This film is amazing. Three non-japanese directors creating three different shorts into one film that seamlessly brings together a pointed central theme. Beautiful.

Isn't that "too loud" quality kind of the appeal of Carax, though? To me, what makes him interesting is that what appears to be a perpetually exploding passion contrasts so starkly with both Gallic cool and the American tendency to turn such passion into schmaltz (which Carax seems too . . . well, violent in temperament to do.

I'm definitely curious 'bout this one.

Isn't that "too loud" quality kind of the appeal of Carax, though? To me, what makes him interesting is that what appears to be a perpetually exploding passion contrasts so starkly with both Gallic cool and the American tendency to turn such passion into schmaltz (which Carax seems too . . . well, violent in temperament to do).

I'm definitely curious 'bout this one.