WED
NOV 14, 2012


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The Cody Rivers Show

Erica Zurek

Why: The high-concept, high-energy, and brain-scrambling comedy duo Cody Rivers Show returns to the stage with their new show, Once and for All for One, which promises “chainsaw bluegrass, facial mime, mixtapes, marauding trees, Gomez,” and more. I presume they mean the band Gomez, but the subject matter of any given Cody Rivers sketch hardly matters—audiences flock to them for their loopy wordplay, bizarre imaginations, and athletic dance numbers. Fill the Cody Rivers–shaped hole in your heart tonight! (Annex Theater, 1100 E Pike St, www.annextheatre.org, 8 pm, $15)

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THU
NOV 15, 2012


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Eileen Myles and Maggie Nelson

Why: Look, this is just simple math. I’ve described Maggie Nelson’s Bluets on many occasions as the rare poetry book I’d recommend to anyone and everyone, regardless of how they feel about poetry. And I’ve long called Eileen Myles one of the most original thinkers in literature today. Putting these two together on one stage to discuss the Seattle Art Museum’s new exhibit will be nothing less than spectacular. When Nelson’s delicate precision butts together with Myles’s jaw-dropping metaphors, we’ll witness a bubbling, frothing plume of intellect, wit, and surprises. (Benaroya Hall, 200 University St, www.lectures.org, 7:30 pm, $15–$50)



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Japandroids, Bleached

Why: Formerly of frenetic punk act Mika Miko, LA siblings Jessica and Jennifer Clavin’s new duo Bleached is a swell way to shake off the rainy pre-turkey blues. A bit more spruced up and smoothed out than Miko, Bleached are jangly and fuzzy—and yes, though there’s no lack of that lazy scuzz-pop style out there right now, the Fleetwood Mac–ish tinge and general “old-rock” feel make these easy jams more Nobunny than Best Coast. Bonus: After Bleached comes Japandroids! (Neumos, 925 E Pike St, www.neumos.com, 8 pm, $16, all ages)

FRI
NOV 16, 2012


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‘We Are Legion: The Story of the Hacktivists’

Why: Documentaries don’t get much more lively or timely than this. We Are Legion tells the story of hacking from its earliest days (everyone tries to forget this now, but Steve Jobs started out as a hacker) through its more recent, populist formulations. Everything you need to know about 4chan, Anonymous, and LulzSec—from the internet-organized real-life protests of Scientology centers worldwide through WikiLeaks and the Arab Spring—is told in a zippy, highly visual style. Important questions of privilege, race, and sexism are never really addressed, but this is still required viewing. (SIFF Film Center, Seattle Center, www.siff.net, 6 and 8 pm, $10)

SAT
NOV 17, 2012


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Ben Gibbard

Why: Ben Gibbard, the lead singer of Death Cab for Cutie, has a voice like a castrated angel, and tonight, he’s donating it to a good cause: 826 Seattle, a youth writing and tutoring center located in Greenwood. Gibbard is playing an intimate show at Washington Hall to raise money for the local nonprofit, which gives you the unique opportunity to see this local-boy-made-big while patting yourself on the back for throwing money at the youths. Everybody wins! (Washington Hall, 153 14th Ave, strangertickets.com, 7 pm, $50–$100, all ages)

SUN
NOV 18, 2012


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Pipilotti Rist

Why: There are two big new exhibitions at the Henry, one all fleshy (Jeffry Mitchell) and one all ephemeral (Now Here Is Also Nowhere). Between them is the perfect connector: Pipilotti Rist’s giant psychedelic video projection of landscapes and people opening their mouths wide for the camera to jump down their throats—all of which spreads across the floor under your feet and seems to climb across your body as it moves. You can experience its disorienting effects from on the floor, or you can climb the stairs and watch the movie, and the disoriented visitors, from the balcony above. Ephemeral image meets flesh. (Henry Art Gallery, 15th Ave NE and NE 41st St, www.henryart.org, 11 am–4 pm, $10 suggested)

MON
NOV 19, 2012


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Pizza at Rione XIII

Why: Ethan Stowell’s newest restaurant is where made-you-want-to-smash-things gift shop Tilden used to be on 15th, and it’s just beautiful: soaring ceilings, giant beams, worn brick. The neighborhood’s gone bananas for it, which means that if you want to stop in without a reservation and try the wood-fired Roman street pizza—which is golden-bubbled, sheened with olive oil, light and savory, and completely delicious—you should do so during weekday lunch, or else show up right at 5 p.m. or after 9ish to have a snowball’s chance in hell of getting a seat at the bar. Bonus: lots of inexpensive, interesting Italian wine by the glass. (401 15th Ave E, 838-2878, 11:30 am–2:30 pm and 5–11 pm, $14–$15)

TUE
NOV 20, 2012


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‘Bestiare’

Why: The face of an ostrich is a marvelous thing. So is the fur on certain deer’s behinds. Or the angles of a hyena’s legs. All these things can be fully appreciated in this talk-free documentary shot at a zoo. Some scenes are deeply sad—proud zebras desperately bumping their gorgeous patterns against the edges of a cage, for instance. But this is not a protest, it’s something harder. A taxidermist goes about his cold trade at the heart of the movie, as if to suggest that humanity as a whole has a painfully shallow approach to the rest of the animal world. (Northwest Film Forum, 1515 12th Ave, www.nwfilmforum.org, 7 and 9 pm, $10)

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