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Today's critics refer to artist Patrick Nagel's work as "pervy mall art," but the sharply linear portraits were hot shit in the 1980s. Nagel designed the album cover to Duran Duran's best-selling Rio, featuring a gorgeous young lady and presumed owner of the "cherry ice cream smile," with a trademark mélange of diagonal lines, flatness, tendrils, purple drop earrings, and heavy black liquid eyeliner.

Loads of Nagel's paintings also appeared in Playboy magazine, and to remind the readers of their essential manly nature, Nagel dressed his coldly alluring subjects in leg warmers, spike heels, and bikini panties, then showcased their naked boobs in inventive ways: jackets slung open, dresses cut low, or camisoles pulled down. If the images were real people, they'd be compulsively immersed in hobbies involving mauve seashell collectibles or recreational cocaine usage, while living in spartan apartments with stucco ceilings and white carpet and black leather couches and water beds and venetian blinds, and every time you dropped by they'd be listening to the best song you ever heard in your life. "I don't think I want to know these women too well. They never come out in the sunlight. They stay up late and smoke and drink a lot," Karl Bornstein recalls Nagel saying, in the coffee table book Nagel: The Art of Patrick Nagel.

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