Gallagher Is a Paranoid, Right-Wing, Watermelon-Smashing Maniac
The Decline and Fall of a Comedy Legend
Keat Teoh
Tools
"You have your hat backward," Gallagher sneers at a twentysomething man in the front row. "Are you a homosexual? Because it seems you have a problem figuring out the front from the back." Big laugh. "I see people every day I can't figger out what sex they are," he continues. Even bigger laugh. The old man—1980s fixture, incessant smasher of fruit, and "comedy legend," according to the marquee outside—is onstage in front of a sold-out Admiral Theatre in Bremerton, Washington. An hour earlier, my friend and I had disembarked the packed rush-hour ferry in downtown Bremerton and wandered uphill through oddly deserted streets (our hundreds of fellow passengers seemed to have vaporized when they reached land) until we found the Admiral. Gallagher stood on the sidewalk. He was small and old—his back bent a bit, his trademark dark curls faded to a dank grayish-blond. He scuttled around the corner and through a side door.
It's cocktail seating inside the Admiral—small tables of four—and we are placed at #B32 with a largish lady in pink and her mustachioed gentleman friend. "Oh, you're sitting with my daughter!" the elderly usher crows. "This is my daughter!" We aren't sure how to respond, so we say, "Cool!" Things are immediately awkward. They would only get worse.
Stranger Personals
My memories of watching Gallagher during my 1980s childhood (Comedy Central was my third parent) were pretty much apolitical—silly props, innocuous puns, and, of course, all the smashing, smashing, smashing. Tonight, we're expecting much of the same, only older, sadder. We are smug and a little bored. "Gallagher's gotta be, like, 90 now, right?" I joke. "Because he was, you know..." "Bald?" my friend offers. "In the '70s?" "Right." The stage is swathed in thousands of yards of black plastic sheeting. Spray-painted on the back wall is a banner (created, if the internet is any indication, by Gallagher himself before each show) that says: "G-[watermelon]-L-L-[space]-[watermelon]-R-R-R." It is... sad. We were right about that much.
Then Gallagher gets going. And fuck. Bremerton is a military town and a conservative one: It's more than just a slide into obscurity that delivered Gallagher to the Admiral rather than, say, the Moore in Seattle. You see, Gallagher is—how best to put this?—a paranoid, delusional, right-wing religious maniac. I HAD NO IDEA.
"Hey, President Obama," he spits out the name like a mouthful of burning hair. "You ain't black. I don't care what you say—you're a latte. You're half whole-milk. It could be goat milk—you could be a terrorist!" I am too busy losing my mind to catch the next joke, which is about Ted Kennedy's brain cancer. Aaaaand we're off.
Gallagher is upset about a lot of things. Young people with their sagging pants (in faintly coded racist terms, he explains that this is why the jails are overcrowded—because "their" baggy pants make it too hard for "them" to run from the cops). Tattoos: "That ink goes through to your soul—if you read your Bible, your body is a sacred temple, YOU DIPSHIT." People naming their girl-children Sam and Toni instead of acceptable names like Evelyn and Betty: "Just give her some little lesbian tendencies!" Guantánamo Bay: "We weren't even allowed to torture all the way. We had to half-torture—that's nothin' compared to what Saddam and his two sons OOFAY and GOOFAY did." Lesbians: "There's two types—the ugly ones and the pretty ones." (Um, like all people?) Obama again: "If Obama was really black, he'd act like a black guy and get a white wife." Michael Vick: "Poor Michael Vick." Women's lib: "These women told you they wanna be equal—they DON'T." Trans people: "People like Cher's daughter—figure that out. She wants a penis, but she has a big belly. If you can't see your dick, you don't get one." The Rice Krispies elves: "All three of those guys are gay. Look at 'em!" The Mexicans: "Look around—see any Mexicans? Nope. They'll be here later for the cleanup." The French: "They ruin our language with their faggy words."
