On Monday night, nobody but Rufus Wainwright will be onstage at Benaroya Hall. With a piano. Heāll fill the space usually occupied by dozens of string players and horns and trumpets and tuxedos. That seems about the size of him. His songs are just unusual and intelligent enough to demand respect, but likable, singable, lovable, even. When he tried his hand at opera a few years ago, the chief criticism of the New York Times classical music writer was that there were too many arias and too few Rufus Wainwright songs. The songs rise to all sorts of levels and make all kinds of connections; the song āOh What a Worldā from Wainwrightās 2003 album Want One is based on Ravelās obsessive 1928 orchestral work Bolero.
Wainwright is the fabulous fully grown son of a marvelous musical family, and his latest album, Out of the Game, arrives just as heās married his longtime boyfriend, Jorn Weisbrodt. (When asked when he came out of the closet, Wainwright likes to say, āI was born in the living room.ā) Together, and with Lorca Cohen (Leonardās daughter), they co-parent a little girl whoās now a year old. āIām out of the game,ā he sings, like he misses it. āIāve been out for a long time now.ā Helena Bonham Carter stars in the video. Sheās a librarian in serious need of sex. He plays three scourge-ous library guests. They all end up in bed. Wainwright turned 39 in July, and his publicist said we had 10 minutes.
Where are you?
Iām in Los Angeles at the moment. At the Chateau Marmont hotel. Which is nice.
Did you have to travel alone?
Iām here with my husband, actually. I have a show at the Henry Miller Library up in Big Sur, so weāre going to go up, spend a week there, and use it as our honeymoon.
[Ed. note: Writer should have followed up by asking what honeymoon fantasies a person fulfills at the Henry Miller Library.]
I read you got married in August. What was your wedding like?
It was all-inclusive, all-inclusive. The rich, the poor, the artistic, the business-minded. I tend to touch all the bases, you know, with what I do, and yeah. I think in one way it was glamorous but it was also very democratic as well.
Someone told me to ask you whether you are a swimmer. Thereās some comments youāve made, and your new song āMontaukāā¦
I love the ocean. Iām not a fantastic swimmer by any means. In fact, I remember at one point when I was a kid, I was so excited to be part of a swim race at camp that I swam diagonally across the pool and hit my head on the side. So I have passion, just no ability. But I do love the ocean. Iāve found that over the years, I have to return there and get all my power from there, in terms of my home in Montauk. I mean, I sound like such a bourgeois investment banker. āAs long as Iāve got my house on the beachā¦ā
How long were you with your husband before you got married, and does married feel different for you?
We were together for seven years. It feels fantastic. You know, you cannot underestimate the sense of looking at someone and saying, āOkay, I canāt just walk out on you.ā [Laughs] It requires a legal document, you know, to make this end. And I mean that in the most positive way possible, only because it isābeing someone who is from a divorced background, you know, my parents were divorced, and also having had a pretty extensive sexually explorative period up until my 30s, I always felt kind of alone and kind of abandoned, and just that extra little hook is, especially when youāre hitting 40, itās very comforting. Itās those kind of practical commitments that you just start to appreciate a lot more as you get older. And not to mention that itās a whole lot of fun, too, because you can be as mean as you want.
They just have to stick the fuck around.
Yeah. Yeah.
I want to talk about the Helena Bonham Carter video. What do you want from your videos?
What I like about my videos is that theyāre still kind of conceptual without being all about the concept. Probably through budgetary constraints, mostly. I donāt have as much to work with, therefore it has to be equally a good performance, a good song, and some creative accounting. So I think it gives it a certain spirit. I mean, I did my little video [with Carter], and not long after, Bjƶrk put out a video, and youāre like, āOh my god, this is basically the obelisk from 2001, and I am staring at this, and I am no longer a monkey now after looking at this videoāāand itās great and itās complicated, but you kind of forget about the song. You pay more attention to the robots fucking.
Did you write the story for the āOut of the Gameā video? Or do you work with people?
I had the initial idea. The initial idea was that I was the librarian and weād have different characters come in, and one would be Helena Bonham Carter as Gena Rowlands from Opening Night. But then we got the budget, and she became the librarian and I became the three characters who came in. I play Gena, thereās Kurt Cobain, and thereās a character we based on Johnny Depp or Indiana Jones, I donāt know, itās just some weird guyāwe called him Zen Man.
[Disembodied Publicist Voice comes on the line to announce, āLast question.ā]
Got anything to say about Seattle? And I work for The Stranger, the gayest newspaper in the land.
Yes! I love Seattle. Iāve played there many times. One of the fun things Iām doing tomorrow in LA is that Iām going to Hollywood Boulevard. Theyāre unveiling the star for Ann and Nancy Wilson of Heart, and they invited me to come to that, so Iām going to be hanging out with Seattle folks tomorrow.