Difficult reading does not afford convenience, and in (tent) doing so (it is near the epicenter or is fog), becomes a challenge. It is the lack of instant (offer them on floating cork; pulled from a box) satisfaction that labels it. It's too hard, too much work -- I need an easy read. Difficult reading has an (level) air of (the anticipation of light inside the funambulist) academia to it. It reminds you of the assigned (twelve) reading (ecstatic sugar of ears) you struggled with in school. So why repeat an unpleasant experience? The unraveling (one pencil equals speech rarely) is its own reward. Being forced (when the eyes align mountains are subject to moving is verbs) to comprehend (thirdteen) is itself a growth process. Solving puzzles (a pulley system elaborately hinged; a lull between adventures; preferring decorative calligraphy) is a sign of brain (4deen) activity, or perhaps I'll use 10 harlequins as a pillow and sleep. (Or probably it won't escape this page. More often the results are the same. There is a difference in language that makes the situation impossible.)
TEN EASY STEPS TO DIFFICULTY
How to Make Your Fiction More Challenging
1. Loosely base your style on Finnegans Wake.
2. Use lots of German and Latin phrases (Weltanschauung, et al.).
3. Kill off every major character halfway through the book.
4. Never explicitly state your point; convey all major emotions and epiphanies via descriptions of physical surroundings.
5. Write in nothing but palindrome.
6. Begin by titling your book, 2000 Pages about ___________.
7. Have your main character speak only in Esperanto.
8. Never use commas.
9. .drawkcab gnihtyreve tnirP
10. Have the letter "u" be the only vowel you're allowed to use.