Above all, everything is gay, gay, gay to Gallagher. He leans into it with the borderline-nonsensical, icked-out, ignorant glee of a boy—or the protest-too-much vigor of a GOP senator. Gallagher delivers your Bible verse for the day: "Without God, we are nothing but dust. What is butt dust? Is that what you get if your homosexual isn't properly lubricated?" He relates a story about spilling mouthwash onto his crotch during a show: "Lucky for me, there was no homosexuals in the area—'cause my balls was minty fresh." At other points during the show, Gallagher says, "Men and women can't live in the same house" and "There's no way men and women can have a relationship." He says he can't remember why he used to feel pleasure in looking at a woman. And, "There's only one kind of homosexual guy, and that's the pretty ones—why do homosexual men have to be so good-looking?" Gallagher. Listen. Is there something you want to share with us?
Gallagher commands the stage with the weary, sure hand of a touring comic closing out his third decade on the road. He knows what he's doing, and even I'm not a big enough dick to dispute the "comedy legend" designation on the sign outside. The people of Bremerton eat it up, and despite the discomfort of sitting in a room full of rabid, frothing conservative dickwads (especially when the "comedy" veers creepily close to white-power rhetoric: "We're descended from an Anglo-Saxon Viking tradition!"), it's a relief to have them there. Gallagher needs them, and I need to not witness the complete mental breakdown of Gallagher.
"This is why I'm not on TV," he keeps repeating. "I am powerful. They can tell. I'm an American and I'm gonna speak my mind." He tells the truth, the truth, the truth, the truth, and everyone else is afraid. The TV talk-show hosts are afraid, the network executives are afraid, the American people are afraid. It's our fault that he's not a superstar—not his—and he needs us to know it. We owe him. "Dave Letterman ain't comin' here. Robin Williams ain't comin' out here. You gotta say, you know, Gallagher came here, and he did two hours."
In a section entitled "Additional Facts," the program describes, with heartbreaking false bravado, a 2008 interview that Gallagher seems to regard as his big comeback: "The Howard Stern Show. The interview lasted at least 1 hour and the callbacks were amazing. It was a chance for everyone to see and hear Gallagher in a new light." I couldn't track down an audio file of the Stern interview, but the show's website maintains detailed recaps of each episode:
Howard welcomed watermelon smashing comedian Gallagher to the studio and was surprised that he was wearing a suit... Gallagher then railed against the late night hosts; Jay Leno is impersonal, Conan isn't funny, and Letterman used his watermelon-dropping bit. Gallagher said, "I'm an authority on comedy. I was a comedian in another life," and listed some of his lesser-known credits, like random parody songs... Gallagher then continued to list his crazy ideas; fart ring tones, a face-paint-focused environmental presentation for Al Gore, and something about photons and electrons.
Ugh. Devastating. It sounds just like the Gallagher show I watched—less a triumphant comeback and more the perversely fascinating but ultimately insignificant ramblings of a desperate has-been.
At last, after two hours of his tedious, hacky, right-wing manifesto, Gallagher gets to the part his (willing) hostages have been waiting for. It's time to smash some shit. There are the watermelons, there is some cottage cheese ("It's got the curds that blow up, just like on the news!"), there is sauerkraut and syrup and honey. Then Gallagher gets a tin pie plate. He opens a giant can of fruit cocktail and pours it in. He opens a can of some Asian vegetable—water chestnuts, maybe—and pours that in, too. "This is the China people and queers!!!" he screams and takes his sledgehammer to the thing with a fury that is no fun at all. Wet chunks of China people and queers fly everywhere. The hateful, bitter old man laughs. I cannot believe Bill Hicks is dead and this motherfucker is still touring.
On our way out the door, my friend says to me, "Hey—do you want to go beat up some queers? I heard they're really faggy." We laugh. But it isn't really funny. ![]()
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http://aalgar.com/graphics/podcast/svpod…
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At least I didn't think he was.
Then again I was... 12.
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It's CRAZY, but pretty much right in line with what Lindy's seen. And can't unsee.
