On the first Thursday of every month, Seattleites flock to the streets of Pioneer Square for the city's central and oldest art walk, which offers opportunities to stroll, sip on wine, and attend as many gallery openings as possible. But, in most cases, the shows are up for longer than just one night, and the historic neighborhood is a great place to check out art any day of the year. So, below, we've compiled the most promising exhibits that are having opening receptions on September 5—complete with a Google map at the bottom. You can also find more options on our First Thursday calendar, including one-night affairs like Ian "Bub" Davis's Antiheroes and second receptions like for Girlfriends of the Guerilla Girls. For art in other neighborhoods, check out our complete visual art calendar.

Heading to Portland or Tacoma? Check out EverOut to find things to do there and in Seattle, all in one place.

Ann Leda Shapiro: Diagnosing Disasters
Acupuncturist Shapiro is not an outsider artist—she attended the San Francisco Art Institute and the University of California, Davis in the '60s—but her cut and painted works on paper have that brut but beautiful look. She combines fanciful depictions of human anatomy with equally inventive riffs on nature, animals, and microbes.
Gallery 4Culture

Coley Mixan, Liz Mputu, and Richie Brown: Re-Thinking Digital Nature
Curated by art critic, curator, and occasional Stranger contributor Leah St. Lawrence, A Digital Nature brings together three artists who explore themes of “health, humor, the body, and emotional prosperity” and our experience of “the digitized” in our daily life. Coley Mixan is a musician and an artist, creating trippy and thought-provoking work. Liz Mputu is Very Online, using digital platforms to grapple with topics like white privilege, sexuality, and digital embodiment. And Richie Brown—an animator who calls himself the hypothetical son of Walt Disney, Robert Crumb, and Andy Warhol—brings his kooky and unconventional animations to the show. JASMYNE KEIMIG

Dale Chihuly: Baskets, Persians, Macchia, and Seaforms
See works by one of the most famous glassmakers in the world, Dale Chihuly.
Vetri Gallery

James Castle: Drawings
Castle was born deaf in 1899 and was not truly recognized for his talents until the 1950s. As a young artist, he worked with soot, spit, and homemade implements. 
Greg Kucera Gallery

Jed Dunkerley and Cable Griffith
Former Stranger critic Jen Graves has written that Dunkerley's drawings of machines erase "the nature/human binary and [replace] it with a new mixture that did not separate human activity from other processes in nature." In this series, he paints scenes wherein "technology and human ingenuity overwhelm the natural world," in the words of the gallery. Cornish professor Cable Griffith's abstract landscape paintings are similarly concerned with the melding of the natural and artificial realms.
Linda Hodges Gallery

Melinda Hurst Frye: The Forest Floor
In The Forest Floor, Hurst Frye probes the symbioses of plant and animal ground-dwellers (and subterranean creatures), using photographs and tableaux.
Core Gallery

Michael Dailey: Discoveries
Michael Dailey's absorbing, glowing abstractions play with figure/ground perception using washes of color. Jen Graves has written: "In person, Dailey's paintings glow and gleam and sparkle and transport. Their references are basic in the extreme: land, sea, and sky—mostly sky." 
Greg Kucera Gallery

Michelle Anderst: Queen Cell
Local artist Michelle Anderst returns to the gallery with a tapestry of gold and silver metallics representing the moon, the sun, and the vibration of bees. 
Mortlake & Co.

SPACEFILLER: Fantasy Parameter Spaces
For Seattle-based duo Alexander Nagy and Alexander Miller, their collective name, SPACEFILLER, is a reference to both their role as artists (one who fills space) and Conway’s Game of Life, a mathematical model. (A “spacefiller” is a pattern that wants to spread out indefinitely.) In Fantasy Parameter Spaces, the duo will be taking over the white cube and installing interactive “mini universes” that invite the viewer to “play with the parameters of algorithmic simulations in order to reveal the complicated relationship between order and chaos.” Expect light projection, sounds, sculptures, and tactile electronics. JASMYNE KEIMIG
Glass Box Gallery

Whiting Tennis: New Work
Tennis's colors cohabit uneasily, and even the symmetrical designs look unstable. He favors compositions that don't allow the gaze to rest, but jostle it from shape to shape: intestinal tangles, chaotic patchworks, smudgy mazes, indefinable objects in confrontation. But this graphic agitation also appeals to the viewer's sense of play and freedom. Far from severe, the forms he invents are variously insectoid, childlike, flailing, drooping, and prowling. JOULE ZELMAN
Greg Kucera Gallery

Heading to Portland or Tacoma? Check out EverOut to find things to do there and in Seattle, all in one place.