Itâs almost impossible to dislike an IMAX documentary (potential exceptions to this rule: Historyâs Greatest Naps, Chancres I Have Known, Snooki: A Life), so even though The Wildest Dream is a bit lacking in the dynamism departmentâits subject being, you know, a great big rockâitâs still a perfectly adequate piece of big, flashy, eye-straining entertainment.
In the early part of the 20th century, narrator Liam Neeson drones, âEverest was the edge of heaven, where many believed no human could survive.â And officially, no one didânot until Sir Edmund Hillary and Tenzing Norgay reached the summit in 1953. But some believe that English mountaineer George Mallory, who died, cruelly, on Everestâs dangerous âSecond Stepâ in 1924, may have been killed on his descent back down from the summit. That would mean he preceded Hillary and Norgayâs accomplishment by a good 30 years.
The Wildest Dream reconstructs Malloryâs truncated life (his time at Cambridge, his magnetic personality, his love for his wife, Ruth) and his deadly final expedition, as well as the discovery of his body in 1999 by noted climber Conrad Anker. The filmâs swooping shots of Everestâs jagged shoulders and unforgiving flanks are appropriately breathtaking, but itâs in the small human moments where Wildest Dream gets interesting. In one scene, Ankerâs wife and her children (their father was Ankerâs partner who died on a climbâAnker eventually married his best friendâs widow) are eating breakfast at the kitchen table when Anker enters dressed in old-timey climbing gear. âWould you climb Everest in that suit?â the mother playfully asks one of her sons, who is probably around 10 years old. âNo,â says the little boy who already lost one father to the Himalayas and is presently in danger of losing another. âWhat would you wear?â âI wouldnât climb Everest.â