely considered by the majority of critics and rappers alike to be one of rap's greatest lyricists? There's a sort of revisionism that goes on in this review -- and that's fine. But, if you're going to widely revise what are commonly held opinions, you must provide evidence, critical or otherwise, to the contrary. Where is it?
Please do better next time.
You kiddin' me?
Dear Editor.Please post a review of this movie by Larry Mizell!
You guys are all fucking cowards.
Biggie told stories, when he rapped you could close your eyes and see every word he was rapping. He got you hype, he got you emotional, and he made hell of party tracks, No one compares to Big, thats a fact.
No one is perfect, made he throw the first stone if he is. Biggie was a perfect person, but he was a great man and rapper, yes he had flaws, but no great man was perfect, ever
To say this about Biggie is absolutely ridiculous. You can criticize the movie, but you can't make a statement like that about the man. Any real hip-hop journalist knows that. It's a bad look for the Stranger to publish a review like this. You come across as uniformed, unstudied and conservative. Take some pride in your job, man! Do the research so can form intelligent opinions and write something of substance. All I can do is laugh at this really... You sound like Nancy Reagan.
Only Northwest hip-hop brings the real shit.
Tupac and Biggie were talentless.
Long live NW Hiphop! Queeeeeen Anne! Wha-what! Capital Hill! Ka-Kaw!
It isn't ABOUT the movie. In fact, only three sentences can even be described as having anything to do with the movie at all. This is essentially your review in a nutshell: "This was a movey. Its about dis raper name Notorious BIG and he wuz big an stupid and I hat him bcuz he didnt get no eduction or nthng."
The film, biopic as it is, can have redeeming qualities, and just because the person is awful doesn't mean that the film should be. Hell, I'd watch a film about Hitler, if it was interesting. Don't confuse the film and the person. Now, in this case, the movie probably sucks donkey balls the size of grapes (and loves every minute of it) and I'll be sure to miss it. But in the future, try and separate the film from the subject.
But I do agree that Biggie had more talent than Charles gives him credit for. He just was mostly about the bitches and money LOL. Which echoed the mentality of NWA and the like. The whole east coast/west coast thing was inane and puerile. Too bad rappers with real talent like Del and Guru didn't have bigger voices to help squash all that nonsense.







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