I used to love him too, when I was like, 10 -- even not just the smashing shit part, but the bit about, say, how "comb" and "tomb" and "bomb" etc. don't rhyme. "Comb. C. O. M. B. Change that C to a T. Tom-B? NO TOOOOOMB! Change it to a B? BOOOOOM? No, that's what they go, but it's a BOMB...."
And why the freak is he so obsessed with gays?
One badly messed-up dude, all in all.
Apparently, the original guy's brother has co-opted the act, and can do everything but smash watermellons. Sounds like Lindy might have seen the Evil Twin Gallagher.
i commented on the slog post yesterday with a link to an account of a new york show of his that i "experienced" a couple years ago.
my friends and i all felt like we had PTSD afterward.
it still hurts to eat watermelon.
I suspect it was. Made me laugh when I was a kid. And I remember this one joke:
"Texas should be it's own country so it could just invade Cuba... they'd be like "We got down here looking for some beach front property and all we found was the help".
Well, that was funny and all at the time but I guess I didn't know how deep that joke lived in his soul.
I'm sure he'll be out our redneck conservative way next. I'll be sure and pass.
That part actually stung, a bit. Bill Hicks had some rants, too, (The NKOTB as Nazi Youth rant was kinda disturbing the first time I saw it) but at least he was funny. It sucks to think that I've already seen everything he'll ever do, while this guy has spent the better part of four decades traveling around spewing shit across the country.
Well, him and Lisa Lampanelli. Two people who defile the name "comedian".
He definitely sounds like he's got an agenda that informs his comedy (which is certainly not unique to him), so I can certainly understand if someone feels differently than me. But c'mon, it's Gallagher. Who's he gonna influence? He's probably pretty sad most of the time. Leave the poor old fart alone :P
When conservatives try the same thing, it invariably devolves into the venom-spewing hatefulness that Lindy witnessed.
They lack good humor, on a number of levels.
B.S.
Though I guess the argument could be made that He-Man is also warped and twisted when viewed as an adult. Sigh.
Then you apparently sat there for an hour and took notes.
You are the very definition of a Seattle Douchebag.
Some don't find him funny, but I found him absolutely hilarious, and what was so hilarious about it was the truth in his comedy. He was not always like this and if anything, he poked a little fun at God ["I wonder why God didn't make us wheels? He must've known we'd get skates for christmas" and "God made flying squirrels so they could swoop down and surprise the acorns"]
For those of you asking how the sledge-o-matic was funny, I don't think it was ever MEANT to be funny. It was something different, something other comedians didn't do. What other comedian smashed a watermelon or any foods? That sketch is what set him apart from all others. His jokes were funny, the sledge-o-matic just added fun interaction between him and the audience, and the audiences LOVED it. Hell, it was awesome for me to get up on stage and smash something with his sledge-o-matic, and he was so awesome about it too. We met him after the show, and I had an old Gallagher t-shirt of my dad's, and he remarked that he hadn't seen it in many years, even a decade, and signed it for me.
I have no idea what happened in the past five years, but all I know is that I don't want my memories of his Showtime specials, and the memory of my FINALLY meeting my childhood hero to be tarnished and ruined in one night. So I'm not going to go see him.
I can understand some of his reasoning with the young comedians, and with the couple in NY that he had removed, as comedy now is a MUCH different thing than it was back then. He has performed for decades and knows the art form of prop comedy. However, something about him as changed, and to be honest, he's right. The audiences have changed. People now are completely different from what they were back in his prime. Unfortunately, he doesn't seem to be accepting it too well nowadays.
But back in 2005, he was absolutely amazing, not only to witness on stage, but to meet afterwards. He was so friendly and accomodating. Now....I'm just speechless and saddened by it.
I can only hope that he ditches this new outlook and goes back to the Gallagher that I remember watching throughout the years. =(
What's weird about this is that, when I was 12, I understood Gallagher as a harmless pot-smoking old hippie. Not just because of his look, but because of his show "Stuck in the 60s," which pretty much endorsed all the peace-and-love-and-dope mantras of the era.
Hell, the theme song even went "My hair is still long/the New Right/is still wrong."
