The Stranger

The word a few weeks ago that Lawrimore Project may need to leave its glorious (expensive) home has made every corner of the place poignant. Now comes an unshowy show where Matt Browning left the back room empty except for his single shelf of hand-carved wood funnels filled with invisibly slow, microscopically moving sap. A moody abstraction in another room, by Andrew Dadson, is made in Iraqi voter ink, which contains a chemical that fades with light, like a photograph. As you leave, a video by Peter Sutherland plays at your back, of a man balancing a knife on his hand. Time is moving, but slowly, tensely. (Lawrimore Project, 831 Airport Way S, 501-1231. 10 am–5:30 pm, free.) by Jen Graves

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