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Not Swedish enough, says Paul Constant:

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Swedish author Stieg Larsson's mystery The Girl with the Dragon Tattoo was a huge, best-selling success in America because it hit all the popular American buttons: sadistic killers, a fallen hero with a heart of gold, and lots of sex and violence. And so the cinematic adaptation of Tattoo, while very Swedish in pedigree (the cold, crisp location shots; the subtle performances; the languid pacing of some establishing scenes), is very American in many ways. It's got a big dumb soundtrack that telegraphs every emotion to the audience with a bullhorn's intensity, it sports a CSI-style fetishization of gore and suffering that takes great glee in its own nastiness, and it has an unfortunate compulsion to explain everything, treating the audience like dumb children.

Read the full review HERE.