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Music Quarterly
- Meet the Producers: Eight Local Studio Addicts Who Make Lots of Noise
- Riding the Fader: How to Work with a Producer
- Forget the Producer: Learn to Record Yourself
- Let's Get Ready to Rumble: Three Local Producers Take Their Bands to the Mat
- Loud Motherfucker: Nipper Loves His Kearney Barton
- CD Review Revue: Not-So-New Records with Production We Like
- Movie Review Revue: Producers Caught On Film
- The Producers: Dan Savage Gets His Say
Me, me, me, blah, blah, blah--there had to be a limit to this navel-gazing! After all, we could only publish a weekly newspaper with pages and pages of music content for so long before we ran out of things to say about ourselves.
So that's why I called this issue "The Producers." I wanted to force the hands of our writers and our new music editor. Could we do it? Could we write about other people? People who didn't give us mix-tapes, herpes, or jobs? I picked producers. Producers, I understand, have something to do with music production. "The Producers" also happens to be the name of the biggest smash-hit musical to hit Broadway since A Chorus Line opened in 1976. But it's just a coincidence, I swear.
Stranger Personals
Finally, I'd like to say that I didn't listen to the Smiths in high school (or ever), no one has ever given me a mix-tape (I prefer original cast recordings, thank you very much), and I've never slept with the lead singer of any band (I would, however, make an exception for the lead singer of the Catheters). But enough about me, right?






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