"Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern." Louise Bourgeois
I have an obscenely extensive art background and I've got to admit that Lindy West's write-up of "Eagle" has got to be one of the best art reviews I have read in my entire life.
Iâve been walking my dog in the Olympic Sculpture Park constantly since I arrived in May. Itâs Belltownâs answer to Cal Anderson Park! I liked the emphasis on the âdo not touchâ of Richard Serraâs piece, especially after visiting Western Washington University in Bellingham. I saw his piece in their sculpture park/campus scrawled with university-sanctioned chalk. I can think of no more interesting piece of art than a steel monolith corroded with the oils of 100,000 fingers fifty years from now. Mr. Serra would probably agree. As for the recent additions by Carolina Silva and Nichols Nyland: thank goodness they are temporary. Part of what makes simple pieces genius is the meticulousness. Look at a Starn Twins frame or Damien Hurstâs cabinets and you know the success has everything to do with the execution. By contrast these artistsâ works look like they were sourced by Archie Mcphee, Walgreens, and Home Depot. I could go on, or I could mention the nurse log I saw outside the convention center in Portland installed TWENTY years ago. Itâs out in the open, free to drink beer on - or piss on. You know, Portland is like what your parents thought they would turn out to be twenty years ago â until they ended up like the stiff-lipped, full-of-compromise OSP, and, by extension, Seattle. Still, I and my dog love the paths through the grassy hills, anything by Beverly Pepper (she has two at WWU too!), the open air, the people meet nâ greet, and, by extension, Seattle. Oh, and stuff written by Dan Savage who makes us look at things in ways we never thought. Heâs right about that fountain.
I love that fucking fountain sculpture. It made me weep the first time I saw it, and I have to limit my exposure to it still lest I become a blubbering idiot. It expresses such longing and isolation, and I don't give a shit if that means I'm not cool enough to scorn a piece of art that was created without an iota of ironic reserve.
Iâve been walking my dog in the Olympic Sculpture Park constantly since I arrived in May. Itâs Belltownâs answer to Cal Anderson Park! I liked the emphasis on the âdo not touchâ of Richard Serraâs piece, especially after visiting Western Washington University in Bellingham. I saw his piece in their sculpture park/campus scrawled with university-sanctioned chalk. I can think of no more interesting piece of art than a steel monolith corroded with the oils of 100,000 fingers fifty years from now. Mr. Serra would probably agree. As for the recent additions by Carolina Silva and Nichols Nyland: thank goodness they are temporary. Part of what makes simple pieces genius is the meticulousness. Look at a Starn Twins frame or Damien Hurstâs cabinets and you know the success has everything to do with the execution. By contrast these artistsâ works look like they were sourced by Archie Mcphee, Walgreens, and Home Depot. I could go on, or I could mention the nurse log I saw outside the convention center in Portland installed TWENTY years ago. Itâs out in the open, free to drink beer on - or piss on. You know, Portland is like what your parents thought they would turn out to be twenty years ago â until they ended up like the stiff-lipped, full-of-compromise OSP, and, by extension, Seattle. Still, I and my dog love the paths through the grassy hills, anything by Beverly Pepper (she has two at WWU too!), the open air, the people meet nâ greet, and, by extension, Seattle. Oh, and stuff written by Dan Savage who makes us look at things in ways we never thought. Heâs right about that fountain.
Fucking Philistines.