We're in week three of SIFF, the Seattle International Film Festival, one of the very best events Seattle has to offer! We've already compiled a list of all of the picks for the full festival that you absolutely shouldn't miss, but below, we've rounded up 34 movies that our critics think are worth watching this week. Highlights include the snarky new Mindy Kaling/Emma Thompson comedy Late Night, Charles Mudede's work-in-progress Thin Skin, and the documentary Miles Davis: Birth of the Cool. Follow the links below for showtimes, trailers, and ticket links, and check out our SIFF Guide for the full schedule.
MONDAY ONLY
Afterlife
What happens after we die? And, if given the chance to live our lives again, would we make the same choices? Dutch film Afterlife explores these questions with a touch of magic and humor. When 16-year-old Sam is killed in a bike accident, she chooses to spend eternity in the afterlife, reuniting with her dead mother. But when itâs determined that Sam was taken too early from the living, the girl and her mother (with the help of an angel) select the forbidden optionâSam gets to live her entire life again. While I wouldnât get too caught up in the how of it all, Afterlife is a touching film about family, grief, memory, and death. (JASMYNE KEIMIG)
SIFF Cinema Egyptian
The Apollo
For 85 years, Harlemâs Apollo Theater has essentially been a mecca for black American culture. So it makes perfect sense for a filmmaker of the stature of Roger Ross Williams (God Loves Uganda) to shoot a documentary about the 1,500-capacity palace, which has showcased the zenith of black musicians, comedians, and writers. From James Brownâs immortal 1963 Live at the Apollo LP to performances by Aretha Franklin, Jimi Hendrix, Richard Pryor, and Ta-Nehisi Coates, this venue has been an incubator and crucible for integral black expression in myriad forms. Itâs past time to revel in the Apolloâs fascinating story. (DAVE SEGAL)
Shoreline Community College
A Family Tour
While attending a film festival in Taiwan, an exiled-from-China filmmaker (Gong Zhe) takes the opportunity to secretly reunite with her mainlander mother via the chaos of a sightseeing bus tour. The Chinese government does not approve. Writer/director Ying Liang, himself an exile, brings an absorbing sense of reality to the potentially melodramatic scenario, particularly during the times when the characters are able to briefly drop the charade. (The hushed conversations between the lead and her supportive husband have a gorgeously unforced intimacy.) Itâs a small marvel of gentle humorâthe glimpses of the surrounding tourists are hilariously on-pointâand uncomfortably pointed insights, featuring multiple sneaky moments of grace. (ANDREW WRIGHT)
SIFF Cinema Uptown
Human Nature
CRISPR, a recently discovered molecular cleaver that revolutionized genetic editing, could end genetic diseases as we know themâbut it could also usher in a new era of eugenics and designer babies. Human Nature doesnât shy away from either of these extremes and offers no easy answers to the ethical minefield of tinkering with our DNA. Far from a dry science seminar, the beautifully shot documentary uses a clever combination of simplistic genetic animations and compelling characters to convey the power of this discovery and why it has the potential to change what it means to be human. (TIMOTHY KENNEY)
SIFF Cinema Egyptian
Pachamama
Named for the earth/fertility goddess revered by the indigenous people of the Andes, Juan Antinâs CĂ©sar-nominated animated adventure follows two precocious youths and their trusty animal companions from a small Peruvian village at the edge of the vast Incan empire. They embark on a quest to the royal capital (which ends up besieged by Spanish conquerors) to retrieve a sacred statue forcibly taken by an Incan overlord. Antinâs gorgeously wrought 3-D CGI animation is inspired by vibrant indigenous art, and has a soft, simple, and whimsical feel, like a childrenâs storybook. Paired with a soundtrack that features pre-Columbian music (ancient water flutes included) and themes of love, respect, and gratitude to our earth threaded throughout, Pachamama entertains, charms, and introduces a new culture to younger viewers. The film was acquired by Netflix and will be available for streaming in June. (LEILANI POLK)
Lincoln Square Cinemas
Patrinell: The Total Experience
