This weekend Goldy found a disturbing thing: the web site for a 2003 art show of Christopher Monfort's, um, paintings. They are unbelievably terrible. He viewed them as cheerful, but they look like blood on fire and other extreme unpleasantnesses.
If you haven't seen his graduate-school paper about "Nullification both Conceptual and Actual"—another of Monfort's early weird contributions to the world—it's here.
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