Music in this nightmare era is such a multiverse that it’s plausible for a band to be both popular and obscure, celebrated and underrated, to have a loyal hometown audience and for loads of people to have never heard or even heard of them. (It’s also, therefore, possible for a person to believe things like the above are true while being utterly wrong.) Lemolo strike me as that kind of band. I’ve never seen them play to a less than packed room, or ever sound less than great—woozy, dreamy textures under strong, luculent vocals—and yet, they still have an air of undiscoveredness about them. Maybe underdiscoveredness? by Sean Nelson