With the public primed by Amazing Grace, the documentary about the making of Aretha Franklinâs 1972 gospel album, itâs a propitious time to view Patrinell: The Total Experience. Reverend Patrinell Staten Wright is the closest thing Seattle has to the Queen of Soul (albeit with a heavier emphasis on church life), and this film portrays the septuagenarian gospel/R&B singerâs inspirational story with utmost reverence. A strict disciplinarian, Wright headed the multiracial Total Experience Gospel Choir and impacted hundreds of lives through her spiritual and artistic tutelage. Patrinell reveals a woman whoâs battled racism, sexism, gentrification, and health problems to become what one of her protĂ©gĂ©s called âour Rosa Parks, MLK, and Barack Obama.â (DAVE SEGAL)
SIFF Cinema Uptown
Stuffed
This is one of those documentaries where you donât think youâre that interested in the subject matter, and maybe the whole thing seems sort of morbid, but then it ends up being really fascinating and you learn about things that you never even knew were going on. Seeing the dedication of the artists and the broad range of people who are drawn to the craft of taxidermy makes Stuffed a great watch. Itâs definitely not (only) a bunch of guys dressed in camo who shoot animals and are trying to figure out what to do with them. There are people working for natural history museums, artists creating still lifes that include real birds and animals, and avant-garde creators making creature hybrids or internal organ taxidermy. It is a science and an art, each piece telling a story about nature. (GILLIAN ANDERSON)
Shoreline Community College
Thin Skin
Get a sneak peek of Stranger film critic Charles Mudede's upcoming film Thin Skinâstarring musician, comedian, and frequent Mudede collaborator Ahamefule Oluoâfollowed by an onstage interview with the creative team.
SIFF Cinema Egyptian
MONDAY & THURSDAY
Take It or Leave It
This Estonian story follows a man whoâs thrust into unexpected fatherhood and his struggle to be seen as a capable parent. Erik is a peripatetic construction worker and an immature hothead. His ex-girlfriend calls unexpectedly to tell him she had a baby, and itâs his. When she says she doesnât want the baby, he must decide if he will take the baby or give her up for adoption. Affecting without being overly sentimental, the film looks at the role of fathers and societyâs expectations of them, learning to care about someone else instead of just yourself, and finding strength you didnât know you had. (GILLIAN ANDERSON)
AMC Pacific Place & SIFF Cinema Uptown
MONDAY & THURSDAYâFRIDAY
Piazzolla, The Years of the Shark
Astor Piazzolla was a genius bandoneon player (the instrument looks like an accordion) who caught tons of flak for revolutionizing tango with gestures from jazz and classical composition. Sort of like what A Tribe Called Quest did for hiphop, or what Magma did for rock. This documentary weaves together two stories with newly found archival footage and home movies. The first story is Piazzollaâs rise to international acclaim, and the second is about his son, Daniel Rosenfeld, the filmâs director, whoâs been tasked to preserve his fatherâs legacy while also facing their complicated past. Both stories donât hold tons of tension, but the music makes the movie worth a watch. And, I mean, this man changed tango with a squeeze box. What did you ever do? (RICH SMITH)
AMC Pacific Place, SIFF Cinema Uptown, Kirkland Performance Center
TUESDAYâWEDNESDAY
Fight Fam
There isnât anything particularly groundbreaking or moving about this short, locally produced documentary from Ruben Rodriguez Perez, created in part with funds from a 4Culture award grant. Itâs about Amy and Dex Montenegro, the matriarch and patriarch of an Issaquah family, who are both mixed martial arts fighters. It touches on how they met (training at the same gym), how they support each otherâs careers, and the three daughters theyâre raising and coaching to be the next generation of fighters (two wrestle, one boxes). The competitions in the film create a nice sense of tension and drama while also offering an intriguing glimpse at a segment of the population many of us probably donât know much about, showing how MMA has grown from cult status into a full-fledged spectator sport. (LEILANI POLK)
AMC Pacific Place & SIFF Cinema Uptown
Roll Red Roll
