Sat., Dec. 16, 7:30 p.m. 2017 All Ages
Recommended by Charles Mudede
Here is a confession I must make: I'm not big into jazz guitar. Indeed, I have never bought a record by a band led by a jazz guitarist, even by one of the big names in jazz history, like Charlie Christian or Django Reinhardt. Why? Because I can't help feeling that the real home for this instrument is the blues. But what breaks this dumb feeling in me every time is when a jazz guitarist performs with a jazz vibraphonist. Those wondrous, vaporous, Venusian sounds of the vibraphone seem to magically transform the licks and picks of the guitar into something that's utterly necessary and meaningful to the jazz home. For example, when Susan Pascal, Seattle's great vibraphonist, plays with Milo Petersen, a local jazz guitarist and educator, I honestly fall in love with an instrument that does almost nothing for me on all other occasions. Pascal, an artist who really knows her instrument and handles her sticks in the way that all masterful vibraphonists do (like wands casting warm spells), also frequently performs with Bill Anschell, an established and very productive pianist.