Just look at the cover: http://movies.nytimes.com/movie/19125/Ga…
Do old comedians just go crazy sometimes? It happened to Dennis Miller.
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If you keep slummin at these leftist interweb places, you'll never have enough time to butt rape the city slickers who come canoeing through yer backwater...
But it's close. Real close.
Are you referring to the same Bill Hicks that compared people who like New Kids on The Block to the Nazis? The Bill Hicks of 'Goatboy' fame? Sounds to me like Hicks and Gallagher were pretty much on the same level, it just that one was left wing, the other right wing.
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On the other hand I'd pay to see the discomfort of a couple of arrogant Seattle Douchebags sitting among a bunch of military guys having to listen to him.
http://www.youtube.com/watch?v=7YiPKy1NO…
Early in his career, ( I'm going back to the mid-eighties at least) he had a great act, before all the watermelon smashing bullshit. I remember a great line that went: "Don't smoke pot... when you're already stoned. Because you don't get more stoned. You just get less pot."
One of my favorites, but no doubt a line he'd like to disavow now in his right-wing hate-haze.
http://www.salon.com/life/this_week_in_c…
I would have walked out if I didn't bring company with me. It would have been great to heckle him on my way out. I really missed my shot. How unfortunate.
How many fucking times can you repeat "right wing?" Too bad his comedy isn't as sad as yours, maybe then you'd have enjoyed the show.
Gallagher may have used it too, but I'm pretty sure it was Nipsy Russell who first said it. I can't imagine Gallagher being that witty.
He has ALWAYS smashed Watermelons in any televised show. His very first special which was in....79 maybe? He smashed one. All his specials following, he smashed one. There may have been a small portion of shows that weren't televised or recorded or made into specials that didn't feature watermelon smashing, but I can assure you, in the mid 80s (at the time of The Maddest & Melon Crazy), he WAS smashing them, and he still had great acts.
That seems to have changed, he seems to have gone senile and it's disappointing, because once upon a time, he was a fantastic entertainer, and I'm sure he could be if he left the hate out of his acts as he did in the 80s. There was dislike, yes, but now it's gone straight to flat out HATE.
And people can defend it all they want, but I can tell you, there's a definite difference between the Gallagher now, and the Gallagher then. At the same time, there is a difference between the audience now and the audience then. The audience int he 80s didn't give a shit if their clothes got ruined, and they laughed with all the jokes. Now, there seems to be too much taking offense at jokes. However, as I said, there is a difference between a joke and being downright hateful and disrespectful towards those who hand you a paycheck.
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WOW!! That's powerful reporting for ya!!
Hehindeedy. An entertainment reporter reporting on ENTERTAINMENT! THE NERVE OF THAT LINDY.
I'm up for the collapse of the "MSM" as much as anybody, but you should probably take Alex Jones' diamond gusset jeans out of your mouth.
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What is it that you right wing loons don't understand about freedom of speech? No one is saying that Gallagher can't say what he says. He has every right to spew racist and homophobic nonsense on stage. Just as Lindsay has every right to report on what a washed-up ignorant fool he is.
Every time some Republican asshat says something racist and gets called out they scream that their free speech is being stifled. You goose steppers are clearly confused as to what free speech actually is. But then you're confused about pretty much everything else, so I'm not surprised.
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My favorite aspect of his comedy was his observation on language. For example, "why do we park on a DRIVEway, and drive on a PARKway??"
Outside of smashing shit, that puke's stand-up was mostly bought, borrowed or stolen.
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His was the first oft-repeated comedy special, along with a great comedy show starring John Byner called "Bizarre", where you could see BOOBIES and HEAR THE 'F' WORD coming out of YOUR TELEVISION!!!
Lindy is too young to remember.
Oh - and good review. Gallagher has become a real douchebag. You'd think that surviving cancer would build character - not prompt you to tear down others.
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Actually "liberal" John Stewart and any number of others "go after" Obama all the time. The issue wasn't the target of Gallagher's "comedy" - it was his message. I don't recall any racist messages made about Bush being white (i.e. "why doesn't he act like a real white man and get himself a black wife"), nor do I recall Lopez assailing heterosexuals every other line.