Steubenville, Ohio, is synonymous with two things these days: high-school football and sexual assault. They go hand in hand. Thereâs a line in Roll Red Roll, Nancy Schwartzmanâs documentary about the 2012 Steubenville rape case, that goes something like this: âThis is not a victim-blame BUTâŠâ and then the speaker, the defense attorney for one of the high-school boys who raped a teenage girl at a party, predictably goes on to victim-blame her. Rape culture, and the social-media posts that added fuel to the fire, are laid bare in this expertly shot, explicit, and hard-to-watch film. Also, did you know Anonymous, the hacker group, got involved? Me neither. (NATHALIE GRAHAM)
SIFF Cinema Uptown
TUESDAY-WEDNESDAY & FRIDAY
Emma Peeters
A woman struggling to make it as an actor in working-class Paris is starting to wonder if she will ever get a break. She takes acting classes where she is overlooked for the young hotties, lives in a tiny apartment, works an unsatisfying sales job, and does ineffectual singing bowl therapy. Since she hates everything about her life, she decides to kill herself on her 35th birthday, âthe expiration date for actresses.â She begins working her way through her list of things to do before she dies, like giving away her stuff and having more sex. The film has a European, lighthearted sensibility and is full of somewhat dark absurdist comedy. It isnât the depressing story you would think from hearing the plot, and there is a refreshing through line of respecting her decision to not live anymore. (GILLIAN ANDERSON)
Shoreline Community College, SIFF Cinema Uptown, SIFF Cinema Egyptian
TUESDAY & SUNDAY
Pause
After a fateful encounter at the doctorâs office, a long-suffering Mediterranean housewife finds herself bombarded by visions of a life without her boorish husband. Said daydreams rarely end peacefully. Tonia Mishialiâs absorbingly odd directorial debut keeps the viewer hopping throughout, combining grim routine and violent flights of fancy to fascinatingly wobbly effect. (A running gag involving a chatty neighbor with a fondness for cosmetic surgery just kills, every time.) The film jumps between humdrum reality and surreal gallows humor with ease, anchored (barely) by Stella Fyrogeniâs tremendously adaptable lead performance. Whenever her eyes get that faraway look, watch out. (ANDREW WRIGHT)
Lincoln Square Cinemas & SIFF Cinema Uptown
WEDNESDAY ONLY
Eastern Memories
Youâd think there would be more egregious displays of Orientalism in a documentary that fuses the journal entries of a late-19th-century Finnish diplomat (G.J. Ramstedt) with visually stunning, modern-day footage of Mongolia and Japan, but these documentarians largely avoid that. The film mostly focuses on Ramstedtâs observations of Mongolian and Japanese philosophy, namely various iterations of the notion of impermanence. The juxtaposition of the contemporary footage with the voice-over of Ramstedtâs journal nicely demonstrates East Asian expressions of the concept of permanent impermanence, and many of his observations about language are fascinating, if not occasionally dour. Top of my list of films to watch either completely stoned or extremely sober. (RICH SMITH)
Shoreline Community College
WEDNESDAY & FRIDAY
In Fabric
Weâve seen inanimate objects that become carriers of evilâfrom cars to houses to dolls to a VHS tape. But what about a dress? Peter Stricklandâs homage to giallo (Italian horror films) is a dark satire about consumerism that follows a cursed, life-destroying garment (killer couture!) after its latest victim/owner, Sheila (played by the great British actor Marianne Jean-Baptiste), purchases it from a department store that happens to be run by witches. The LA Times calls it âa movie of ravishing colors and textures that ultimately elevates style and sensuality into something genuinely meaningful.â (LEILANI POLK)
AMC Pacific Place & SIFF Cinema Egyptian
Miles Davis: Birth of the Cool
Miles Davis was one of the greatest musicians ever. He was also a nasty motherfucker. Stanley Nelsonâs documentary Miles Davis: Birth of the Cool pivots on these two immutable elements of the jazz trumpeterâs existence with a penetrating, analytical approach that doesnât stint on emotion. Itâs about as rewarding a dissection of a great artist and problematic human as one could hope for in under two hours. Nelson enlists an elite cadre of Davisâs bandmates, wives and lovers, childhood friends, family members, promoters, music critics and historians, managers, label bosses, and Carlos Santana to provide key insights into this tormented genius. Theyâre generous with praise, but not afraid to call out the manâs faults, of which there were plenty. While the filmâs commenters deem Davis the epitome of a hip black man who took no shit, he was also physically and mentally abusive to some of his wives and girlfriends, actions that would likely get him âcanceledâ today. Nelson fairly presents Davisâs blemishes and virtues, but he ultimately canât help elevating Davis to godhead status. (DAVE SEGAL)
