You must, and you have through the weekend to do it.
For now, here's a chunk of an interview Kathleen Hanna did with The Dissolve's Sam Adams, as part of the "Mad Love" series, wherein "entertainers defend movies they love that are generally hated." Hanna's film: Lizzie Borden's Born in Flames, which imagines feminist struggles after a socialist revolution, and reminds Hanna of one of riot grrl's great limitations, on which she holds forth honestly and eloquently.
THE DISSOLVE: One thing that’s amazing about Born In Flames is how it encompasses what were then and are now very sharp debates within the feminist movement. There’s this concern within the movie from the Women’s Army and the feminist press about presenting a united front, and then there are black women and lesbian activists saying “Wait a minute....We actually need to be united before we present a united front, rather than just putting up a wall.”
KATHLEEN HANNA: That’s something that didn’t happen in riot grrrl that makes me really sad when I look back on it. I didn’t think there was going to be a movement, first of all. What I learned was, you have to be inviting women of color if you’re having a meeting, or going to meetings or events that women of color are having, and being supportive of people who are different from your own projects and plans in what they’re doing. If you don’t do that early on, you can’t add it in later, and start having these conversations three years down the road when already you’re in the predominantly white situation. What happens is all these white women arguing about who is more or less racist, or who is more or less classist. It just becomes this shame-and-blame thing, and that was a big part of what was called the riot-grrrl movement deteriorating. I think that lesson from Born In Flames is why at the very first [riot grrrl] convention, I insisted on having an Unlearning Racism workshop, which was hosted by me and a woman of color—of course I can’t remember her name, because she was a member of the Peace Center, and she was somebody I had never met before. It did not go well. Now, even looking at the title Unlearning Racism, the women of color who were there didn’t need to unlearn racism. Maybe internalized racism, but why did I choose that name? The assumption was, we were speaking to a white audience. Right then and there during that particular workshop, women of color walked out. A lot of them ended up making zines that were critical of the riot grrrl movement, but that very much became a part of it, that very much shaped the conversations that began to happen.
Read the whole interview here, and see The Punk Singer at SIFF through Sunday.