Documentarian Lauren Greenfield got career-definingly lucky with The Queen of Versailles. When she began making a movie about the construction of the largest house in America—a 90,000-square-foot monstrosity designed by time-share mogul David Siegel and his wife, Jackie, and named “Versailles”—Greenfield inadvertently secured herself a front-row seat to the Siegels’ plunge from ridiculous excess to fiscal uncertainty after the financial crisis wiped out most of their assets. Her film is a reality-TV-worthy look at the life of an über-rich family in decline that also functions as a tidy encapsulation of the financial bubble and its dramatic pop (with a dash of hubris for good measure). (See Movie Times)