Nevertheless, it's an apt description @1. Detzer's character exudes a naive, deer-caught-in-the-headlights quality, particularly in the early stages of the play, while she's trying to come to terms with a Moscow where real-world economic destabilization and sexual politics co-exist with traditional Russian fairytale archtypes.
Think of it as a Russian version of "Buffy" or "Grimm", with it's own unique gallery of Big Bads, and you should get the idea.
Think of it as a Russian version of "Buffy" or "Grimm", with it's own unique gallery of Big Bads, and you should get the idea.
And I can go this thing you speak of called a "play", and I can see these women? OK!