Look at her paintings, outside the elevators at Seattle Art Museum, and you see they're dot patterns in a grid on brownish paper: patterns for sweaters that, when worn—and however soft—might transform the individual wearer. Lesperance, originally from a hippieish family in Seattle's U District and now living in the latter-day utopic city of Portland, is both wedded to and critical of collective idealism. She knows how it can hollow out over time, and how dogma or compromise can take over. But she plainly still believes in the sheer power of individual action. How to make it happen? That's the spur of her work.
Lesperance was celebrated last week as this year's Betty Bowen Award winner. She's extremely deserving, and a timely choice, too. Her patterns are prods toward personal politics in an election year that can feel hopeless, when Tea Partyers are pushing the line of regression hard. Lesperance's work is inspiring, even just in her titles, which are expansions on historical data and real quotes: "You Can Forbid Almost Everything," She Wailed at an Occupied Greenham Commons. "But You Can't Forbid Me to Think. And You Can't Forbid the Sun to Shine. And You Can't Shut My Mouth When I Sing," We Will Cover Your Fallen Body, Beth O'Brien, and Tell You That It Was Not In Vain. The Forest at Eagle Creek Remains! Let It Echo Your Most Valiant of Names: Horehound... Horehound....
- Cardigan Worn by Greenham Common Women's Peace Camp Activist as She Left Holloway Prison, Charged With Social Disruption for the Second Time in Two Months, Winter 1983.
"It's okay to stop there, at just art shown in a vitrine," Lesperance told me last week. "Because that turns these things into artifacts, gives them cultural power. But to wear them—can you imagine that would transport you into an ideological stance? Because that's all it takes, is just for you to imagine that."
As much as Lesperance still believes in personal action, she still believes in art, too. Much more of her work will be on display in a solo show at Ambach & Rice Gallery in February. More then. For now, a few more examples.