Comments

1
Me, Right... Me, Right... Me right! Me right!

Critics are all the same.
2
I was a bit saddened that the Saturday 4:30pm showing of Let Me In I went to was sparsely attended.

I enjoyed it almost as much as the original, even though I knew the story and even though there were zero cats in the entire movie.

Some of the CGI stank, but the parts that made me weepy made up for that.
3
In the book, it's made quite clear that the old guy obtaining blood for Eli is a pedophile. For what it's worth, I prefer the ambiguity of the first movie.
4
I was confused by the caretakers relationship for the first half of Right. But somehow, the last scene convinced me that Oskar was the replacement for the old man. Not explicit, but it is subtly there. God, I love that movie!
5
I was enough of a sad geek to be evaluating Andrew Garfield as Peter Parker during The Social Network, as well as Armie Hammer as Batman in the canceled Justice League movie from a few years back. Both seem like terrible casting choices (as well as terrible movie projects to begin with), but man were they each great in Social Network.
6
The pool scene in the first one was better. But I enjoyed this remake which I planned on hating. I've hated remakes ever since Keifer and Sandra ruined the Vanishing. But this one was well made, I liked that they chose New Mexico but I would have chosen Galup New Mexico which is basically a graveyard with streetlights.
7
Have you read the book, Paul? I thought it was excellent, and I'd love a "if you liked that, you'll like this" recommendation based on that. The translation of his second book just came out, but the reviews are meh.

@3 - I agree. In the movie, I imagined the first caretaker to have fallen for Eli as a child, as Oscar did, and that added a whole 'nother level of tragedy.
8
Bit of a book spoiler:

Actually, the caretaker in the LTROI novel was an incredibly interesting characterā€¦almost the ā€œgold star pedophileā€ discussed in Savage Love last winter.

Heā€™s hugely aware that acting on his desires will create a victim and this distresses him to an almost sexless life. The one time he actually does set something up, the miserable, defeated little boy he is presented with is so different from the one in his fantasies (who would be happy and loving) that he canā€™t go through with anything.

Before he sends the kid away he gives him an enormous wad of cash with instructions to hide it against the time when he can escape from his pimp. And the hug and thank you the boy does give him fills him with joy.

Eli is therefore the answer to his every prayer, a child-body inhabited by a 200+ year old, un-childlike mind.
9
Sorry, was there a post here? All I saw was a picture of Emma Stone. And that's all I looked at.
10
#7 Christy: I don't know where you've seen the "meh" reactions to Handling the Undead (I assume that's the one you mean, out just now in the US? Harbour will be out just about any time in the UK, but I guess it will take a while for it to get over the ocean), but it's Really Very Good, actually. Less chilling, more sad, but very touching all the same. You should read it.
11
I'm that anonymous commenter on io9 who you quoted. Your examples are fair points even though the photos and song didn't bother me. But others have been unfair in their zeal to slam Let Me In. Let Me In is being attacked both for being too much like the '08 Swedish movie and for deviating too much from it. Even when some of those same deviations are closer to the book.

Examples: LMI opening with a police investigation after terrible things have already transpired rather than LTROI's slower build. Abby's normal face is doll-like and feminine. (I'm not saying that actress who played Eli in LTROI is not that in real life, but she was intentionally made up to look more androgynous than she really is.) Abby's attack mode morphing, monster-like face and sharp teeth. Abby's female victim drinking her own blood. Abby wearing a heavy metal tee shirt.

All of these things from the book that made it into LMI but not LTROI have been bitched about by loyalists (who assume that they are Americanizing additions) and just want to punish LMI for having the gall to remake LTROI.

I own both the novel and the Swedish film and I think that the first movie is an improvement on the novel; similarly, LMI is a further improvement. Unnecessary characters, subplots, and backstory are stripped away in each adaptation, resulting in a more focused story. (However, if I were to change anything about LMI, I would have Abby very briefly explain something that is a momentary shot in LTROI. You, know the one everyone talks about.)
12
I felt like the song at the end showed that he was just still a child, even though he was choosing to leave childhood behind in order to serve Abby. To me that made it all the more beautiful and creepy a moment (plus I loved Now and Laters as a kid). I thought LMI succeeded where LtROI failed in that it felt flushed with emotion like poor Owen's cheeks where LtROI felt cold and ambiguous (which you saw as a selling point) like Abby. Maybe that's the real difference here too - one movie relates more to Owen and the other to Abby.
13
@10 - thanks, maybe I will give that one another look, based on your recommendation. I do think he's an excellent writer.
14
I like the remake a lot. When I first heard of the remake I too prepared myself in some way to hate it and feel all "they ruined it." Well, decided after reading some very positive reviews (Roger Ebert the most) I decided to see it with fresh eyes like I never saw LTROI. And the remake was just as good.

I think there was too much unnecessary CGI vampire girl and when she "changed" her voice changed as well into a low and unnecessary growl.

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