I do believe in the holiness of certain overlooked spaces. Especially at times of the day that almost do not exist. Like, 3:30 p.m. is definitely a time, but 6:43 a.m.? I don’t know her. Seattle-based artist Norman Lundin’s work memorializes and depicts this kind of time, in these kinds of spaces. The way the light from the late-afternoon sun slants through the windows onto the neglected side of a studio, or the orange glow of dawn outside the windows of a dark workroom. A reminder that the forgotten, the overlooked, the just barely remembered can be sacred and beautiful, too. by Jas Keimig