There's a significant element of the urban postering world that hasn't gotten much attention in this column. Whether it's straight up propaganda, tagging, or printed art, the faction of non-rock postering is alive in Seattle, and thank effin' god. Ever since Shephard Fairey converted the world's major cities into his personal and mercurial art galleries with the "Obey Giant" campaign (and blurred the ever-softening lines between fine art, design, propaganda, and vandalism), our urban landscapes have been glistening with potential. Got something to say? These poles ain't just for gig posters.