Comments

1
What an odd review. Hoffer is "ascendant", but not right for Hedwig? There's also that odd, wistful plug for Nick Garrison that seems out of place. The review wraps up with a couple of awkward sentences that seem tacked on at the end.

I'll review the review then: Poorly written by a reviewer who is a bit bitter about/jealous of Hoffer.
2
Actually, #1, I caught the late show on Saturday and agree with much of the review. Hoffer is great at working a room and I enjoyed him a lot as an actor and during the more raucous moments, but he couldn't hit the big notes or stay in tune during the softer numbers. The Moore's also a poor choice of venue for such an intimate piece, and the design was overlit to the point where Hoffer's face looked washed out in the spotlights despite all the makeup.

Great material, great components, but Bell failed to bring them together in a way that really achieves greatness. I suspect working in Balagan's usual space may have provided a better sense of focus and intimacy that would have aligned things better - but hey, we've got a local celeb in, so why not sell some extra tickets...
3
Well, I completely disagree with this review. I'm not a theater critic, but I am a Hedwig uber fan and thought the show was amazing. I was at the same show as @2 but apparently had a completely different experience. I thought Hoffer nailed it.
4
I am a huge fan of both Hedwig and Jerick, but I have to agree with Mr. Frizelle's review. The show I saw wasn't awful, but it also wasn't brilliant in the way I had anticipated, given the personnel involved. My main complaint is that Hedwig isn't a drag queen: she is the product of a forced gender reassignment and a lot of bad luck and terrible timing. Jerick Hoffer is a brilliant drag queen, but the choice to play Hedwig as a drag queen actually eliminated the horror and poignancy of Hedwig's maladjustment. Instead of the raw hot mess of a human being that is written, what I experienced was a confident and well-adjusted drag queen putting on an extrememly well-rehearsed act. Even Hedwig's look wasn't punk, it was more 1940's pinup girl, right down to the peek-a-boo ass cheeks and the runway walk she did everytime she talked to the band. I didn't believe that Hedwig's "breakdown" was happening for the first time. And the transformation into Tommy Gnosis just wound up being a tired drag cliche. The entire show was just too polished and missed the mark for my taste.
5
was at the sat nite show as well. granted the show had its low and high moments: the songs were a bit amiss at times but Hoffer's talent as an actor made it worth the ticket price for me. dude worked his tush off! didn't realize that hedwig needs to be taken as "serious" theater. what?!! all of sudden the angry inch is like phantom of the opera? come on, its suppose to be fun and campy and that it was. plus, jerick's moves were sooooo cute! this is coming from a straight guy even. what ruined the show for me was some homophobic bitch who heckled jerick to show her "pussy". what a tacky comment.
6
Obviously, you all should have been at the 6:30pm show on Sunday. Hoffer nailed it as did the rest of the cast. Not one of the songs were "amiss" and it did have a strong emotional resonance.

Perhaps the smaller crowd on Sunday also helped to give the show the "people who couldn't get tickets to Tommy Gnosis' show so they all ended up at a rather seedy former Vaudeville theater for whatever was playing" feel that apparently was missing from the Saturday performance.
7
I just saw it and thought it was great! I also saw it with Anthony Rapp a while back, who was great but this performance reminded me more of John Cameron Mitchell. I thought the singing was fine - but there were some sound mixing issues on the louder songs - the band was too loud for the singers - I was glad I knew the songs because the louder ones were impossible to understand. That was really my only fault with it!
8
Lame critic. Great show. I've seen it twice and am going to the final performance. Sometimes, when seeing a theater production of a movie, one must use their imagination more than relying on the director to hold their hand to explain the storyline. The cast did a spectacular job representing that which is Hedwig and the Angry Inch. The vocals were heartfelt and the musicians provided solid renditions of the soundtrack. Live theater requires an open mind and an appreciation for performing arts. I hope this cast will possibly play a few shows at a local club or smaller theater before disbanding to their next individual projects and gigs. To the performers...thank you.
9
#8 seems to think the show is based off the film, which I think was one of my biggest issues with the production: it was too safe, and pandered to an audience looking to be reminded of the film, and it's content. Jerick's performance was good, but didn't give us any new ideas, just reminded us that he's good at commanding a space. It wasn't a Hedwig for a new generation, it was a fun, cute drag performance that used scripted material and the occasional Jinkx-esch improvisational hint. I liked it. Did not love it at all, and wish they had given us something new, fresh, and creative. Then again, one could have expected this from Ian Bell's interview with (I forget) where he said that the design to the show (namely the wig and make-up) were unavoidable, and that people have an expectation when seeing the show that they'll get what they expect to see. I hate that. I want a NEW look, a new sound, and a new idea into this internationally ignored song-stylist barely standing before me! Not a 25 year old drag queen doing his best John Cameron Mitchell. Maybe next time.

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