Want to see a "hypocritical idiot"? Look in a mirror. Clearl you didn't even read Lindy's article.
I do hate all the stupid spiteful jokes that aren't even jokes, but just snide remarks about society. It's annoying. I paid to laugh, not cringe and feel awkward.
Some of that stuff was overtly racist, though, and a little beyond what other comedians do.
But he's not, as you say, "a paranoid, delusional, right-wing religious maniac"... he's pretty much homophobic and racist. That does not make one a right-wing religious maniac, it makes them bigoted. Right-wing does not mean "cruel" like people think it does these days.
I saw him preform maybe about 10 years ago at the Westberry Music Fair on Long Island and he was still doing outdated Bobbit and OJ Simpson jokes. Hell, he even pulled out the "Bat-Mobile" from one of the old 80s shows. Trying to watch him struggle with the sledge was pretty sad.
Reading this and the other page with the "bonus jokes" made me sick. When I saw him he did make fun of people with backwards baseball caps, baggy pants and bib overalls, but not in a hate filled raciest tone. I think I would have walked out and demanded a refund after ten minutes of him spewing that garbage. What a has-bin.
I don't know what's to blame for his turn to the dark side, but some folks are one-shot wonders who basically have no second act in them. Dennis Miller is an excellent example of someone who's lost his way and slipped into political pandering as a substitute for being funny, but in Miller's case I think 9/11 damaged his worldview and confidence so badly that he'll never truly be able to find the abundant humor in everything around him anymore.
For Gallagher's sake, I hope he's not aware of just how unfunny he is now. But something tells me he knows, and that's why he's given in to his bitterness. And oh yeah, long-term self-hating closet case--I thought that even back in the '90s.
Fixed that for you.
I saw his shows on Comedy Central as a kid, and finally went to his local show around 2004. I was probably his biggest fan at the show, and I was probably the most disappointed person there too. He signed an autograph (on a t-shirt I bought) in a very pissed off manner before the show. He seemed like the fans he came out to greet (why prior to the show, I didn't understand) were bothersome to him, and he had better things to do. I found out later he meet and greets before the show because most people walk out. His show was an awful, 1.5 hour plus rant about this or that, stupid stuff that wasn't funny. Then, he just basically said screw this, let's do what everyone came here see, the Sledge-O-Matic. Everything was similar to the writer's entry, appearing to be completely made by Gallagher in a last-minute effort, as if he only knew about the show an hour beforehand. Spray-painted background, black tarps, a table with various foodstuffs he would smash as soon as someone he invited up on stage would prepare it. Yes, someone from the crowd had to prepare it, he evidently had no stage hands. It wouldn't even be an issue if he commanded the crowd like he could before, make them feel like a part of the show. Instead he seemed like Kaufman's Tony Clifton, insulting the people coming to the stage. Some of them walked off before they helped with his fruit smashing.
He made a little girl cry. I'm serious, a girl under the age of 8 he made cry as he was insulting her. I thought it was too crazy to be real, it was a set up, right? No, it was real. This guy was berating, belittling and insulting various small children throughout his show, all of whom he invited on stage. He didn't even have a stage hand and was performing at a small local show, how could he have had so many people in on the act?
Either he's a Kaufman-esque genius, or the biggest a-hole that has ever lived. And according to personal experience, anecdotal evidence and past history of the guy, I believe the latter. No one cares about how offensive his jokes are, as there are many great comedians with "offensive" jokes about many groups; the focus should be on the comic himself, the amateur nature of the act and the alienation of his audience, all of which are so far removed from the incredibly successful Gallagher of the 1980s.
Such a shame that he's turned into such a bitter, unfunny prick.
But there is something really sinister and deranged about the sledgehammer bit with the "China people and queers." One would think that, with acts of atrocity still a daily occurrence in our world, an American comedian performing for an audience in "the land of the free" could muster just the slightest bit of decency for his fellow man.