SIFF Cinema Egyptian & SIFF Cinema Uptown
THURSDAY ONLY
DJ NicFit Presents Fantastic Planet
I was really stoned watching the animated French film, Fantastic Planet, for good reasonâitâs trippy as fuck and can only be truly appreciated after a bong hit or two. In the distant future, humans are stolen from Earth and taken to the plant Ygam where they are kept as pets to a race of technologically advanced giant blue humanoids called Draags. The film follows a group of rebellious humans attempting to escape from Ygam to the Fantastic Planet where they are safe from the tyranny of these giant blue freaks. The Draags are a little disturbing to look atâtheir freaky, unblinking red eyes seem like they're beaming right into your soul. And the other creatures that inhabit this world are equally peculiar, coming straight out of the deep recesses of a surrealist subconscious. The otherworldly animated classic about the small human-like Oms and their much larger blue-skinned oppressors is presented by Seattle's own DJ NicFit, who parallels the film's themes with those of alternative-rock icons The Flaming Lips. (JASMYNE KEIMIG)
SIFF Cinema Egyptian
El Ăngel
Serial-killer mania isnât just happening in the United States. Carlos Robledo Puch, Argentinaâs famous baby-faced serial killer, is getting his own strangely sexy biopic, rivaling the slew of films coming out about Washington Stateâs most famous Republican, Ted Bundy. Known as âThe Angel of Death,â Puchâwho, at the time of his arrest, looked like a young Leonardo DiCaprio with Shirley Temple curlsâwas convicted of 11 murders, multiple rapes, and many robberies, among other crimes. Starring the precocious, talented, and charismatic Lorenzo Ferro as Puch, the film is less of a character study and more of a smutty (and pretty gay) romp through Puchâs crimes. Ferroâs confusingly electric chemistry with his costar Chino DarĂn will make you spend the whole film asking yourself: Are these murderers ever going to fuck? Itâs hot, but also people die. (CHASE BURNS)
SIFF Cinema Egyptian
Non-Fiction
Starring Juliette Binoche and Guillaume Canet, Non-Fiction tells the story of a Parisian writer who blurs the line between fact and fiction by drawing on his real-life love affairs in his incendiary new novel, setting off a chain reaction in his social circle. This flirty, chatty, smart comedy is French and bohemian as hell: Everyone is cheating on each other, having a midlife crisis, expounding on the nature of romantic relationships, and voicing loud opinions about technology. But Non-Fiction feels like breezy, seductive, European fun. So much so, youâll need a cigarette afterward. (JASMYNE KEIMIG)
Kirkland Performance Center
THURSDAYâFRIDAY
Meeting Gorbachev
"Mikhail Sergeyevich, please allow me to explain myself," says Werner Herzog. "I am a German, and the first German that you probably met wanted to kill you." So begins Herzog's affecting documentary about Mikhail Gorbachev, built chiefly around three conversations with the former leader of the Soviet Unionâa once-titanic figure who, at age 87, Herzog now describes as "a deeply lonesome man." Particularly given America's current relations with Russia, Meeting Gorbachev feels disarmingly affectionateâ"Everything about Gorbachev was genuine," Herzog reflectsâbut the director never loses his usual clear-eyed gaze. Meeting Gorbachev also offers plenty of historical context, examining events that shaped not only the Soviet Union, but the world: Chernobyl, nuclear disarmament, perestroika and glasnost, an attempted coup, the dissolution of the U.S.S.R. (Since this is a Herzog film, there's also a sequence in which the director tells viewers how to kill garden slugs with open jars of beer.) (ERIK HENRIKSEN)
SIFF Cinema Uptown & Shoreline Community College
Widow of Silence
