Well, just because an organization is "non profit" doesn't mean there aren't people making a lot of money working for the organization - nor does it make them necessarily good corporate citizens. As witnessed by STG's tactics.
Remember, folks, you're the ones supporting these tactics and STG's fiefdom-growing each time you pay the non-voluntary $1.50 - $3.75 "facility fee" (that never seems to do much to improve the actual performance facilities) on every ticket you buy.
And then STG has the gall to pop up a window asking for more donations.
This is a stupid article trying to make bad guys out of the people who saved the Paramount, Moore and Neptune from being torn down and existing for the arts in the first place. Landmark is the slime here regarding the Neptune - they were leaving the UDistrict anyway and never improved it.. Instead of trying to blame STG, how about a smart article on how the city and this mayor screw over the arts and small business? Ask the landlord why he was not straight with his tenants. No smart businessperson puts in $25K of improvements when they don't have a solid lease.
We put the $25K in building the kitchen after we got a 3 year lease (2011 - 2014), in our 8th year in the building. We have been on a series of short leases for our entire tenure, as our landlord assured us that they value long term tenants, but merely wanted to make sure new leases would reflect market rates with the new theater and the light rail coming in.
In other ground breaking news, Slogs reports on wobbly plumbing fixtures at local bar, a wiggly door handle that needs repairs at a beloved diner and a tenant who swears he hears mice in the attic. All these and other landlord crimes covered only here, at Slog.
I worked at Trabant during that time period that the owner suggests that she spent $25k on the kitchen - that didn't happen. Yes, she flew a designer out from New York, but she never went through with the renovations.
Nooooooo! Neptune Music is the Scarecrow Video of CDs. They're in the damn basement, for cripes sake. How much "monetizing" is STG going to get ouf of that?!
#16 - We spent the 25K in 2011 to put in the kitchen equipment (make table, oven, fridges, new sinks, panini grill, etc). We were working with the designer in 2013 on further renovations (new tables,chairs, paint job, etc), which we halted after the landlord stalled on new lease negotiations.
This sounds like the traditional Stranger BS. Blame a company that is succeeding and doing great work for causing demise of some shoddy business that doesn't know how to be self sustaining. I know for a fact that STG does extremely good work in the community. My child has had her life changed by taking part in their dance programs. All I read in here is a landlord trying to clear out bad tenants and let good one's in, that's pretty common. Isn't that happening to your offices?
I also tend to remember that when Brendan's favorite theatre company Balagan went out of business I read that STG forgave all their debt to help them survive, sounds awfully cruel to me. Perhaps the stranger's new arts editor can stay long enough to teach his staff how to support he arts rather than tear them down as soon as they show success.
This sounds like the traditional Stranger BS. Blame a company that is succeeding and doing great work for causing demise of some shoddy business that doesn't know how to be self sustaining. I know for a fact that STG does extremely good work in the community. My child has had her life changed by taking part in their dance programs. All I read in here is a landlord trying to clear out bad tenants and let good one's in, that's pretty common. Isn't that happening to your offices?
I also tend to remember that when Brendan's favorite theatre company Balagan went out of business I read that STG forgave all their debt to help them survive, sounds awfully cruel to me. Perhaps the stranger's new arts editor can stay long enough to teach his staff how to support he arts rather than tear them down as soon as they show success.
@20,21--Those "shoddy businesses" are doing just fine, and are delightful to their customers--they would probably continue to be successful and assets to the community, if they could stay in their spaces. Where in the heck do you get "bad tenants" from, either in the article or in reality??
And just what does STG propose to put in those spaces?
@12 Are you waking up to the age old truth that the human heart is evil beyond all else? We have the hubris as a species to think we are the be all and end all that will save ourselves from ourselves. Maybe reform of human nature comes from without, after we are finally honest with ourselves individually about our nature?
First of all, how does anyone believe that STG has the power to kick tenants out of this building?! STG does not own the Neptune. STG is a tenant. The landlord is the only person who has any say in this matter, and the decision is entirely theirs.
Secondly, the interviews with the ex-employees of the Neptune/Landmark are…biased, to say the least. STG had nothing to do with Landmark losing their lease and those employees losing their jobs. Did anyone else notice any other Landmark theatres going under right around this same time? I sure did. And several other theatres as well. Movie theatres are not doing very well, as you may have noticed. Landmark, by the way, is a major nation-wide chain. Funny how the Stranger wants to defend them here. STG - a LOCAL arts organization - took the theatre over, converted it into a performance space, and renovated it. The Neptune was then declared a historic landmark by the City (which it was not before). So some people were seen “lurking” around the theatre, taking measurements? Who gives a shit? There wouldn’t be a theatre if not for STG. Same goes for the Uptown and The Egyptian, both taken over by the nonprofit SIFF. Who knows what the fate of those buildings would have been if SIFF had not stepped in. Nonprofits are saving theatres all over this country.
Thirdly, The Stranger claims STG “made” $32.5 million in 2012. Anyone with a basic understanding of how presenting arts organizations work would know that STG didn’t “make” $32.5 million. That’s how much passed through the organization in 2012, the vast majority of it going directly back into the hands of promoters, artists, and anyone else who essentially rented the theatres from them (ya see, STG takes a small cut, from the tickets, to maintain the theatres, and the people putting the shows on take everything else).
