Before my reading at Elliott Bay Book Company on July 31, I kept saying out loud to people that I was afraid and nervous, and it made me that way. I'm not always afraid at readings.

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But in Seattle, I was very afraid. There were many people. I read two stories. People who asked questions got free CDs, which I threw at them. I threw them high so they wouldn't hit their faces. It was safe. But it made them afraid, which made me less afraid.

I pointed at people and they asked questions. I like being asked questions at readings because it is exciting and feels risky. A young man asked if I thought it was ever good to be lonely. "To know what is good, I would need to know what my goal is in life," I said. "And I don't know that. So I don't know what is good." I defeated him. I think he thought I would talk about the virtues of loneliness and then feel proud like I had defeated Oprah or someone, which is nice of him—to set me up for something like that—but I did not. I did not defeat Oprah. I defeated him.

Another young man asked if I wrote allegory. "If people see a dolphin in the ocean they don't say, 'What is the significance of that dolphin?'" I said. "They just accept the dolphin. My writing is like that. It is inside of life. It is not a separate thing." I defeated this person also. I knew I would defeat him because I used this same answer at another thing against 10 people and it defeated them all at once.

Matt Briggs (who reviewed me in The Stranger) asked how many writers I had defeated in battle and what I did with their bodies after I defeated them. I think he defeated me with that question because I felt confused and afraid and then pointed at a girl in the front row and said that she should pretend to be me, and answer the question for me, and that I would give her a CD to do it. She said she had defeated seven writers and that she put them all in a hole. I threw a CD at her. I had planned a few days ago to make people answer their questions. The audience didn't know that. I felt bad a little and kind of wanted to tell them that I was not being spontaneous, so they would not think I was smarter than I actually was, but that was too complex to convey and also would be awkward so I blocked it out.

An elderly woman in the front row asked why I only use "said" and never anything like "replied." I began to answer and realized I would not be able to articulate a true answer without five minutes alone to think quietly. I knew I had articulated exactly why I only use "said" on my blog or in an interview somewhere, but I could not remember the reasons. I felt about to be defeated badly. I said some sentence fragments and the word "interpretation" and then said, "I forget why. You can read it in some interview somewhere on the internet." The audience laughed. I stared around nervously with a sense of victory. The elderly woman seemed satisfied. I thought about giving her a high five.

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Then a younger woman with a serious facial expression asked me about narcissism. She said something about how all my writing was about people focused only on themselves. I felt she was attacking me and being mean to me even though I knew she was not being mean at all and not attacking me as a person. I answered with something that didn't make sense because it was off topic, and she nodded a little and said something about how depressed people aren't capable of insight, I think. I wasn't completely sure what she said because when I am nervous, excited, or afraid and someone else is talking I don't hear every word, only a few, which I use in combination with the person's facial expression to create an idea of what they are probably trying to convey to me. "There are two kinds of depressed people," I said. "The kind that is dramatic and doesn't do anything. And the kind that talk shit about themselves. I think the kind that talk shit about themselves are capable of insight." I looked at her and saw she was defeated. recommended

Tao Lin is the author of the short story collection Bed and the novel Eeeee Eee Eeee. His blog is

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