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Old Is the New New

Old Is the New New

The Cold War and Don Quixote at Pacific Northwest Ballet


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Don Quixote

McCaw Hall,
Starting Fri Feb 3 at 7:30 pm. Showtimes vary, see www.pnb.org for complete schedule

Oklahoma!

5th Avenue Theatre,
Wed at 7:30 pm, Thurs-Fri at 8 pm, Sat at 2 and 8 pm, Sun at 1:30 and 7 pm, Tues at 7:30 pm. Through March 3

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Wednesday, February 8, 2012

This Saturday: A Short-Term Extension

Posted by on Wed, Feb 8, 2012 at 4:17 PM

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Hello! A couple weeks ago I slogged about my new solo play upcoming at Hugo House.

This past weekend brought the final Hugo House performances, which were sold out to the point that a lot of people who wanted to see the show couldn't, so we're doing an encore Hugo House show this Saturday at 8 pm.

Full show info and tickets available here.

Tuesday, February 7, 2012

Drinking at the Movies

Posted by on Tue, Feb 7, 2012 at 3:22 PM

In thrilling news from Olympia, house bill 2558, which would allow adults to buy and drink alcohol at the movies, is getting some amendments:

1. Multiplexes can apply for a license, but only one room can be booze-friendly.

2. The definition of "theater" has been broadened from cinema to: "A place where motion pictures or live musical, dance, artistic, dramatic, literary, or educational performances are shown."

The bill also requires a "minor control plan" to keep children sober, but doesn't specify what that would look like.

(The background to the bill is here—basically, legislators from the Vancouver area introduced it because a renovated movie place down that way wants to get into the brew 'n' view business.)

In other brew 'n' view news: Central Cinema, the Central District's beloved TV room since 2005, recently realized that it was in an awkward legal situation after the Washington State Liquor Control Board rewrote a rule in 2010. The rule change states that if you're a movie theater selling hooch, "no minors would be allowed on the entire premises at all times." Not just when they're serving alcohol—ever.

Kevin Spitzer, who runs Central Cinema, says that would cut at least a third out of his business: The theater has family sing-along events, cartoon programming, children's films, hosts neighborhood parties, serves as a de facto classroom for the Reel Grrls education nonprofit, and lots of other family- and kid-oriented stuff.

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Horrifying Entertainment

Posted by on Tue, Feb 7, 2012 at 2:06 PM

In The Bells at Erickson Theater Off Broadway until the 18th, "Drunks are drinking, the wind is howling, and a successful innkeeper counts his money and watches as his only daughter delicately comes into heat."

Cienna Madrid's review makes it sound irresistible.

It doesnt look like that ax is going anywhere good.
  • JOHN ULLMAN
  • It doesn't look like that ax is going anywhere good.

There Is Blood

Posted by on Tue, Feb 7, 2012 at 11:46 AM

...and violence and drug use and fog in Tommy Smith's new show, White Hot, playing through Saturday at West of Lenin.

Anna Minard's review makes it sound pretty much irresistible.

And lighters!
  • And lighters!

Monday, February 6, 2012

Intiman Meets Its Goal

Posted by on Mon, Feb 6, 2012 at 10:06 PM

Last summer, Intiman Theatre fell down after a rocky transition from longtime artistic director Bart Sher and longtime managing director Laura Penn to new artistic director Kate Whoriskey and new managing director Brian Colburn.

After the fall, Intiman decided to hire a new, young artistic director (Andrew Russell) and said if it raised $1 million by February, it'd mount a four-play summer festival with 12 actors in all the roles, repertory style.

February 1 came and went without meeting the goal (the theater had raised around $820,000 by then), so Intiman announced it'd wait until Friday, February 3 to make the $1 million. Then it said it'd wait until a board meeting on Monday to decide what to do.

As of a few hours ago, it has decided what to do. Intiman is going forward with the summer festival, which will include one Shakespeare play, one Ibsen play, one unnamed "American classic," and an unspecified new theatrical something by Dan Savage.

Congratulations, Intiman. We're all curious to see what's next.

Saturday, February 4, 2012

Tonight, Salt Horse Dances for 12 Hours Straight

Posted by on Sat, Feb 4, 2012 at 12:31 PM

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  • Salt Horse
Tonight, dance company Salt Horse will perform in and around Washington Hall for 12 hours—from 6 pm to 6 am—as an exercise for a future show.

