Akimbo vocalist Jon Weisnewskiâs gruff, bilious holler on disc and onstage is nowhere to be heard while we talk via cell phone as the band transverse Louisiana en route to Texas. Perhaps itâs because the reality of being on tour in a rock band is littered by constant and tiring contrasts. Sedate drives last for hours and hours, only to be punctuated by the routine of arrival, sound check, and, ultimately, an exhausting performance. And, for their part, Akimbo have seen their share of time in the van when not at home in the Seattle area practicing at least twice a week and playing a steady string of shows. The hard work has paid off, as Akimbo stand as one of Seattleâs premier heavy rock bands, with their rhythmically rugged and searingly precise instrumental approach.
Akimbo began with the partnership of Weisnewski and drummer Nat Damm. Friends and musical collaborators since high school, the two began exploring the edgy and fractious nature of hardcore punk in the late â90s and early â00s. After several years of playing locally, the group ultimately found the state of contemporary hardcore unsatisfying.
âWhen we first started, we always had an appreciation for classic rock, but we never listened to it actively,â says Weisnewski. âThen as we hit our 20s, we got a little bit tired of the current hardcore stuff and started listening to a lot more riff-intensive classic rock, definitely a lot of Sabbath, a lot of Led Zeppelin, and it was just sort of like how our music naturally came out⊠[Also] we kind of stopped caring about trying to do something new and trying to be the next band with a fresh sound or something. Weâre just like, âFuck it, weâre just going to do what we like, what sounds good to us!ââ
Eventually anchored by guitarist Jared Burke Eglington, the group cut their first album, Harshing Your Mellow, which only hinted at the coming transition that would herald 2003âs Elephantine. Fusing West Coast hardcoreâs intense, shambolic punk energy with the crushing riffology of â70s rock, the groupâs musical attack was noticeably more explosive. Throughout this time, Akimbo could be heard in a variety of contexts, as openers for touring headliners at local clubs, at packed all-ages shows at places like the Old Firehouse and the Vera Project, and in the most cramped DIY house shows.
Regardless of setting, the bandâs appeal was readily apparent. âItâs kind of cool, because I think weâre a little transgenre,â explains Damm. âWe can play metal shows and hardcore shows and rock-and-roll shows and punk shows, and I think that itâs good and it also gives you exposure to different demographics and you make more friends and you can get people to have a good time.â
Akimboâs lack of pretension is at the root of their identity as a band. Less concerned with genre constraints and foggy notions of genius, they do what they do best and, more importantly, what they love. After years of putting out records and playing across the U.S. and Europe on tours booked DIY style, Akimbo issued their newest album, Forging Steel and Laying Stone, on Alternative Tentacles, a label curated by punk icon Jello Biafra. With such a solid foundation to build upon, Akimbo sound as if theyâre returning to their roots, albeit with all the lumbering glory that theyâve perfected in the last couple of years.
âItâs sort of an obvious natural progression from the first three albums,â Weisnewski observes. âCity of the Stars [Akimboâs third album] was our most rock and laid-back and groovy record. But with this one, we were intentionally trying to get a little bit more of a crazy punk-rock vibe [that we had] in Harshing Your Mellow, [which was] the first album where I think we kind of mixed it pretty well.â
With an acidic sound and a work ethic that echoes My Warâera Black Flag that theyâve developed after years of tireless refinement, Akimbo could rest on their laurels, but that seems against the trioâs nature. What is exciting is seeing yet another Seattle rock group rise from the basement to the cusp of nationalâalbeit undergroundâprominence. For years, Seattle has had a distinctively daunting musical history, and powerful groups like Akimbo may be catalysts to return the city to its previous national luster.
editor@thestranger.com