Article Archive

The Score

Coda: Departure

The Score

Chopin Is Better Than You Knew

The Score

A Free Erik Satie Marathon!

Pulling an Icarus

Seattle Opera Tries to Fly Directly from the 19th Century to the 21st

The Score

Rare as Hell: Two Brand-New Operas

The Score

A Big Week: 35 Crashing Chords and a 12-Hour Concert

The Score

Cranky, Suspicious Peter Garland: The Real Thing

The Score

A Jazz Explosion and an Organ Improvisation

The Score

The Ghost Bands, Idolaters, and Digital Fizz of Jazz

The Score

What Gives, Philip Glass?

The Score

The Ladies and the Electronics

The Score

Lonesome Vocals, Waterfalls, and Petty Territoriality

The Score

Metaphors for Dead Pianos at Jack Straw New Media Gallery

The Score, supplemental

The Score

Butch Morris Creates Orchestras of Individuals

The Score, supplemental

The Score

The Trance and Transformation of Lubomyr Melnyk

The Score

Swaggers and Fights at the Seattle Symphony

The Score

The Sounds of Surprise

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Three Throats

The Score

Chamber Bouquet

The Score

Jazz: Nope, Still Not Dead

The Score

Metal and Breath

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From Piano Sorcery to Hindustani Music to Skronk

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REGRETS 2009

Remembering Maryanne Amacher

The Score

Glitch, a Sonic Snow

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Banshee Improv

Found Sounds and Field Recordings on KUOW

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A DANGEROUS PETTING ZOO

The Score

Wild Songs

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Anti-Xmas Concerts

Two Last-Minute Avant Shows

The Mathematics of Resonant Bodies and More

John Luther Adams, Agendacide, and Jazz

Prog Rock Britannia

The Score

Inside Morning, Slicing Grandpa

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An Oracle, Gone

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Fear and Music

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Earsshot Motherload

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Lowrider Is a Little Higher

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THE SONIC OSSUARY

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Jazz and the French Horn

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Decibel or Debacle?

The Score

Kafka, Knocks, Pings, and Brutal Smears

The Score

RUST, THAW, ZAP

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WE WANT YOU, ROBERTSON

Broadswords and Breastplates

Seattle Opera's New Production of The Ring

The Score

Mood Organ in the Mail

The Score

REBIRTH OF THE COOL

The Ring Report, round one

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