Deep within the powder keg of Kashmir, a beleaguered Muslim âhalf-widowâ repeatedly makes the hazardous trek to the nearest government center to try to claim the death certificate of her long-missing husband. Her attempts to move on, however, are stymied by a society where, to quote one of the wormier bureaucrats, itâs the âresponsibility of the people to keep their government happy.â Writer/director Praveen Morchhaleâs film isnât exactly subtle about its message, beginning with the image of an elderly woman literally tied to a chair. Thankfully, though, much of the thematic heavy-handedness is leavened by an expert use of framing, Shilpi Marwahaâs clear-eyed lead performance, and a final moment of irony thatâs keen enough to shave with. (ANDREW WRIGHT)
AMC Pacific Place
THURSDAY & SATURDAY
Our Bodies Our Doctors
Nearly half a century after the US Supreme Court legalized abortion, the access to actually getting one is continually shrinking. But at the same time that states all across the US are making it harder, if not impossible, to get this basic health-care procedure, doctors are dutifully committed to serving their patients. Through the stories of abortion doctors in four different cities and towns, Our Bodies Our Doctors explores the stigma attached to this profession, the reality of working in an abortion clinic, and how a number of brave physicians continue to fight for their patients despite the cost to themselves. (KATIE HERZOG)
SIFF Cinema Uptown & AMC Pacific Place
THURSDAY & SUNDAY
Carmen & Lola
Arantxa EchevarrĂaâs assured debut revolves around two Roma teens in Madrid. The brassy Carmen, a high-school dropout, canât wait to get married and become a hairdresser. The solitary Lola, a graffiti artist and closeted lesbian, longs to be a teacher. The women meet while working at their familyâs market stalls, lust blooming with the touch of a hand. Soon theyâre sneaking out for smoke breaks and passionate kisses. The potential for tragedy comes from their patriarchal communityâs inability to accept same-sex romance, but the possibility for triumph lies with their stubbornness and strength. Bonus: The riot of sequins with which their culture celebrates even the most mundane occasions. (KATHY FENNESSY)
Lincoln Square Cinemas & SIFF Cinema Uptown
FRIDAYâSATURDAY
#FemalePleasure
Women in the US and other Western nations owe a lot to feminist movements. Not only are we no longer considered the property of a man, we can actually vote, run for office, own real estate, not get legally raped by our husbands, and (at least at this moment) have abortions. Women elsewhere havenât been so lucky, and this is painfully apparent in #Female Pleasure, the 2018 documentary by Swiss director Barbara Miller that focuses on how womenâs sexuality is viewed in places where women are treated more like itâs the 6th century than the 21st. It also examines the fundamentally unfair and destructive ways that female pleasure and male pleasure are viewed in these societies. The film profiles five women who have emerged from under the heavy weight of inequality to find some kind of liberation. (KATIE HERZOG)
SIFF Cinema Uptown & AMC Pacific Place
Crystal Swan
This comedy, set in 1996 Belarus, follows a young DJ who has big dreams of moving to Chicago to pursue her house-music career. But a typo on her US visa application forces her to move to a rural village and befriend a local family in order to live out her American dream. Crystal Swan gives off heavy Xavier Dolan vibesâangsty, dreamy, and retro. It also marks Belarusâs first Oscar submission in 22 years. (JASMYNE KEIMIG)
SIFF Cinema Uptown
Raise Hell: The Life & Times of Molly Ivins
Did you know one of George W. Bushâs most ardent critics was a journalist from his own state? Molly Ivins was the loudest liberal voice covering the Texas legislature. She eventually followed the Bush clan from the state house to the White House. But that was hardly the height of her career. Ivins had long made a name for herself as a journalist. Her sometimes abrasive style was unique and boisterous. In Raise Hell, Ivinsâs story clips along breezily, punctuated by her dry wit. Itâs an easy watch, but itâll leave you wondering: What would the late Ivins have thought of the White Houseâs current tenant? (NATHALIE GRAHAM)
SIFF Cinema Uptown
FRIDAY & SUNDAY
The Legend of the Stardust Brothers
This is one of my favorite cult films of all time. Originally a big flop in Japan, this colorful musical biopic of a fictional new-wave duo in 1980s-era Tokyo has slowly made a comeback, now touring the international circuit as a cult gem. The son of manga genius Osamu Tezuka (Astroboy, Metropolis), director Macoto Tezukaâs visual style is masterful in his first feature, depicting a wild, unique subculture (the Japanese avant-garde new wave) at its apex. If you're curious, the â80s-era clips from the Instagram account @nippon.tv are good examples of what youâre getting yourself into. (CHASE BURNS)