It can be irritating when artists sell tickets to their own rehearsal/generating processes. But 1) with over 20 musicians and dancers using Washington Hall as a playground, the 12-hour marathon could produce some worthwhile spectacle, and 2) Salt Horse is a pleasantly baffling dance company with a weird, weird imagination. Their Man on the Beach was like stepping through the looking glass, with a whistling teakettle, an enormous sandpiper with human legs, a writhing creature made of black plastic tubing, and a person getting severely beaten by birds with aluminum baseball bats.

Their Titan Arum pushed even further, into an invented mythology with a disturbing queen, lots of fabric, music by Stuart Demptster, and a tiger.

Their pieces are baffling, in part, because they feel so complete and impenetrable in their strangeness. Each one is like an oddly shaped, ornately decorated box that you can admire from the outside and only wonder what it was built to contain. For Salt Horse fans, tonight's 12-hour play—which you can drop in and out of—will be an unusual opportunity to lift the lid and take a peek.

Performers include Corrie Befort, Beth Graczyk, Mark Haim, Angelina Baldoz, Stuart Dempster, Cherdonna (of Cherdonna and Lou), and a bunch of others. Details here.

Friday, February 3, 2012

A Correction

Posted by on Fri, Feb 3, 2012 at 1:43 PM

From the mailbag:

Good Day:

There is a small mention of a theatrical play on the Stranger's website, Corpses Make Poor Dinner Guests, playing over at the Odd Duck Studio on Capital Hill, that reads the following:

"A new company called House of Cards presents their inaugural show, written and 'actor-managed' (is that like a hands-off version of directing?) by David Kulcsar, about a small-town restaurant's brush with fame and death."

Since I am David Kulcsar, I am here to point out kindly that "actor managing" is not hands off directing: in truth, it is the jobs of the Director, Lead Actor, and Stage Manager rolled into one delicious roll: and a very difficult roll, I might add.

The "actor manager" was a position in theatre that died out in the late 19th, early 20th century when the "director" and "stage manager" was invented. (it made theater easier and boring to operate.) Currently, the only actor manager that I know of that exists is Kevin Spacey at the Old Vic in England; making me, to current knowledge, the second best actor manager in the known world (a very distant second, I must add).

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Wednesday, February 1, 2012

Mark Driscoll, Mars Hill Church, and The Merchant of Venice

Posted by on Wed, Feb 1, 2012 at 2:09 PM

Confidential to Mark Driscoll: Your earthliness is showing.
  • Twitter
  • Confidential to Mark Driscoll: Your earthliness is showing.

I'd like to add a personal footnote to this story that I wrote in this week's paper about Pastor Mark Driscoll, Mars Hill Church, and its troubling slide from benign faith community into authoritarian doctrine-factory.

First, a little about my religious orientation, if only because pretty much everyone I interviewed for this week's story immediately asked me about my faith and whether I had "found Jesus." Normally, I'd consider that an off-limits question to strangers, more deeply intimate than asking about the intricacies of my finances or my relationship with my wife. But I was asking them about their religious orientation, so I figured turnabout is fair play: I was raised Catholic and am now deeply agnostic.

(This story I wrote in 2009—about the systematic, institutionally protected child abuse of Alaskan Native children by Catholic clergy—stomped whatever lingering embers I had for the institution into cold ashes.)

I am not a strident Dawkins/Hitchens/Ditchens anti-Christianist, which Mars Hill people might find hard to believe since I work at The Stranger. But this is America, a free country where religion should be treated like sex—believe and do whatever freaky shit you like in private, as long as a) it's consensual and b) you leave children and animals out of it.

Second, from my study of Driscoll and his sermons, it's clear he's a verse-slinger who selectively culls from a big, complicated book that's been written and re-written over thousands of years and says all kinds of things. I'm well familiar with this legalistic strategy of grabbing the moral high ground—I spent a chunk of my childhood in the South among people who sling verses, sometimes for amusement and sometimes for their profession. According to the ex-members I interviewed, Driscoll and his people are particularly fond of Hebrews 13:17:

Have confidence in your leaders and submit to their authority, because they keep watch over you as those who must give an account. Do this so that their work will be a joy, not a burden, for that would be of no benefit to you.

What a convenient, self-serving passage for a pastor to keep on the tip of his tongue. But whenever I hear verse-slinging, it brings to mind my favorite verse: The Merchant of Venice, act one, scene three, lines 96 to 103:

The devil can cite scripture for his purpose. An evil soul producing holy witness is like a villain with a smiling cheek, A goodly apple rotten at the heart. O, what a goodly outside falsehood hath!

Third, my fundamental problem with Mars Hill Church...

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Tuesday, January 31, 2012

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Dancing with the Czars

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Thursday, January 12, 2012

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Hello, Operator

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Wednesday, January 11, 2012

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Hello, Operator

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