Not only is this sad, hateful fucktard obviously a latent homosexual [not that there's anything wrong with that — and wouldn't he and the world be so much better off if he could just admit that?] he is probably also a closeted Chinese.
By the way, can someone at The Stranger tell me if Bethany is still hot? I ran into her in BK a few years back and she was still hot then, so I'ma go ahead and guess yes. I do hope so. Hey Bethany, it's John! Some long-distance pigtail-pullin'...
The Glenn Beck's of the world, on the other hand, scare the shit out of me.
This one is just a bad joke.
Oh, I may be a horrible person, but I did find this line kinda funny, seeing as I'm a guy with a big belly "She wants a penis, but she has a big belly. If you can't see your dick, you don't get one."
If I remember correctly, Jim Stafford did have his own comedy-variety show back in the '70s, but I think it only lasted one season. He had a great personality for TV, that's for sure.
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"This is the china people and queers - SMASH" somehow that's not hate either?
I ridiculed bush for years because he's a moron, not because he's white. I continue to ridicule wingnuts and teabaggers because they're idiots, not because they're (overwhelmingly) white.
if you get a minute......
http://davidkron.blogspot.com/
david
I actually really liked him as a kid, and as many hear have noted, he seemed more like a vaguely lefty counter-cultural type back then. The smashing stuff was brilliant at first and then quickly got old, but he had this pair of... not sure what to call them, one skate and one shoe with giant springs on it, so he'd BOING and glide, BOING and glide... pure genius. I've wanted some my whole life.
Now? He's just gotten pathetic. It's sad, really. and, worse still, he gives (well, he and several others) legitimate conservatives a bad name.
Replace "Right" with "Left" and add "smoker" after the word "religious" and you've pretty much described the unfunny Angry Idiot stylings of your beloved Bill Hicks.
Gallagher is like an old whore, going through the motions, with not much enthusiasm or freshness, but using the professional skills he has accumulated over the years to deliver an adequately crowd pleasing performance.
The first 15 minutes of his show consisted of him feeling out the audience with some town/gown stuff, some rural farmer/pickup truck material, and some right wing pleasing gay/political/God stuff.
None of what Gallagher says is terribly original or terribly funny. He seems to have absorbed and reworked things that others have done better and adapted them to a kind of comedy hash which is generally mildly amusing, but never particularly outstanding. I think he knows he's a has-been and his bitterness shows through.
He does a meet and greet before the show and is a somewhat sad looking figure with a slight potbelly, sagging shoulders, scraggly hair, and a weary demeanor.
While not impressed by his humor I was impressed by his professional skill. He read his audience well, strung together routines tailored to that particular crowd, paced his performance, and built to a big debris filled food smashing finale.
I don't like his politics, and am unamused by his material. Some of it is pandering and distasteful. I did find myself looking back on his show and appreciating the experience and skill with which he constructed and tailored a show, on the fly, uniquely suited to that audience.
Gallagher is a strange contradiction, a skilled comedian who is not very funny.
OK, the hot dog in his pants, that was funny.
If you people hate Gallagher so much, leave him the hell alone and get on with your damn lives. You're just wasting your times when you crap on him.
"I cannot believe Bill Hicks is dead and this motherfucker is still touring." is the best line.
"I cannot believe Bill Hicks is dead and this motherfucker is still touring." is the best line.
Time has not been kind to him.
I think he used to be funny, one-liner funny but he once had it...
A-fking-men.
/sigh
So my point is ,lighten up enjoy the show for what it is and don't try to make sense of it or pass judgment on him.
Further, the man smashed things with a sledgehammer (once he could lift it) and told the audience to imagine it was queers and Chinese. Sounds like fear to me. Maybe he doesn't like the political power the former has gained (tough shit) and the economic power the latter has gained (God-fearin' white Americans are just as guilty as anyone, as they keep buying and importing cheap shit made in China, so maybe he should be hitting himself with that hammer. From the sounds of it, he couldn't do much more damage).
http://www.youtube.com/watch?v=icevac7jd…
http://www.youtube.com/watch?v=icevac7jd…
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