Tools
Excellent
- DEXYS MIDNIGHT RUNNERS: Don't Stand Me Down
- THE BUZZCOCKS: Love Bites
- THE MISFITS: Legacy of Brutality
- KYUSS: Untitled
- YOKO ONO: Yoko Ono/Plastic Ono Band
- RUN-D.M.C.: Run-D.M.C.
- PAUL MCCARTNEY: McCartney II
- THE OUTLAWS: Wanted
- RUSH: 2112
- JOHN COLTRANE: Interstellar Space
- THE EMOTIONS: Rejoice
- Men Without Hats: Rhythm of Youth
- RANDY NEWMAN: Good Old Boys
- ARETHA FRANKLIN: SPARKLE
- THE DOLLY MIXTURE: Demonstration Tapes
- WEEN: The Pod
- TRACEY THORN: A Distant Shore
- SMIF-N-WESSUN: Dah Shinin'
- QUEEN: A Night at the Opera
- TALK TALK: Laughing Stock
A significant chunk of Beck's style was stolen wholesale from the Delaware River Valley-based duo known as Ween. Ween are the original men-children frolicking in a world stripped of genre boundaries, the true masters of neo-Dada poetry over creepily half-familiar melodies. They've been demonstrating more restraint and discretion with each successive album, with songs no less beautiful and bold. But Ween's early days, as encapsulated on their second album released in 1991, evidenced an extent of spiritual and imaginative freedom rare for anyone, but miraculous in combination with Ween's songwriting ability. Yeah, they were getting ridiculously stoned in a basement, playing with a four-track cassette machine. But someday, classical music students will write dissertations on The Pod.




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