A black woman, Clara, becomes a domestic servant to an upper-class pregnant white woman. Their formal relationship turns deeply weird when Clara discovers her boss’s grotesque nocturnal habits. At first satirizing the exploitation of the working class, the Brazilian Good Manners segues elegantly into romance and then supernatural horror—and that’s just in the first hour. At that point, the script abruptly abandons its most fascinating, queerest themes to chase a less unique plot thread. Luckily, Isabél Zuaa as Clara is so subtle and intense that you never want her to leave the screen.
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