This is the best show I've seen in Seattle for quite some time. The collaboration between Finneyfrock and Smith is delightful. Like Finneyfrock's poem the visual art captures a delicate balance between pious sincerity and whimsical defiant humor. From custom made personalized nike shoes, to vintage salt photography prints to helium balloons urging "don't look back" this is a must see. The visualization of Lots wife turning to look back, her nude figure slowly becoming a pillar of salt, and finally a defiant conclusion with "fuck you, Lot" is a poetic and appropriate companion to Finneyfrock's original text. I enjoyed the show thoroughly.
This is the best show I've seen in Seattle for quite some time. The collaboration between Finneyfrock and Smith is delightful. Like Finneyfrock's poem the visual art captures a delicate balance between pious sincerity and whimsical defiant humor. From custom made personalized nike shoes, to vintage salt photography prints to helium balloons urging "don't look back" this is a must see. The visualization of Lots wife turning to look back, her nude figure slowly becoming a pillar of salt, and finally a defiant conclusion with "fuck you, Lot" is a poetic and appropriate companion to Finneyfrock's original text. I enjoyed the show thoroughly. You can hear the poem here: http://www.youtube.com/watch?v=a62qA7oDU…
You finally have gotten to do something with your preoccupation with the Morton Salt Girl.