Article Archive

The Score

Coda: Departure

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Chopin Is Better Than You Knew

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A Free Erik Satie Marathon!

Pulling an Icarus

Seattle Opera Tries to Fly Directly from the 19th Century to the 21st

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Rare as Hell: Two Brand-New Operas

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A Big Week: 35 Crashing Chords and a 12-Hour Concert

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Cranky, Suspicious Peter Garland: The Real Thing

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A Jazz Explosion and an Organ Improvisation

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The Ghost Bands, Idolaters, and Digital Fizz of Jazz

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What Gives, Philip Glass?

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The Ladies and the Electronics

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Lonesome Vocals, Waterfalls, and Petty Territoriality

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Metaphors for Dead Pianos at Jack Straw New Media Gallery

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Butch Morris Creates Orchestras of Individuals

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The Trance and Transformation of Lubomyr Melnyk

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Swaggers and Fights at the Seattle Symphony

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The Sounds of Surprise

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Three Throats

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Chamber Bouquet

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Jazz: Nope, Still Not Dead

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Metal and Breath

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From Piano Sorcery to Hindustani Music to Skronk

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REGRETS 2009

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Glitch, a Sonic Snow

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Banshee Improv

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A DANGEROUS PETTING ZOO

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Wild Songs

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Anti-Xmas Concerts

The Mathematics of Resonant Bodies and More

John Luther Adams, Agendacide, and Jazz

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Inside Morning, Slicing Grandpa

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An Oracle, Gone

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Fear and Music

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Earsshot Motherload

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Lowrider Is a Little Higher

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THE SONIC OSSUARY

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Jazz and the French Horn

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Decibel or Debacle?

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Kafka, Knocks, Pings, and Brutal Smears

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RUST, THAW, ZAP

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WE WANT YOU, ROBERTSON

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Mood Organ in the Mail

Broadswords and Breastplates

Seattle Opera's New Production of The Ring

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REBIRTH OF THE COOL

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Festivals from Burien to Meth

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Gird Thyself

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No More Freebies

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The New (Old) Turntablism

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Unorthodox Transducer Departs

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Frozen Fantasy

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UW School of Music, Anew
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