why the kurt cobain show sucked and what exactly he thinks his legacy in seattle is.

What advice would he give to anyone trying to make a career out of curating or professional museum work in this economy?

What were the most important things he learned--and hadn't known previously--while at SAM?

What do Seattle museums (art and other types) need most to scrape by over the next five years?

If SAM was burning down and he could save one piece of art, what would it be?