Features Jul 5, 2017 at 4:00 am

Mariane Ibrahim does something no other galleries in Seattle do—and it's being talked about around the world.

Mariane Ibrahim-Lenhardt: “I really am on the side of the voices” that the culture tries “to shut down.” Emily Pothast

Comments

1
"why is this gallery so much more famous outside Seattle than inside Seattle?"

Because you're all hype. Real people don't like this crap you label art. It's clutural-marxist garbage without merit. The only people who care are art critics, art professors, and the global elite who virtue signal-- by buying this junk-- for status.

None of this is "brave" or "controversial." That is a lie you tell yourselves and others, so you can pretend to be edgy by breaking fake taboos. The opposite is true, however, criticizing this crap is the real taboo-- at least for the elite-- the real controversial piece would be a pro-european, rooted, culture-affirming piece; not a fake, artificial, "global-universalized" manufactured novelty from manufactured artists.

2
Wow! Sorry about that previous comment someone made!
Someone is confusing art with capitalism. I love being in Pioneer Square and walking through the galleries. I don't have to buy it to appreciate it. So the price isn't even an issue. Plus, the sale most likely is NOT how or why the artist created it.

3
Art is totally capitalist in our age; people buy warehouses of art as an investment, and if the warehouse burns down, insurance will cover it and the artist can make new pieces in a day or two -- because that is how ridiculous, and impoverished, modern art is.

Please wait...

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