I love solos. They hold the attention of a room like nothing else in the world of performance. They're like the cat in that old theater rule about never allowing cats onstage because it's all the audience will look at. That's because the cat, like the solo dancer, is completely unpredictable. Two dancers, even in an improv show, project a sort of ordered world. In a solo, anything can happen. If this iteration is the same as On the Boards' inaugural edition in 2018, expect a good mix of local and national dancers showcasing incredible choreography they'd have a hard time producing anywhere else—not because it's bad, but because venues rarely afford solo pieces big stages. by Rich Smith