SIFF Cinema Egyptian
SATURDAYâSUNDAY
Late Night
Itâs 2019, and there are still no female late-night television hosts. In many respects, this isnât surprising. But thankfully we have writers like Mindy Kaling to flesh out a world in which thereâs one who has existed for 20 years. In Late Night, Kaling plays Molly Patel, a âdiversity hireâ in the writers room of Emma Thompsonâs intimidating (and secretly, delightful) Katherine Newbury, a legendary late-night host whoâs on the verge of being fired unless she changes up her act. This R-rated comedy doesnât break the mold, but it is still a fun and engaging watch. (JASMYNE KEIMIG)
SIFF Cinema Egyptian & SIFF Cinema Uptown
Swinging Safari
Few countries have a knack for tales of the tacky quite like Australia, and The Adventures of Priscilla, Queen of the Desert director Stephan Elliottâs semiautobiographical outing is an explosion of polyester and lacquered hair. In Wonder Yearsâstyle voice-over, an adult Jeff Marsh remembers a 1970s summer dominated by the Jones familyâincluding love interest Mellyâon one side, and the Halls on the other. A screening of Jaws spurs him to become a filmmaker, and his Super 8 films punctuate the action. If it starts from a place of fun, the vibe in the cul-de-sac turns as rotten as a beached whale after the adults indulge in a key party. Thereâs a lesson here about the limits of permissive parenting, but itâs mostly a Martin Parrâlike evocation of a cartoonishly narcissistic time. (KATHY FENNESSY)
SIFF Cinema Egyptian & Shoreline Community College
SUNDAY ONLY
Ghost Fleet
Faced with a labor shortage and driven to distant waters by overfishing, Thai fishing fleets have been kidnapping and enslaving young men, some of whom never return home. Those who survive accidents, beatings, and torture in âcompany prisonsâ are sometimes stranded in Indonesia for years. Enter Patima Tungpuchayakul, who heads a labor rights organization in Bangkok. Her small team, including former slave Tun Lin, sets out on a mission to bring these men back and fights for them to be compensated. Anyone who eats store-bought seafood should watch this documentary, which reveals how an ecological crisis is worsening a widespread human-rights travesty. (JOULE ZELMAN)
SIFF Cinema Uptown
Support the Girls
Before there was mumble rap, there was mumblecore, and many believe that Andrew Bujalskiâs debut film, Funny Ha Ha, is the first film in this genre, which produced many boring films but also launched the careers of a few movie stars, like Mark Duplass and Greta Gerwig. Bujalski s Support the Girls is instantly interesting because, unlike other films by this white director, it has black people in it. More than that, it stars a black woman. Even more than that, the star is none other than a veteran of black cinema, Regina Hall. She plays Lisa, a woman who manages Double Whammy, a restaurant that is somewhere between Hooters and Fado Irish Pub. (CHARLES MUDEDE)
SIFF Cinema Egyptian
This Is Not Berlin
Film critic Nate Jones (or his editor) wrote a good headline in his review of This Is Not Berlin for Vulture: âThe Movie That Will Make You Want to Become a Pansexual New-Wave Performance Artist in 1980s Mexico.â I very much identified with this headline while watching director Hari Samaâs semiautobiographical film about being a teenager in mid-1980s Mexico City, although the looming AIDS epidemic part is certainly something to consider when pondering time travel. Anyhow, the filmâs riotous new wave fun, paired with drugs and ennui and a bustling Mexico City backdrop, makes it a more interesting addition to the glut of â80s nostalgic teen movies coming from todayâs Gen X filmmakers. Also of note: Academy Award nominee Marina de Tavira, from Roma, stars as the lead characterâs mother. (CHASE BURNS)
SIFF Cinema Uptown
Troop Zero
Any film that has Viola Davis and Allison Janney in one lineup (not to mention Jim Gaffigan and Mike Epps) is one you want to watch. Set in 1977, Troop Zero is about a misfit 9-year-old girl named Christmas (played by the adorable Mckenna Grace of Gifted fame) who desperately wants to get her voice on NASAâs Voyager Golden Record, and the lengths she goes to with help from her crew of oddball misfit pals. (LEILANI POLK)
SIFF Cinema Egyptian