I’m not very familiar with Trabant coffee, but I do love the comic shop and Neptune Records, and I would be sad to see them go. But I know that’s not STG’s decision, and I know that this article is utter bullshit.
Sure, @25, no well-connected and comparatively deep-pocketed tenant has ever leveraged its influence in order to receive preferential treatment from its landlord at the expense of other legitimate rent-paying tenants.
Illegal? Probably not. Unethical, and contrary to the community-minded image of a non-profit that routinely levies capital surcharges upon the cultural community? Certainly.
What does STG need the space for anyway? They did a great job with turning Neptune into a legit venue, do they need a bigger green room or something? How does it serve their mission to take over the whole block?
What the actual fuck? Find another location for your theatre, expand to areas that don't yet have one! Or at least target one of the shitty cafes on the Ave, rather than Trabant and Neptune Music...
What's the point of a gigantic theatre space next to UW, anyway? Wouldn't they prefer somewhere with parking?
I know this is really about the landlord, but I don't know how we could convince them to save the music shop and cafe that bring some small business flavor to the seemingly ever-more-Starbucks'd University District.
STG is a "non-profit" because they dole out their profits as bonuses to their execs at the end of the year. Really thought everyone knew that, honestly. I mean Adam books sasquatch WITH LIVENATION for fucks sake.
and to answer @17 question - certainly wlouldn't surprise me if they opened a smaller venue to compete EVEN MORE directly with neumos/barboza & croc who are, at this point, the only non corporate venues left in town (showbox is AEG now and livenation owns a % of the neptune.)
STG is a "non-profit" because they dole out their profits as bonuses to their execs at the end of the year. Really thought everyone knew that, honestly. I mean Adam books sasquatch WITH LIVENATION for fucks sake.
and to answer @17 question - certainly wlouldn't surprise me if they opened a smaller venue to compete EVEN MORE directly with neumos/barboza & croc who are, at this point, the only non corporate venues left in town (showbox is AEG now and livenation owns a % of the neptune.)
http://www.zanaducomics.com/zanadu-histo…
And then STG has the gall to pop up a window asking for more donations.
(See also: SIFF.)
I also tend to remember that when Brendan's favorite theatre company Balagan went out of business I read that STG forgave all their debt to help them survive, sounds awfully cruel to me. Perhaps the stranger's new arts editor can stay long enough to teach his staff how to support he arts rather than tear them down as soon as they show success.
I also tend to remember that when Brendan's favorite theatre company Balagan went out of business I read that STG forgave all their debt to help them survive, sounds awfully cruel to me. Perhaps the stranger's new arts editor can stay long enough to teach his staff how to support he arts rather than tear them down as soon as they show success.
And just what does STG propose to put in those spaces?
Secondly, the interviews with the ex-employees of the Neptune/Landmark are…biased, to say the least. STG had nothing to do with Landmark losing their lease and those employees losing their jobs. Did anyone else notice any other Landmark theatres going under right around this same time? I sure did. And several other theatres as well. Movie theatres are not doing very well, as you may have noticed. Landmark, by the way, is a major nation-wide chain. Funny how the Stranger wants to defend them here. STG - a LOCAL arts organization - took the theatre over, converted it into a performance space, and renovated it. The Neptune was then declared a historic landmark by the City (which it was not before). So some people were seen “lurking” around the theatre, taking measurements? Who gives a shit? There wouldn’t be a theatre if not for STG. Same goes for the Uptown and The Egyptian, both taken over by the nonprofit SIFF. Who knows what the fate of those buildings would have been if SIFF had not stepped in. Nonprofits are saving theatres all over this country.
Thirdly, The Stranger claims STG “made” $32.5 million in 2012. Anyone with a basic understanding of how presenting arts organizations work would know that STG didn’t “make” $32.5 million. That’s how much passed through the organization in 2012, the vast majority of it going directly back into the hands of promoters, artists, and anyone else who essentially rented the theatres from them (ya see, STG takes a small cut, from the tickets, to maintain the theatres, and the people putting the shows on take everything else).
I’m not very familiar with Trabant coffee, but I do love the comic shop and Neptune Records, and I would be sad to see them go. But I know that’s not STG’s decision, and I know that this article is utter bullshit.
Illegal? Probably not. Unethical, and contrary to the community-minded image of a non-profit that routinely levies capital surcharges upon the cultural community? Certainly.
What's the point of a gigantic theatre space next to UW, anyway? Wouldn't they prefer somewhere with parking?
I know this is really about the landlord, but I don't know how we could convince them to save the music shop and cafe that bring some small business flavor to the seemingly ever-more-Starbucks'd University District.
and to answer @17 question - certainly wlouldn't surprise me if they opened a smaller venue to compete EVEN MORE directly with neumos/barboza & croc who are, at this point, the only non corporate venues left in town (showbox is AEG now and livenation owns a % of the neptune.)
and to answer @17 question - certainly wlouldn't surprise me if they opened a smaller venue to compete EVEN MORE directly with neumos/barboza & croc who are, at this point, the only non corporate venues left in town (showbox is AEG now and livenation owns a % of the neptune.)